1108 Dynamite Hill
...line between white and Black property: white residents on the west side and Black residents on the east side. Ignoring Jim Crow, Drew's family and other Black families crossed the...
Something True about Louisiana: HBO's True Detective and the Petrochemical America Aesthetic
...than a sexy, murky adventure swamp, its Louisiana is in tension between a postindustrial fade to iron surrounded by barren earth and the wild rule of plants and reptiles. As...
Vale of Amusements: Modernity, Technology, and Atlanta's Ponce de Leon Park, 1870–1920
...(Source: "Shooting the Chutes," Atlanta Constitution (April 9, 1896), pg. 10. In the last decades of the nineteenth century, privately-owned amusement parks dotted the American landscape, and by 1920, between...
The Carolina Piedmont
...to desegregate factories and workplaces, or in the number of newly elected black officials. In reaction, drawing upon anti-government resentment and racial codewords, initiatives such as Richard Nixon's Southern Strategy...
On Fair Use
...higher education. The United States Copyright Office outlines its "fair use" policy in Section 107 of Title 17 of the United States Code, enumerating "various purposes for which the reproduction...
You Can't Eat Coal, and Other Lessons from Appalachian Women's History
...since the 1960s, many locations in the Appalachian South, like rural and working-class communities across the nation, have experienced the rise of extreme economic inequality, and a growing divide between...
Race
...look from an ivory spouse who is learning her husband's caesuras. She can see silent spaces but not what they signify, graphite markings in a forester's code. Many others have...
Call for Submissions: Landscapes and Ecologies of the U.S. South Proposals due: January 31, 2011
...Ward, New Orleans, Louisiana, 2005. From Dorothy Moye's Katrina + 5: An X-Code Exhibition. 400-600 word proposals should include: a description of the major ideas, arguments, and sources for the...
Medicine as Memory: Radcliffe Bailey at Atlanta's High Museum of Art
...becomes a medicine cabinet whose magic is the reparative line from photograph to artifact to blood code that describes a history, something that can now be remembered; the depth of...
Life in a Shatter Zone: Debra Granik's Film Winter's Bone
...regions of the United States, University of Mississippi ethnohistorian Robbie Ethridge’s work brings the concept of the “shatter zone” to bear on the history of contact between settlers and Native...