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Trouble the Land: Atlanta Student Movement

...who were so smug in their condemnation of our inaction. They’d say, "Listen, we’re freeing our nations. We’re leading revolutions. We’re escaping the yoke of colonialism. All of Africa will...

Geographies of Hope and Despair: Atlanta's African American, Latino, and White Day Laborers

...United States free of debt, Francisco decided not to pay a coyote (or a "pollero" as some border crossers call them) to help him get from Santa Cruz, Guatemala to...

No Country for Old Hippies: Jason Mellard's Progressive Country

...irony through emphasizing stereotypes of the free-loving hippie and the provincial redneck. But just how ironic depictions can transcend the dualism of the hippie-redneck alliance with rhetoric that highlights those...

New Digital Archive of Hiphop and Bounce Music in New Orleans

...Water. The Amistad collection plans to be publically available and free of charge (either online or in person at Amistad) as a digital archive of oral histories in the spring...

Daily Life, State Power, and Theory in the Lonestar State: A Review of Robert Wuthnow's Rough Country

...free market innovation. These cultural ideologies, concludes Wuthnow, shaped and impacted religion in Texas well into the twentieth century. Top, "Don't Mess with Texas," former Texas Govenor Rick Perry covers...

Family Forestry in Twiggs County, Georgia / Live in Macon at the Douglass Theatre

...In addition to musical recording and touring, Leavell manages his pine forested Charlane Plantation located in Twiggs County, Georgia. To help shape policy and to promote sound forestry management practices...

Announcing: Trouble the Land: A Personal History of the Civil Rights Movement in Five Southern Cities

...Atlanta’s carefully managed image of racial moderation. Centered on the 1960s, the installment traces how a white business-led power structure promoted stability and economic growth while limiting meaningful desegregation. Topics...

Residues of Border Control

...dream come true. Luke Desforges, "Front Doors to Freedom, Portal to the Past: History at the Ellis Island Immigration Museum, New York," Social & Cultural Geography 5, no. 3 (2004)....

