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African American Community Building in Atlanta: A Guide to the Study of Race in America

...pain and guilt of racial conflict has made race a virtually taboo topic of discussion and an elusive subject of study. The constantly changing racial references are telling examples of...

Preserving the Memory of Ybor City, Florida

...Project of the Federal Writers' Project. While the Federal Writers' Project produced a wide variety of materials, this American Memory collection focuses on materials "meant to reflect the ordinary person's...

Finding Media

...few favorite sites and search strategies for finding useable media: Public Domain and US Government works: The term "public domain" can be a little tricky—there are a number of caveats...

The X-Codes: A Post-Katrina Postscript

...numbers and letters in each quadrant of the X, recorded coded information. Later, as I recalled my odyssey through drowned areas of the city, I kept returning to that visual...

An Upcountry Legacy: Mary Black's Family Quilts

...Carolina to conduct a survey of quilts owned in selected counties. This project resulted in a traveling exhibition and the book, Social Fabric: South Carolina's Traditional Quilts. In 1999, Horton...

I-26, Corridor of Change

...the coming of I-26 might evoke through the framing, detail, and texture of photography. The result was not a pro- or anti-development project, but one that voiced a range of...

Deep in the Cane: The Southern Soul of Gil Scott-Heron

...of appalling injustice that has lasted to the present day." Securing a conviction rather than justice consumed the local police, which quickly identified young Gary Tyler as their suspect. Within...

Dancing Around the "Glaring Light of Television": Black Teen Dance Shows in the South

...by recruiting contemporary Washington teenagers, teaching them the locally distinct "hand dance" of the era, and having them reenact the dances. "We had eight weeks to get these kids taught,"...

When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras

...out, Durham's white power brokers were more concerned with racial harmony than with racial justice. The conflict between the city's racial moderates and more direct action-oriented civil rights organizers reached...

References
1.	See Horace Clarence Boyer, Golden Age of Gospel (Champaign: University of Illinois Press, 2000); Jon Spencer, Protest and Praise: Sacred Music of Black Religion (Minneapolis, MN: Fortress Press, 1991); Michael W. Harris, Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church (New York: Oxford University Press, 1994); Bob Darden, People Get Ready! A New History of Black Gospel Music (New York: Bloomsbury, 2004); Anthony Heilbut, Gospel Sound: Good News and Bad Times (New York: Simon and Schuster, 1971); Pearl Williams-Jones, "Afro-American Gospel Music: A Crystallization of the Black Aesthetic," Ethnomusicology 19, no. 3 (1975) 373–385; Robert M. Marovich, A City Called Heaven: Chicago and the Birth of Gospel Music (Champaign, University of Illinois Press, 2015); and Jerry Zolten, Great God A'Mighty! The Dixie Hummingbirds: Celebrating the Rise of Soul Gospel Music (New York: Oxford University Press, 2003)
2.	Fortunately, digging deeper into gospel's more recent history has been made easier with the important work of scholars like Mellonee V. Burnim, Brooksie Eugene Harrington, Deborah Pollard Smith, Jon Spencer, Guthrie Ramsey, and Birgitta Johnson. In addition, historians like Shawn David Young and David Stowe provide useful insights into the contemporary Christian music genre. Brooksie Eugene Harrington, "Shirley Caesar: A Woman of Words" (PhD diss., Ohio State University, 1992); Birgitta J. Johnson, "Back to the Heart of Worship: Praise and Worship Music in a Los Angeles African-American Megachurch," Black Music Research Journal 31, no. 1 (2011): 105–129; Deborah Smith Pollard, When the Church Becomes Your Party: Contemporary Gospel Music (Detroit, MI: Wayne State University Press, 2008); Spencer, Protest and Praise; David W. Stowe, No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism (Chapel Hill: University of North Carolina Press, 2013); Shawn David Young, Gray Sabbath: Jesus People USA, the Evangelical Left, and the Evolution of Christian Rock (New York: Columbia University Press, 2015); Guthrie P. Ramsey, Race Music: Black Cultures from Bebop to Hip-Hop (Berkeley: University of California Press, 2004).
3.	Geoffrey Himes, "Shout It! Gospel According to Shirley Caesar," Washington Post, April 3, 1987, B7.
4.	John P. Kee, Wait on Him (Tyscot Records, 1991).
5.	Christina Greene, Our Separate Ways: Women and the Black Freedom Movement in Durham, North Carolina (Chapel Hill: University of North Carolina Press, 2005).
6.	"Obituary," Carolina Times, January 31, 1981.
7.	Bobby Jones and Lesley Sussman, Touched by God: Black Gospel Greats Share Their Stories of Finding God (New York: Pocket Books, 1998), 239.
8.	Carol B. Stack, Call to Home: African Americans Reclaim the Rural South (New York: Basic Books, 1996); Sabrina Pendergrass, "Perceptions of Race and Region in the Black Reverse Migration to the South," Du Bois Review: Social Science Research on Race 10, no. 1 (2013): 155–178; George Gmelch, "Return Migration," Annual Review of Anthropology 9 (1980): 135–159; Larry H. Long and Kristin A. Hansen, "Trends in Return Migration to the South," Demography 12, no. 4 (1975): 601–614.
9.	David D. Porter and Rosalyn Gist Porter, "The Changing Profile of Charlotte," Black Enterprise 13 (June 1983): 180.
10.	Jones, Touched by God, 242.
11.	Robert Darden, "New Life's 'Wait on Him' Is an Overnight Hit for John P. Kee," Billboard, February 24, 1990, 45.

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