Middle Passage Ceremonies and Port Markers Project: Remembering Ancestors
...transatlantic human trade and provide a means for addressing a painful and shameful American experience whose vestiges persist today. These ceremonies feature rituals incorporating representatives of African, Native American, Asian,...
A Review of Matt Miller's Bounce: Rap Music and Local Identity in New Orleans
...bounce, tracing the music's birth, development, and connection to the long trajectory of poor and working-class African American music-making in the city. In doing so, he offers not only a...
Gulf of Knowledge: The Hidden Scientific History of the Early American Southeast
...today's Louisiana, Mississippi, Alabama, and Florida—were central to early American knowledge production. At first glance the image appears to be a familiar allegory of Europe's conquest of the Americas. It...
Cajun South Louisiana
...Zydeco music among African Americans in the area. 1900s Musicians in Cajun band contest, National Rice Festival, Crowley, Louisiana. Photograph by Russell Lee, 1938. Courtesy of Farm Security Administration/Office of...
2014 Phillis Wheatley Poetry Reading
...year’s Phillis Wheatley Reading, an annual event co-sponsored by the Creative Writing Program and the Department of African-American Studies at Emory University. We’re pleased tonight to present this reading as...
Reckoning with Enslavement
...the firmness of her tone. "Their pain was unparalleled," she observed. "Their pain is still here. It burns in the soul of every person of African descent in the United...
Documenting Migrants: An Interview with Charles D. Thompson
...small farming, but having been influenced by my growing knowledge of Latin American agriculture and advocacy work with Central American refugees as well, I sought to understand agriculture globally. I...
Remnants of Flannery
...eighty-nine years old today. O'Connor's legacy is unique among southern writers. Unlike contemporaries Eudora Welty or Carson McCullers, O'Connor primarily wrote short stories that drew upon her bleak, dark, and...
"The Ohio River Was Not the River Jordan": A Review of Matthew Salafia's Slavery's Borderland
...a far more complex and ambivalent depiction of the river's role than the more basic—and symbolic—representations generated by Stowe, Twain, Morrison, and others. For most African Americans crossing it, he...
The Poetics of Rescue and Resilience: A Conversation with Jericho Brown on The Selected Shepherd
...the time, there is this idea: we are going to say what our actual experience is in our poems, and we are not coding it. The code will be the...