2014 Phillis Wheatley Poetry Reading
Greetings by Natasha Trethewey Natasha Trethewey introduces the 2014 Callaloo Conference. I am Natasha Trethewey, the Director of the Creative Writing Program and I’m pleased to welcome you to this...
Longleaf, Far as the Eye Can See: A New Vision of North America's Richest Forest
Review Longleaf, Far as the Eye Can See presents a rhapsodic argument in pictures and words for the preservation, restoration, and reestablishment of longleaf pine forests across the areas of the...
MARBL Presents Atlanta Intersections: Photographer Stephanie Dowda on Topophilia
...in numerous galleries, including Get This Gallery, M Rich Gallery, Beep Beep Gallery, Hagedorn Foundation Gallery, Kibbee Gallery, and the Atlanta Preservation Center. In this clip, Dowda discusses her life-altering...
Iconoclasm and the Confederacy: The Challenge of White Supremacy in the Memorial Landscape
...Kneeling Slaves: Race, War, and Monument in Nineteenth-Century America (Princeton, NJ: Princeton University Press, 1997). Andra Gillespie is an associate professor of political science at Emory University. Gillespie, who studies racial and...
The Slaveholding Empire: Southerners, Federal Authority, and Slave Power Abroad
...the secession crisis. An Act for the Abolition of Slavery throughout the British Colonies, Great Britain, August 28, 1833. Courtesy of the Freedom City virtual archive, Toronto Public Library. For...
The Black Civil Rights Movement on the Border
...settled in the rapidly growing city of El Paso in 1909. El Paso, Texas, ca. 1910. Postcard photograph by unknown creator. Courtesy of the Southern Methodist University DeGolyer Library, Real...
New Digital Archive of Hiphop and Bounce Music in New Orleans
...and bounce in this collection, in a city where these musics are so often segregated as something different––considered unworthy of preservation or protection and support as cultural heritage––cannot be overstated....
Queer Memory: Loss, Martyrs, and Memorialization in Southern Florida
...Orlando1Virginia Woolf, Orlando: A Biography (Orlando, FL: Harcourt, 1956), 78. Sankofa: go back to fetch it. The implied subject is the imperative "you," as in "you go back to fetch...
When the Border Crossed Me
...me, let alone foreign workers. Yet, on that hot afternoon thirty years ago, I joined the thousands of farmers and other business owners who have hired people who have traveled...
Something True about Louisiana: HBO's True Detective and the Petrochemical America Aesthetic
...the murdering, but who was only a relative of one the real masterminds: a cabal of politicians, nonprofit leaders, businessmen, police, and meth cookers who stage gruesome murders, kidnap children,...