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Southern Spaces
A journal about real and imagined spaces and places of the US South and their global connections

Eggleston's South: "Always in Color"

...Middle-Class Fell in Love with Rebellion in Postwar America (New York: Oxford University Press, 2011) and Making Whiteness: The Culture of Segregation in the South, 1890–1940 (New York: Pantheon, 1998)....

Local Color

...harnessing the genre's equal potential for irony to expose the blindness or self-serving motives of the master class. Local Color became America’s first national literature of race. It also became...

Residues of Border Control

...the Durham Arts Council, 2000. The image is a page from an alphabet book produced in class. The maps are Polaroid images of a large map in the classroom where...

"Aint that Something?"

...Fiction Since 1878: "Appalachia in the national geographic imaginary . . . has largely remained an essentialist vision of the region—white, rural, poor or working-class mountain people with highly specific...

Brushes with War

...Winslow Homer. Courtesy of the Portland Museum of Art, 1992.41. Near Andersonville, 1866. Oil on Canvas by Winslow Homer. Courtesy of the Newark Musem, 66.354. Prisoners from the Front, 1866....

Sankofa Series: What Must Be Remembered

...Company dating to ca. 1860.2This passbook is housed in the African American Miscellaneous Collection in Emory University’s Stuart A. Rose Manuscript, Archives, and Rare Book Library. Passbooks were used during...

Changing Places, Changing Lives

...worker experiences (12–13). Hatcher, Chas. F. Slave Depot advertisement, New Orleans, ca. 1861. Advertisement originally published in Gardner's New Orleans Directory for 1861 (Gardner, 1861). Courtesy of Wikimedia Commons. Image...