Daily Life, State Power, and Theory in the Lonestar State: A Review of Robert Wuthnow's Rough Country
Review As I write this review of Robert Wuthnow's compelling account of Texas religious and cultural history, I am struck by two seemingly unrelated yet telling events that resonate...
Call for Submissions: Queer Intersections / Southern Spaces
...Lesbian, Transgender, and Bisexual southern experiences Gender identity and performance Canons and Questions Histories of sexuality in critical and popular thought Identity politics in site-specific contexts Pedagogy and the academy's...
Anniversary
Readings Jake Adam York reads the poem "Anniversary." Poem text. Jake Adam York reads the poem "Consolation." Poem text. Jake Adam York reads the poem "Darkly." Poem text. Jake Adam...
St. Catherines Island Flyover
...pre-Civil War plantation sites. Map detailing the geography of St. Catherines Island and St. Catherines Sound. Map courtesy of Steve Bransford, Anthony Martin, and Michael Page. Screenshot courtesy of Southern...
Prop Master at Charleston's Gibbes Museum of Art
...to collaborate on a major site-specific installation inspired by the Gibbes' 150 year-old collection. Dr. Laurel Fredrickson, an art history Scholar in Residence at Duke University, authored the wall text...
In the Queen City: A Reading at the Gadsden Public Library
A Reading at the Gadsden Public Library Part 2: York reads from “At Liberty (1961),” “At Liberty (1964),” and “Substantiation” Part 3: York reads from “At Sun Ra’s Grave” and...
Contact
To subscribe to our monthly email announcements, click here. Email Address: SEditor@Emory.edu Fax Number: 404 727 0827 Mailing Address: Southern Spaces Robert W. Woodruff Library Emory University 540 Asbury Circle Atlanta,...
Call for Submissions: Music and the US South
...projects may take any of a number of forms. Please contact us if you have any questions about our process, infrastructure, or other aspects of digital project publishing. Southern Spaces editors are...
The Save All Quilt [ca. 1880]
...relatively close together when cutting the fabric, but the claim of "no waste in material" is not entirely accurate. Making a quilt can express thrift in a number of ways,...
Paul's Crazy Quilt [ca 1875 and ca 1915]
...would likely have made this number if she had envisioned this project from the start. Finally, although red fabrics appear in both the star and the crazy blocks, there is...