Local Color
...color writers might be seen as promoting a separatist view of region through their attention to difference and unique detail, but they might also be seen as arguing an early...
Interstate Road Project, Single-State History: Tammy Ingram's Look at the Dixie Highway
...Indianapolis automotive headlights manufacturer Carl Fisher, who had plowed his fortune into the Indianapolis Motor Speedway, and later into promoting long-distance roads, including the earlier Lincoln Highway. The Dixie Highway—one...
LiFT Art Salon: Hammonds House
...Xavier Blk and Will Edmond, two of Atlanta's hottest DJs and party promoters, discussed their business philosophy and the "creative" benefits of living as a collective. Finally, hometown R&B singer, Donnie,...
Opening Remarks: 2014 Callaloo Conference
...that a number of forward-looking faculty members in literary studies and cultural studies in English departments would gladly promote our recognition that, instead of engaging in the traditional myopic behavior...
The Shenandoah Valley
...promote railroad and coal mining throughout southwestern Virginia, Appalachia, and the Valley in the 1870s and 1880s. The beauty of the region attracted investors to build hotels and resorts,...
On Fair Use
...higher education. The United States Copyright Office outlines its "fair use" policy in Section 107 of Title 17 of the United States Code, enumerating "various purposes for which the reproduction...
The South as Foil: A Review of This Is Not Dixie
Review "By branding the South as the racist section of the country," writes Brent Campney, "those narrating the identity of other sections have found a foil against which they can...
Shared Space, Separate Pasts: Versions of Slavery in Charleston
Review Historians Ethan J. Kytle and Blain Roberts, professors at California State University, Fresno, have produced a brilliantly written and thoroughly engaging place-based exploration of competing narratives of racial enslavement....
Race
...look from an ivory spouse who is learning her husband's caesuras. She can see silent spaces but not what they signify, graphite markings in a forester's code. Many others have...
Ecologies of the Sacred: A Review of Valérie Loichot's Water Graves
...Water Graves recognizes the album's imbrication with capitalist profit—casting Beyoncé as an embodiment of the capitalistic deity Mami Wata—it doesn't investigate how the economic "interests" underwriting her album inflect and/or...