Ossabaw Island Flyover
...structures. Acknowledgment Thanks to the Ossabaw Island Foundation for their support on this piece. About the Authors Anthony "Tony" Martin is a professor of practice in the Department of Environmental...
Gold Records in Deep Space
...Musical Journey (New York: Amistad, 2003), 161. Wenders wanted the old footage to be "the backbone of the second half of [the] film," revealing more than any contemporary interview.2Ibid. Steve...
Call for Blog Posts: Voting, Politics, and Similar Subjects
...other submission types are always welcome, we're specifically requesting blog post submissions to enable quick turnaround, as we anticipate publishing successful submissions during the fall 2020 election season. 2016 Moral...
The Mobility of Faith: Cross Sections of Haitian Religion in Miami
...Faith examines how a particular Latin American religious collusio manifests in Miami. Importantly, Rey and Stepick foreground how religion informs classism among Miami's Haitian Christian population. In Chapter Two, "Immigrant...
No Country for Old Hippies: Jason Mellard's Progressive Country
... Texas Music, 2007. Photograph by Steve Hopson. Creative Commons License CC-BY-SA 2.5. Despite the book's title, progressive country is only one of the many expressive forms Mellard draws...
1108 Dynamite Hill
...1960s movement protest, the hilly residential street where Drew grew up and still resides was a battleground in the fight against segregation. In the 1940s, Center Street was the dividing...
Marching for Gay Rights in Atlanta, 1971: An Excerpt from A Night at the Sweet Gum Head
...the narrative he crafts. He writes: "As for me, [the book is] something of a memoir. In many ways, John and Bill and I have lived the same life, in...
Music and Mobility on the Streets of New Orleans: A Review of Roll with It
...Brass Bands in the Streets of New Orleans Matt Sakakeeny traces the celebrated and contested political and economic terrain where brass bands make music that defines the city. In Sakakeeny's...
Medicine as Memory: Radcliffe Bailey at Atlanta's High Museum of Art
...an agent of the diaspora, as a ground for the slave trade, or as a temporal gulf that separates Bailey from his genetic past, each work recognizes the ocean’s size...
Open Educational Resources at Southern Spaces
...long-form interpretive and critical pieces result from extended scholarly engagement with a topic, frequently breaking new ground in critical regional studies, African American, Native, and American Studies, women's and gender...