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Southern Spaces

A journal about real and imagined spaces and places of the US South and their global connections

Sonic Zora in Florida

Daphne A. Brooks

Cover of the book When Sunday Comes.

When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras

Claudrena N. Harold

Joshua McCarter Simpson's "To the White People of America" (1854)

Jesse P. Karlsberg

An Unlikely Bohemia: Athens, Georgia, in Reagan's America

Grace Elizabeth Hale

"Within Thy Circling Pow'r I Stand": Immersive Video from Sacred Harp's Hollow Square

Jesse P. Karlsberg and Steve Bransford

Mapping the "Big Minutes": Visualizing Sacred Harp's Geographic Coalescence and Expansion, 1995–2014

Jesse P. Karlsberg and Robert A. W. Dunn

Seeing Sound: Mapping Florentine Soundscapes

LiFT Art Salon: Gallery 72

Six Degrees of Alan Lomax:
A Review and Multimedia Excerpts

Ryan André Brasseaux and Joshua Clegg Caffery

Dancing Around the "Glaring Light of Television": Black Teen Dance Shows in the South

Matthew F. Delmont

"I Used That Katrina Water To Master My Flow": Rap Performance, Disaster, and Recovery in New Orleans

Music and Mobility on the Streets of New Orleans: A Review of Roll with It

Lydia Pelot-Hobbs

Recording the Places of New Orleans Hip-hop through the NOLA Hip-hop and Bounce Archive

No Country for Old Hippies: Jason Mellard's Progressive Country

Stephanie Vander Wel

From Arkansas with Love: Evangelical Crisis Management and Southern (White) Gospel Music

Douglas Harrison

Music, Race, and Representation Post-Katrina: A Review of New Orleans Suite: Music and Culture in Transition

Putting the Vernacular in Modernism: A Review of Edward Comentale's Sweet Air

Ryan André Brasseaux

Hillbilly Records, Zulu Yodels, and the Sounds of a Global South

New Website for Music Memory

A Review of Matt Miller's Bounce: Rap Music and Local Identity in New Orleans

Queering Southern Gospel: A Review of Douglas Harrison's Then Sings My Soul

Scott L. Matthews