African American Art - Southern Spaces

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Southern Spaces

A journal about real and imagined spaces and places of the US South and their global connections

Wild Notes: A Review of Dawoud Bey’s Elegy

Sonic Zora in Florida

Daphne A. Brooks

Ecologies of the Sacred: A Review of Valérie Loichot's Water Graves

Cover of the book When Sunday Comes.

When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras

Claudrena N. Harold

Joshua McCarter Simpson's "To the White People of America" (1854)

Jesse P. Karlsberg

Quilting Conversation

Marquetta Johnson, Michael Moon, et al.

Loving-Moonlight(ing): Cinema in the Breach

Slavery's Traces: In Search of Ashley's Sack

Rose Library Highlights: Amos Kennedy, Jr.

Brick by Brick: Atlanta’s Collier Heights

Lydia A. Harris

LiFT Art Salon: Hammonds House

Dancing Around the "Glaring Light of Television": Black Teen Dance Shows in the South

Matthew F. Delmont

Africana Archives: Making Art at the Schomburg

Opening Remarks: 2014 Callaloo Conference

Natasha Trethewey and Charles Henry Rowell

"I Used That Katrina Water To Master My Flow": Rap Performance, Disaster, and Recovery in New Orleans

2014 Phillis Wheatley Poetry Reading

Kevin Young and Jericho Brown

Lift Every Voice and Sing: The Quilts of Gwendolyn Ann Magee

Kara Walker's Blood Sugar: A Subtlety or the Marvelous Sugar Baby

Valérie Loichot

A Real American Horror Story: On Steve McQueen's 12 Years a Slave

Daniel Pecchenino

A Review of Matt Miller's Bounce: Rap Music and Local Identity in New Orleans

Cultural Life in a "Chocolate City": A Review of Natalie Hopkinson's Go-Go Live