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Inside Poor Monkey's

...year round, and tinsel in multiple lengths and shapes hangs from the ceiling. Walls are carpeted with photographs of images ranging from school graduation to promotional shots of strippers. Stuffed...

Scales of Slavery on the Mason-Dixon Line: A Review of Gleanings of Freedom

...shows—slavery's flexibility was a sign of its continuing strength, Grivno argues that in northern Maryland slavery's increasing plasticity was a mark of its decline.1Jonathan D. Martin, Divided Mastery: Slave Hiring...

"When I Say 'Steal,' Who Do You Think Of?"

...there are Women's Studies, Lesbian/Gay/Bisexual/ Transgender Studies, and Creative Writing. She lives with her partner, transgender activist and writer Leslie Feinberg, in Jersey City, New Jersey. For many years when...

How I Shed My Skin

...who spoke back to him with such confidence) has conspicuously dropped out of the narrative, even as Grimsley documents a tentative multiracial circle of friends. At Jones Senior High, black...

Black. Queer. Southern. Women.

...Performance and the Politics of Authenticity (Durham, NC: Duke University Press, 2003), Sweet Tea: Black Gay Men of the South—An Oral History (Chapel Hill: University of North Carolina Press, 2008),...

Off-Season

...the city sprawled out like scattered masonry and split rails, Raleigh, smoked factory winds and speak easy halls. A white chicken fell off a Tyson rig, just a bit ahead...

Sams Gap, North Carolina

...area because the new road is one way of getting from Johnson City to Asheville as fast as you can. The people that are passing this road (Highway 23) right...

Darkly

...I can sit beside them hardly out of place, then watch them rise and part the city's yellow crape of light, and then a door I can open to follow...

The South as Foil: A Review of This Is Not Dixie

Review "By branding the South as the racist section of the country," writes Brent Campney, "those narrating the identity of other sections have found a foil against which they can...

References
1.	See George Rable, But There Was No Peace: The Role of Violence in the Politics of Reconstruction (Athens: University of Georgia Press, 1984); Lou Faulkner Williams, The Great South Carolina Ku Klux Klan Trials 1871–1872 (Athens: University of Georgia Press, 1996); Nicholas Lemann, Redemption: The Last Battle of the Civil War (New York: Farrar, Straus and Giroux, 2006); J. Michael Martinez, Carpetbaggers, Cavalry, and the Ku Klux Klan: Exposing the Invisible Empire During Reconstruction (Lanham, Maryland: Rowman & Littlefield Publishers, Inc., 2007); Stephen Budiansky, The Bloody Shirt: Terror After the Civil War (New York: Penguin Group, 2008); LeeAnna Keith, The Colfax Massacre: The Untold Story of White Power, Black Terror, and the Death of Reconstruction (New York: Oxford University Press, 2008); Charles Lane, The Day Freedom Died: The Colfax Massacre, The Supreme Court, and the Betrayal of Reconstruction (New York: Henry Holt and Company, 2008); and Kimberly Harper, White Man's Heaven: The Lynching and Expulsion of Blacks in the Southern Ozarks, 1893–1909 (Fayetteville: The University of Arkansas Press, 2010).
2.	See William D. Carrigan and Christopher Waldrep, eds., Swift to Wrath: Lynching in Global Historical Perspective (Charlottesville: University of Virginia Press, 2013); William D. Carrigan and Clive Webb, Forgotten Dead: Mob Violence Against Mexicans in the United States, 1848–1928 (Oxford: Oxford University Press, 2013); and Michael J. Pfeifer, ed., Lynching Beyond Dixie: American Mob Violence Outside the South (Champaign: University of Illinois Press, 2013)
3.	Campney uses "racist violence" instead of "racial violence" to "underscore the implicit power dynamic: whites used racist violence to 'maintain social control over the black population through terrorism,'" (1). Here he follows Barbara J. Fields, "Whiteness, Racism, and Identity," International Labor and Working-Class History 60 (Fall 2001): 48–56.
4.	In making this argument Campney critiques Nicole Etcheson, Bleeding Kansas: Contested Liberty in the Civil War Era (Lawrence: University Press of Kansas, 2004), 229 and Robert G. Athearn, In Search of Canaan: Black Migration to Kansas, 1879–80 (Lawrence: Regents Press of Kansas, 1978), 75.
5.	"Exodus" refers to the migration of tens of thousands of African Americans from the South to Kansas. See Nell Irvin Painter, Exodusters: Black Migration to Kansas after Reconstruction (New York: W. W. Norton & Company, 1976); Athearn, In Search of Canaan; and Charlotte Hinger, Nicodemus: Post-Reconstruction Politics and Racial Justice in Western Kansas (Norman: University of Oklahoma Press, 2016).
6.	In making this argument, Campney builds on the work of Sundiata Keita Cha-Jua, "'A Warlike Demonstration': Legalism, Armed Resistance, and Black Political Mobilization in Decatur, Illinois, 1894–1898," The Journal of Negro History 83 (Winter 1998): 52–72.
7.	Thomas Frank, What's the Matter with Kansas: How Conservatives Won the Heart of America (New York: Metropolitan, 2004), 179.

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