References
1.	All photographs: Susan Harbage Page, Chapel Hill, North Carolina. Copyright © 2009 and 2010. All rights reserved.
2.	Judith Butler, Frames of War. When Is Life Grievable (London: Verso, 2009), 25.
3.	Arizona Senate Bill 1070, signed into law on April 23, 2010, controversially makes it a misdemeanor to be an alien in Arizona without carrying registration documents and requires law enforcement officials to determine a person's immigration status if there is "reasonable suspicion" that the person is an "illegal alien." It also establishes penalties for harboring or transporting an undocumented immigrant and allows law enforcement to arrest any individual without warrant if they believe this person is “removable from the United States."
4.	Spencer S. Hsu and Andrew Becker, "ICE Officials Set Quotas to Deport More Illegal Immigrants," The Washington Post, March 27, 2010.
5.	The practice of formally detaining border crossers (as opposed to simply returning them across the border) has become more prevalent since the implementation of Operation Streamline in 2005. See ACLU and National Immigration Forum, "Operation Streamline Fact Sheet," (Washington, DC: National Immigration Forum, 2009).
6.	The map traces the journeys into the United States of members of an adult ESL course Harbage Page taught with Lauren McGrail and Dani Moore called Project Focus. It was a collaboration between Voices and Casa Multicultural and was funded by the North Carolina Community College System and the Durham Arts Council, 2000. The image is a page from an alphabet book produced in class. The maps are Polaroid images of a large map in the classroom where each student marked their journey from their home country to Durham, North Carolina with string. The writing was done by Guillermina Flores Godinez.
7.	Migration Policy Institute, “States Ranked by Percentage Change in the Foreign Born Population” Migration Policy Institute Data Hub (Migration Policy Institute, 2011). These figures explain why the South has been identified as one of the “new” immigration destinations, areas that, unlike California, Florida, New York, and Texas, were not traditional “immigrant states” until the last two decades. Jamie Winders refers to the US South as one of the “nontraditional” destinations for the Latino immigrant population, whose rates of growth have reached up to 500% in certain cities between 1990 and 2005. Jamie Winders, "Changing Politics of Race and Region: Latino Migration to the U.S. South," Progress in Human Geography 29, no. 6 (2005): 683-4. The 2010 census reflects this phenomenon, showing that those “areas that had been home to the most immigrants” show a flat growth in “foreign born population” while some rural and suburban areas with less than 5% of immigrant population in 2000 show increases of more than 60%. Sabrina Tavernise and Robert Gebeloff, "Immigrants Make Paths to Suburbia, Not Cities," in The New York Times (New York: 2010).
8.	Migration Policy Institute, “States Ranked by Numeric Difference in the Foreign Born Population” Migration Policy Institute Data Hub (Migration Policy Institute, 2011). The Pew Hispanic Center 2010 census tabulations of growth in Hispanic population (i.e., not necessarily foreign born) show that South Carolina, Alabama, Tennessee, Kentucky, Arkansas, North Carolina, and Mississippi figure among the top ten states. Immigrants from Mexico, the Caribbean, Central America and South America constitute approximately 53% of the total foreign born population. In Georgia, Virginia, and North Carolina they make up 54.5%, 36.1%, and 57.3%, respectively. See Tables 3 and 13 in Pew Hispanic Center “Statistical Portrait of the Foreign Born Population in the United States, 2009” in Pew Hispanic Center February 17 (Pew Research Center, 2011).
9.	Nicholas De Genova, "The Legal Production of Mexican/Migrant "Illegality"," Latino Studies 2, no. 2 (2004), Guillermina Gina Núñez and Josiah McC. Heyman, "Entrapment Processes and Immigrant Communities in a Time of Heightened Border Vigilance," Human Organization 66, no. 4 (2007); Inés Valdez, "Sovereignty and the City: Raiding, Detaining, and Domestic Immigration Policing" (paper presented at the Annual Meeting of the Western Political Science Association, San Francisco, April 3-5 2010); Mathew Coleman, "The "Local" Migration State: The Site Specific Devolution of Immigration Enforcement in the US South," Law & Policy forthcoming (2011).
10.	Desmond King and Inés Valdez, "From Workers to Enemies. National Security, State Building and America’s War on Illegal Immigrants," in Narrating Peoplehood in Plural Societies: The United States, Canada and Denmark in Historical Experience and Theoretical Perspective, ed. Michael Bøss (Aarhus: Aarhus Academic Press, 2011).
11.	President Reagan launched the project of the museum on occasion of the centennial of the Statue of Liberty in 1986. He moved Ellis Island to the purview of the National Park Service, merged it with the Statue of Liberty and created a public-private partnership that was led by Lee Iacocca, himself the son of an immigrant and the American dream come true. Luke Desforges, "Front Doors to Freedom, Portal to the Past: History at the Ellis Island Immigration Museum, New York," Social & Cultural Geography 5, no. 3 (2004).
12.	De Genova, "The Legal Production of Mexican/Migrant 'Illegality.'", Judith Smith, "Celebrating Immigration History at Ellis Island," American Quarterly 44, no. 1 (1992): 85.
13.	Desforges, "Front Doors to Freedom, Portal to the Past: History at the Ellis Island Immigration Museum, New York," 437.
14.	A wall with over 700,000 names (at the time of writing) exists in Ellis Island. Individuals or families can add their names for a fee of $150. Entries are received for all ports of entry and years of arrival, with the common element being the “celebration of American migration” (see the museum’s site for the wall of honor). The opening of the “wall” to all immigrants is significant and worthy of praise, yet the story that is portrayed by the museum is still devoted to the earlier migratory wave, one restricted in time and not predominantly originating in the Western Hemisphere.
15.	The photographs in fact represent the physical archive that is being created and kept by Harbage Page.

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