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The Civil War and Emancipation 150 Years On

...Civil War Centennial Center, Downtown Richmond, 1962. Courtesy of the Valentine Richmond History Center. No other place embodied that particular spirit of 1961 quite as well as Richmond, the former...

A Video Excerpt from The Well-Placed Weed: The Bountiful Life of Ryan Gainey

Video and Essay https://player.vimeo.com/video/269927353?byline=0&portrait=0 Ryan Gainey with cut flowers, Decatur, Georgia, ca. 1993. Photograph by David Schilling. Ryan Gainey (1944–2016) grew up in the Sandhills of South Carolina in the...

The Colonialist's Gaze

...Hill (used previously by the Spanish military for the transmission of communications), Armstrong figuratively dominates the landscape by sweeping his arms over the mountains. Later he inscribes relevant cartographical information...

Closer to the Ground: A Conversation with Ann Pancake

...Yeller (New York: Harper & Bros., 1956). Wilson Rawls, Where the Red Fern Grows (New York: Laurel-Leaf Books, 1961). William Armstrong, Sounder (New York: Harper Collins Publishers, 1969). It wasn't...

Public Health in the US and Global South

...by José Amador, excerpted from his award-winning book, Medicine and Nation Building in the Americas, 1890–1940, which shifts attention from the US South to an area of US imperial expansion...

Enchanting the Desert: Visualizing the Production of Space at the Grand Canyon

Presentation Question and Answer Session About the Speaker Nicholas Bauch is assistant professor of GeoHumanities and director of the Experimental Geography Studio at the University of Oklahoma. In addition to...

LiFT Art Salon: Hammonds House II

Children's Museum, Boston, Massachusetts, July 3, 2012. Photograph by Kindra Clineff. Courtesy of Flickr user Massachusetts Office of Travel & Tourism photostream. Creative Commons license CC BY-ND 2.0. My childhood...

LiFT Art Salon: Gallery 72

...Journal Constitution.6Michael Kahn, "Review: Gallery 72, former home to the AJC, sparks new life into Marietta Street," ArtsATL, May 1, 2014, http://www.artsatl.com/2014/05/review-gallery-72/. The LiFT Team (from left to right: Jordan Streiff, Shady Patterson, Miriam...

MARBL Highlights: The Black Comic Books Collection

...universe in a forthcoming Brotherman comic book to be released later this year. For more information on Brotherman comics and how to access related MARBL materials, visit the MARBL website. ...

Remnants of Flannery

...Brooke Hatfield experimented with several iterations of FLANnery O'Connor. Photographs by Brooke Hatfield. Courtesy of Brooke Hatfield. Pictured above are versions 1 and 2. Recently, Brooke Hatfield, an avid O'Connor fan, designer, and...

References
1.	In addition to the HBO series True Blood and the series of novels that inspired the show, Charlaine Harris's The Southern Vampire Mysteries, see A Game of Thrones author George R. R. Martin's early novel Fevre Dream (1982), set on a Mississippi Riverboat in 1857; Anne Rice's The Vampire Chronicles, largely set in-and-around New Orleans; Seth Grahame-Smith's 2010 novel Abraham Lincoln, Vampire Hunter and the 2012 film of the same name, which reimagines slaves as food for vampires and the roots of Lincoln's antislavery crusade following his realization of this in New Orleans; and the television series The Vampire Diaries, set in Virginia and largely filmed in Georgia, among many others.
2.	O'Connor's first novel, Wise Blood, was memorably brought to the screen in 1980 by filmmaker John Huston. Atlanta's Good Country Pictures has acquired the film rights to many of O'Connor's texts, planning to mount a production of The Violent Bear It Away and a television series based on her short stories. Irish filmmaker John Michael McDonagh has also recently stated that he plans to complete his so-called "glorified suicide trilogy"—which currently combines the films The Guard (2011) and Calvary (2014)—with a film that takes its title from O'Connor's story "The Lame Shall Enter First" to star Brendan Gleeson.
3.	The "esteemed zine artists" include: Ashley Anderson, Rebecca Bowen, Jenifer Carter, Alvin Diec, Travis Ekmark, Christine Ernest, Brooke Hatfield, Yoonhwa Jang, Tori LaConsay, Elizabeth McNair, Dan Murdoch, Natalie Nelson, Emily Wallace, and Lydia Walls.
4.	Brooke Hatfield in discussion with the author, September 2014.
5.	Ibid.
6.	Ibid.
7.	Johnny Drago in discussion with the author, September 2014.
8.	Ibid.
9.	Ibid.
10.	Patricia Yaeger, "Ghosts and Shattered Bodies, or What Does it Mean To Still Be Haunted by Southern Literature?," South Central Review 2, no.1 (Spring 2005): 87.
11.	"A Talented Group of Writers and Artists Prove that Flannery O'Connor Walks Among Us Still," The Bitter Southerner, August 2014, http://bittersoutherner.com/flannery-oconnor-walks-among-us-still.
12.	Yaeger, 90.
13.	Ibid.
14.	Flannery O'Connor, The Violent Bear It Away (New York: Farrar, Straus, and Giroux, 1955), 227, emphasis added.
15.	Ibid., 231.
16.	Ibid.
17.	Ibid, 232.
18.	It will be lost on few that "lavender" has long been associated with homosexuality. The so-called "lavender scare" of the 1950s would have been on people's minds upon the novel's publication in 1960. The lavender scare paralleled Joe McCarthy's Red Scare, with McCarthy stating that gays and lesbians were perhaps "even more dangerous than Reds." On April 27, 1953, as O'Connor was preparing to publish "You Can't Be Any Poorer Than Dead," a short story which serves as chapter one in The Violent Bear It Away, President Eisenhower signed Executive Order 10450, which made it legal to hunt down and fire gay and lesbian government employees. The policy lasted until President Clinton officially rescinded it in 1995. What exactly O'Connor is doing with this image and this grotesque act of violence at the novel's close is a question for another forum. Tison Pugh gives an insightful reading of homosexuality in O'Connor's work and this novel in particular in his recent Queer Chivalry: Medievalism and the Myth of White Masculinity in Southern Literature (Baton Rouge: Louisiana State University Press, 2013).
19.	The 1999 thirty-fifth printing of O'Connor's first novel Wise Blood features a barbed-wire heart on the cover. Flannery O'Connor, Wise Blood (New York: Farrar, Straus, and Giroux, 1949).
20.	Richard Fausset, "Emory Receives Archive of Work by O’Connor," The New York Times, October 7, 2014, http://www.nytimes.com/2014/10/08/books/university-acquires-flannery-oconnors-papers-and-effects.html?_r=0.
21.	Flannery O'Connor, "The Regional Writer" in Mystery and Manners: Occasional Prose, ed. Sally Fitzgerald and Robert Fitzgerald (New York: Farrar, Straus, and Giroux, 1969), 58.
22.	O'Connor, Wise Blood, 222.
23.	Brooke Hatfield in discussion with the author, September 2014.
24.	Nancy Marshall, "Andalusia: Photographs of Flannery O'Connor's Farm," Southern Spaces, April 28, 2008, https://southernspaces.org/2008/andalusia-photographs-flannery-oconnors-farm.

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