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African Americans in Atlanta: Adrienne Herndon, an Uncommon Woman

...promoted her debut through advertisements and well-placed references, Adrienne succeeded in gaining the attention of more than ten Boston area newspapers. For the most part, the reviews were glowing. "She...

American and British Slave Trade Abolition in Perspective

American and British Slave Trade Abolition in Perspective Part 2: Davis discusses connections between enslaved African labor, trans-Atlantic trade, and emerging anti-slavery movements Part 3: Davis discusses three major factors...

Tracing the Arctic Regions: Mapping 19th Century Photographs of Greenland

Presentation https://vimeo.com/171940774 Question and Answer Session https://vimeo.com/174834636 About the Speaker George Philip LeBourdais is a PhD candidate in the Department of Art and Art History at Stanford University. His research...

Conflict and the Senses: A Review of The Smell of Battle, the Taste of Siege

...2006) he explored the sensory dynamics of racialization in the American South. In The Smell of Battle, The Taste of Siege, he turns his attention to the Civil War. Smith...

DOIs and Altmetrics

Screenshot of Altmetric homepage, June 7, 2016. Courtesy of Southern Spaces. Southern Spaces announces the adoption of several features that support our mission of publishing open access and public-facing scholarship....

The Medicalized Border and the Politics of Exclusion

...common, fluid border in the geographic regions of South Texas and Northern Mexico. Rio Grande and Pecos Railway Company, Detail of a map of the Rio Grande and Pecos Railway...

Race

...look from an ivory spouse who is learning her husband's caesuras. She can see silent spaces but not what they signify, graphite markings in a forester's code. Many others have...

Gravestones in Chester County, South Carolina and Wythe County, Virginia

William Simpson gravestone (1777), Stone Cemetery, Chester County, South Carolina, March 1996. Rear faces of gravestones carved by Laurence Crone, McGavock Family Cemetery, Fort Chiswell, Wythe County, Virginia, August 1978....

References
1.	I attended and observed preparations for the Moore’s Ford reenactments in 2007, 2008, 2009 and 2010. I have interviewed many participants in the 2005 and 2006 reenactments.
2.	For an account of earlier memorial practices at Moore’s Ford see Mark Auslander, "'Return to Sender:' Confronting Lynching and Our Haunted Landscapes.“ Southern Changes, Vol. 24, No. 1-2, 2002, pp. 4-7.
3.	Inge Nielsen, Cultic Theatres and Ritual Drama: A Study in Regional Development and Religious Interchange between East and West in Antiquity (Aarhus, Denmark: Aaruhus University Press, 2002).
4.	Rory Tuner, “Bloodless Battles: The Civil War Reenacted,” The Drama Review, Vol. 24, no. 4 (1990).
5.	Alice Correia, “Interpreting Jeremy Deller’s The Battle of Orgreave,” Visual Culture in Britain, Vol. 7, no. 2 (2006).
6.	Oren Baruch Stier, “Different Trains: Holocaust Artifacts and the Ideologies of Remembrance,” Holocaust and Genocide Studies, Vol. 19, no. 1 (2005).
7.	Jo Blatti, “Field to Factory: Afro-American Migration, 1915-1940,” Oral History Review, Vol. 16, no. 1 (1988). The exhibition was curated by Spencer Crew and designed by Jim Sims.
8.	Handler and Gable report that white reenactors and staff at Colonial Williambsurg tend to minimize the cruelty of the slavery system. Richard Handler and Eric Gable, The New History in the Old Museum: Creating the Past at Colonial Williamsburg (Durham: Duke University Press, 2002): p.225.
9.	James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, no. 4 (1999): p. 30.
10.	The protests against the auction were organized primarily by the local NAACP and SCLC chapters. In her detailed analysis of this episode Lisa Woolfork argues that much of the local African American opposition to the auction was deeply gendered; senior male African American activists and civil rights leaders, she suggests, were offended that the auction was conceived of and planned by female African American professionals at Colonial Williamsburg. Lisa Woolfork, Embodying American Slavery in Contemporary Culture (Urbana: University of Illinois Press, 2009). See also James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, No. 4 (1999).
11.	In spring 2010 a Lumpkin County, Georgia high school history teacher was placed on leave after her students, planning on creating an anti-racist film about lynching, walked through the school cafeteria wearing Klan robes. See: http://www.wsbtv.com/news/second-teacher-at-center-of-kkk-controversy/241731973.
12.	I wish to emphasize that local community disagreements with the urban-based organizers of the reenactments, over issues such as the age of the vehicle, were nuanced and low key. Nearly all local participants would be extremely reluctant to offer public critique of a figure such as Representative Boyd, whom is widely regarded in the Georgia African American community as a hero of the civil rights struggle.
13.	It is interesting to note that in 2008 a friend of Jane’s, one of the organizers of the performance, made the doll out of nylon pantyhose. So in that year the doll and Martin’s shirt shared powerful affinities, both were articles of clothing stained with blood.
14.	Roland Barthes, Camera Lucida, tr. Richard Howard (New York: Hill and Wang, 1981).

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