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African American Community Building in Atlanta: A Guide to the Study of Race in America

...schools, streetcars, libraries, restaurants and parks. The urban environment created new opportunities for the application of Jim Crow. Atlanta relegated Blacks to separate elevators. The new zoo at Grant Park...

Preserving the Memory of Ybor City, Florida

...camera atop new Burgert Brothers truck parked by Davis Island pool building, Tampa, Florida, 1936. Catalog no.: PA 5906. In the Tampa Bay area at the turn of the century...

Finding Media

...copyright. Creators can choose a number of different licenses, specifying what kinds of uses are permitted. CC also offers a useful search function, allowing a user to find particular types...

The X-Codes: A Post-Katrina Postscript

...honor: Part historic preservation, part act of defiance, the spray-painted markings of Katrina rescue workers remain prominently displayed on many reoccupied New Orleans homes." New Orleans Times-Picayune, July 24, 2007....

An Upcountry Legacy: Mary Black's Family Quilts

...Laura lived first with their stepmother and later with their double aunt and uncle, A. J. Daniel and Nancy Snoddy Daniel. Samuel Miller Snoddy served as guardian ad litem for...

I-26, Corridor of Change

...at Chapel Hill) http://docsouth.unc.edu/sohp/K-505/menu.html Interview with Sam Parker, a Madison County Probation/Parole Officer about his leaving suburbia in the 1960s for rural life and the transformation of the area. (December...

Deep in the Cane: The Southern Soul of Gil Scott-Heron

...and throughout the 1970s, several white critics complained that African American music had lost its southern grit. In particular, the steady decline of the Memphis-based recording label, Stax, symbolized for...

Dancing Around the "Glaring Light of Television": Black Teen Dance Shows in the South

...appear on your 'Dance Party'?"42Hazel Jordan, letter to J.D. Lewis (WRAL), May 8, 1966, Lewis Family Papers, folder 140. Fans also felt free to criticize the format of Teenage Frolics....

When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras

...Cleveland had a male vocalist in the gospel world occupied such a ubiquitous presence on gospel radio. Tunes like "The Storm Is Passing Over," "Lily in the Valley," "Never Shall...

References
1.	See Horace Clarence Boyer, Golden Age of Gospel (Champaign: University of Illinois Press, 2000); Jon Spencer, Protest and Praise: Sacred Music of Black Religion (Minneapolis, MN: Fortress Press, 1991); Michael W. Harris, Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church (New York: Oxford University Press, 1994); Bob Darden, People Get Ready! A New History of Black Gospel Music (New York: Bloomsbury, 2004); Anthony Heilbut, Gospel Sound: Good News and Bad Times (New York: Simon and Schuster, 1971); Pearl Williams-Jones, "Afro-American Gospel Music: A Crystallization of the Black Aesthetic," Ethnomusicology 19, no. 3 (1975) 373–385; Robert M. Marovich, A City Called Heaven: Chicago and the Birth of Gospel Music (Champaign, University of Illinois Press, 2015); and Jerry Zolten, Great God A'Mighty! The Dixie Hummingbirds: Celebrating the Rise of Soul Gospel Music (New York: Oxford University Press, 2003)
2.	Fortunately, digging deeper into gospel's more recent history has been made easier with the important work of scholars like Mellonee V. Burnim, Brooksie Eugene Harrington, Deborah Pollard Smith, Jon Spencer, Guthrie Ramsey, and Birgitta Johnson. In addition, historians like Shawn David Young and David Stowe provide useful insights into the contemporary Christian music genre. Brooksie Eugene Harrington, "Shirley Caesar: A Woman of Words" (PhD diss., Ohio State University, 1992); Birgitta J. Johnson, "Back to the Heart of Worship: Praise and Worship Music in a Los Angeles African-American Megachurch," Black Music Research Journal 31, no. 1 (2011): 105–129; Deborah Smith Pollard, When the Church Becomes Your Party: Contemporary Gospel Music (Detroit, MI: Wayne State University Press, 2008); Spencer, Protest and Praise; David W. Stowe, No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism (Chapel Hill: University of North Carolina Press, 2013); Shawn David Young, Gray Sabbath: Jesus People USA, the Evangelical Left, and the Evolution of Christian Rock (New York: Columbia University Press, 2015); Guthrie P. Ramsey, Race Music: Black Cultures from Bebop to Hip-Hop (Berkeley: University of California Press, 2004).
3.	Geoffrey Himes, "Shout It! Gospel According to Shirley Caesar," Washington Post, April 3, 1987, B7.
4.	John P. Kee, Wait on Him (Tyscot Records, 1991).
5.	Christina Greene, Our Separate Ways: Women and the Black Freedom Movement in Durham, North Carolina (Chapel Hill: University of North Carolina Press, 2005).
6.	"Obituary," Carolina Times, January 31, 1981.
7.	Bobby Jones and Lesley Sussman, Touched by God: Black Gospel Greats Share Their Stories of Finding God (New York: Pocket Books, 1998), 239.
8.	Carol B. Stack, Call to Home: African Americans Reclaim the Rural South (New York: Basic Books, 1996); Sabrina Pendergrass, "Perceptions of Race and Region in the Black Reverse Migration to the South," Du Bois Review: Social Science Research on Race 10, no. 1 (2013): 155–178; George Gmelch, "Return Migration," Annual Review of Anthropology 9 (1980): 135–159; Larry H. Long and Kristin A. Hansen, "Trends in Return Migration to the South," Demography 12, no. 4 (1975): 601–614.
9.	David D. Porter and Rosalyn Gist Porter, "The Changing Profile of Charlotte," Black Enterprise 13 (June 1983): 180.
10.	Jones, Touched by God, 242.
11.	Robert Darden, "New Life's 'Wait on Him' Is an Overnight Hit for John P. Kee," Billboard, February 24, 1990, 45.

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