Sankofa Series: What Must Be Remembered
...Company dating to ca. 1860.2This passbook is housed in the African American Miscellaneous Collection in Emory University’s Stuart A. Rose Manuscript, Archives, and Rare Book Library. Passbooks were used during...
"We're Almost There": The Drive-By Truckers' Art of Place
Review "I don't need a map to tell me where I am today." —Mike Cooley The Drive-By Truckers have always done their best and most arresting work about place. They...
An Upcountry Legacy: Mary Black's Family Quilts
...New County Railroad and Distance Map of Alabama, Georgia and South Carolina" [c. 1875] Detail from South Carolina Map. G.W. & C.B. Colton & Co. [c. 1892] Detail from "South...
LiFT Art Salon: Hammonds House II
...Rare Book Library, March 29, 2016. Photograph by Kelly Gannon. Courtesy of Kelly Gannon. Today, as a doctoral student in Emory University's Institute for the Liberal Arts, I research contemporary...
Natasha Trethewey Interviews Elizabeth Alexander
Interview with Natasha Trethewey Part 2: Alexander discusses growing up in NYC and Washington DC, DC as Upsouth, identifications with Blackness and southernness Part 3: Alexander discusses southernness and urban space, and...
En ningún [pero todo] lugar del mundo: Historia y sexualidad cubana en el teatro de Abel González Melo
...años en África (1975–1988), con fuerzas militares cubanas sobre el terreno en nombre de la liberación de Sudáfrica durante ese tiempo. La asociación militar terminó con la independencia de Namibia...
Forgotten Locavores: Letters and Literature of Market Bulletins
...(2009) and author of A Mess of Greens: Southern Gender and Southern Food (2011). Engelhardt is co-editing (with John T. Edge and Ted Ownby) a forthcoming volume about southern food methodologies....
LiFT Art Salon: Hammonds House
...Museum serves as one of Atlanta's premiere institutions of African American and African diasporic art. The July 12, 2015, event was titled #homeplace, an homage to bell hooks's essay about black women's homes as sites of resistance and to Hammonds...
A Horrible, Beautiful Beast
...the story," the African American artist Kara Walker has said about her art. "You keep creating a monster that swallows you." In a mid-career retrospective currently on tour, Walker's subject...
You Can't Eat Coal, and Other Lessons from Appalachian Women's History
...since the 1960s, many locations in the Appalachian South, like rural and working-class communities across the nation, have experienced the rise of extreme economic inequality, and a growing divide between...