LiFT Art Salon: Hammonds House
...each visual artist produced work that interpreted homeplace. Stephanie Alvarado offered a spoken word performance about the challenges of finding "home" as a South American émigré to New York City. WERC Crew's...
Frank Willis
...friend Jennifer said so, never went to the Jefferson Memorial, climbed the stone rhino at the Smithsonian, cursed tourists, took exquisite phone messages for my father, a race man, who...
Piedmont Blues
Figure 2.1: The Piedmont. Map courtesy of James W. Clay and Paul D. Escott, Land of the South (Birmingham, AL: Oxmoor House, 1989.) Although the Piedmont plateau stretches from New...
Sankofa Series: What Must Be Remembered
...to national and transnational trade: "It has always been exceedingly difficult to ascertain the exact number of slaves in the Southern states; the usual estimate is about four and a...
Along the Ulcofauhatche: Of Sorrow Songs and "Dried Indian Creek"
...know of only one white-authored account. The June 4, 1893, Atlanta Constitution reports that a Mr. W.D. Boggus of Covington has a number of curiosities on display in his place...
Bodies and Souls
...Screenshot by Southern Spaces. I knew that I wanted to make a film about rural healthcare, largely explored through observational footage in a clinic, to shed light on the real...
The X-Codes: A Post-Katrina Postscript
...exhibition on the X-codes into existence. The proposed exhibition is under the fiscal sponsorship of the Southern Documentary Fund. Moye can be contacted for submissions for this project at davismoye@bellsouth.net....
Nixon's presidential motorcade, Columbia, South Carolina, 1973
Southern industry, Valdosta, Georgia, 2009
Silo, Southern Louisiana, 2008