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Southern Spaces

A journal about real and imagined spaces and places of the US South and their global connections

New Patterns of Segregation: Latino and African American Students in Metro Atlanta High Schools

...between 1994/95-2007/08. There were clear differences in growth by racial group and by district. As shown in Table 1, between 1994/95-2007/08 the number of white high schoolers in the six...

The Supreme Court Is Overturning Brown v. Board of Education

...Education Betsy DeVos’s plan to spend billions of federal dollars on private school vouchers. Sign protesting Betsy DeVos at a rally, October 13, 2017. Photograph by Flickr user Backbone Campaign....

Writing Appalachia

...(1998); Jeff Mann, Loving Mountains, Loving Men (2005). Hence, diverse voices of gender, sexuality, ethnicity, and race speak throughout this anthology through authors such as Elias Boudinot, Frank X Walker,...

Lift Every Voice and Sing: The Quilts of Gwendolyn Ann Magee

...appliquéd fabrics. 16"x11.75"(closed), 16"x11.75"x23" (open). Collection of the Gwendolyn Ann Magee Estate, D. E. Magee, administrator. Deep Into the Woods, one of Magee's later works, offers a purely sculptural means...

Brick by Brick: Atlanta’s Collier Heights

...developed, financed, designed, and constructed by African Americans for African American residents.2See Betsy Riley, "Collier Heights awarded Local Historic district status," Atlanta Magazine, May 16, 2013, http://www.atlantamagazine.com/civilrights/collier-heights-awarded-local-historic-district-status/; U.S. Department of the...

Authorship in Africana Studies

...of so-called high culture was—and is—fueled by the literal entrapment and internment of Africans and their descendants.9The deep connections between especially the most elite American universities and slavery is becoming...

Collaborative Atlanta Studies Website Gathers Original Scholarship, Research, and Projects on Atlanta

...historic neighborhood and its community-based organizing legacy; and the Inman Park Squirrel Census, with findings and often humorous stories from its "census" of the Eastern gray squirrel in an urban...

"Within Thy Circling Pow'r I Stand": Immersive Video from Sacred Harp's Hollow Square

...McGraw et al., The Sacred Harp, 299. https://www.youtube.com/watch?v=Ss4Td-xSsAE&feature=youtu.be?rel=0&enablejsapi=1 [360-degree videos can only be viewed on a desktop computer or in the YouTube app on a mobile device. Click and drag...

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References
1.	For more on Sacred Harp singing, see, especially, Buell E. Cobb Jr., The Sacred Harp: A Tradition and Its Music (Athens: University of Georgia Press, 1989); John Bealle, Public Worship, Private Faith: Sacred Harp and American Folksong (Athens: University of Georgia Press, 1997); Kiri Miller, Traveling Home: Sacred Harp Singing and American Pluralism (Champaign: University of Illinois Press, 2008); David Warren Steel and Richard H. Hulan, The Makers of the Sacred Harp (Champaign: University of Illinois Press, 2010).
2.	"Akin," music by P. Dan Brittain (1971), words by Isaac Watts (1719), in Hugh McGraw et al., eds., The Sacred Harp: 1991 Edition (Carrollton, GA: Sacred Harp Publishing Company, 1991), 472.
3.	Janko Roettgers, "Google Is Shutting Down Its Jump VR Video Program," Variety (blog), May 18, 2019, https://variety.com/2019/digital/news/google-jump-shutting-down-1203219306/.
4.	On Sacred Harp's shifting geography, see James B. Wallace, "Stormy Banks and Sweet Rivers: A Sacred Harp Geography," Southern Spaces, June 4, 2007, http://southernspaces.org/2007/stormy-banks-and-sweet-rivers-sacred-harp-geography; Jesse P. Karlsberg, "Folklore's Filter: Race, Place, and Sacred Harp Singing" (PhD diss., Emory University, 2015), https://etd.library.emory.edu/concern/etds/n009w256n?locale=en; Jesse P. Karlsberg and Robert A. W. Dunn, "Mapping the 'Big Minutes': Visualizing Sacred Harp's Geographic Coalescence and Expansion, 1995–2014," Southern Spaces Blog (blog), January 23, 2018, https://southernspaces.org/2017/mapping-big-minutes-visualizing-sacred-harps-geographic-coalescence-and-expansion-1995-2014.
5.	On how Sacred Harp's spatial organization compares to that of historically related sacred music cultures, see Paula Tadlock, "Shape-Note Singing in Mississippi," in Discourse in Ethnomusicology: Essays in Honor of George List, ed. Caroline Card et al. (Bloomington: Ethnomusicology Publications Group, Indiana University, 1978), 191–207.
6.	On verbal and nonverbal communication, the hollow square, and affective intensity in Sacred Harp singing, see Miller, Traveling Home; Kiri Miller, "'Like Cords Around My Heart': Sacred Harp Memorial Lessons and the Transmission of Tradition," Oral Tradition 25, no. 2 (2010), http://muse.jhu.edu/journals/oral_tradition/v025/25.2.miller.html; Anne Heider and R. Stephen Warner, "Bodies in Sync: Interaction Ritual Theory Applied to Sacred Harp Singing," Sociology of Religion 71, no. 1 (2010): 76–97.
7.	Irving Lowens, "The Origins of the American Fuging Tune," Journal of the American Musicological Society 6, no. 1 (April 1, 1953): 46, https://doi.org/10.2307/829998. On fuging tunes, see also Karl Kroeger, American Fuging-Tunes, 1770–1820: A Descriptive Catalog (Westport, CT: Greenwood Press, 1994); Maxine Ann Fawcett-Yeske, "The Fuging Tune in America, 1770–1820: An Analytical Study" (PhD diss., University of Colorado at Boulder, 1997); Jesse P. Karlsberg, "Genre Spanning in the Close and Dispersed Harmony Shape-Note Songs of Sidney Whitfield Denson and Orin Adolphus Parris," American Music 35, no. 1 (2017): 94–132.
8.	"New Jerusalem," music by Jeremiah Ingalls (1796), words by Isaac Watts (1707), in McGraw et al., The Sacred Harp, 299.
9.	"Newburgh," music by Amos Munson (1798), words by Isaac Watts (1719), in McGraw et al., 182.
10.	"Providence," music by C. Curtis (1820), words by Isaac Watts (1719), in McGraw et al., 298.
11.	Alan Lomax and Alabama Sacred Harp Singers, All Day Singing from "The Sacred Harp," recorded 1959, 33 1/3 rpm record, Southern Journey (Bergenfield, NJ: Prestige, 1961).
12.	Cobb, The Sacred Harp.