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Geographies of Gardening: Ryan Gainey Discusses Figs

...he discussed the botanical and cultural aspects of several fruits. In this segment, he talks about the physical characteristics and historical significance of the fig. Steve Bransford, Figs from Ryan...

Landscapes and Ecologies of the US South: Essays in Eco-Cultural History

...the site's true significance miss a significant opportunity to illuminate history. Charles D. Thompson, Jr., Pedro Rodriguez Pérez, a Cuban farmer, Trinidad, Cuba, December 2010. From "Visions for Sustainable Agriculture...

Congregation

...from the car, take away the generator, the air conditioner, whatever there was to be had. He watched his phone for a signal, watched the sky for signs of a...

Editorial Style Guide

...and the Emory Center for Interactive Teaching (ECIT). Courses, fields of study, and degrees Course titles: Capitalize specific course titles. She signed up for Introduction to American Studies. Informal course...

A Video Excerpt from The Well-Placed Weed: The Bountiful Life of Ryan Gainey

...plants from the Holcombe Nursery in Decatur, five miles east of Atlanta. When he learned that the Holcombe family wanted to sell their property in 1980, he jumped at the...

US Poet Laureate Natasha Trethewey at Southern Spaces

...Reclaim." January 22, 2009. https://southernspaces.org/2009/absence-i-know-i-wont-reclaim. Phillips, Patrick. "Watching the Surface for a Sign." April 14, 2009. https://southernspaces.org/2009/watching-surface-sign. York, Jake Adam. "A Field Guide to Northeast Alabama." March 7, 2008. https://southernspaces.org/2008/field-guide-northeast-alabama....

Global Lives, Local Struggles: Latin American Immigrants in Atlanta

...Station in Chamblee with routes from Atlanta to cities and towns in Mexico. Chamblee, Georgia. Photo by Mary Odem, 2001 Signs outside of the Buford Highway Flea Market. Chamblee,...

Kara Walker's Blood Sugar: A Subtlety or the Marvelous Sugar Baby

...the figures. "At least it smells good," she says. But it only takes a few minutes to whiff the acrid stench of old sugar, a smell like that of meat...

References
1.	I attended and observed preparations for the Moore’s Ford reenactments in 2007, 2008, 2009 and 2010. I have interviewed many participants in the 2005 and 2006 reenactments.
2.	For an account of earlier memorial practices at Moore’s Ford see Mark Auslander, "'Return to Sender:' Confronting Lynching and Our Haunted Landscapes.“ Southern Changes, Vol. 24, No. 1-2, 2002, pp. 4-7.
3.	Inge Nielsen, Cultic Theatres and Ritual Drama: A Study in Regional Development and Religious Interchange between East and West in Antiquity (Aarhus, Denmark: Aaruhus University Press, 2002).
4.	Rory Tuner, “Bloodless Battles: The Civil War Reenacted,” The Drama Review, Vol. 24, no. 4 (1990).
5.	Alice Correia, “Interpreting Jeremy Deller’s The Battle of Orgreave,” Visual Culture in Britain, Vol. 7, no. 2 (2006).
6.	Oren Baruch Stier, “Different Trains: Holocaust Artifacts and the Ideologies of Remembrance,” Holocaust and Genocide Studies, Vol. 19, no. 1 (2005).
7.	Jo Blatti, “Field to Factory: Afro-American Migration, 1915-1940,” Oral History Review, Vol. 16, no. 1 (1988). The exhibition was curated by Spencer Crew and designed by Jim Sims.
8.	Handler and Gable report that white reenactors and staff at Colonial Williambsurg tend to minimize the cruelty of the slavery system. Richard Handler and Eric Gable, The New History in the Old Museum: Creating the Past at Colonial Williamsburg (Durham: Duke University Press, 2002): p.225.
9.	James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, no. 4 (1999): p. 30.
10.	The protests against the auction were organized primarily by the local NAACP and SCLC chapters. In her detailed analysis of this episode Lisa Woolfork argues that much of the local African American opposition to the auction was deeply gendered; senior male African American activists and civil rights leaders, she suggests, were offended that the auction was conceived of and planned by female African American professionals at Colonial Williamsburg. Lisa Woolfork, Embodying American Slavery in Contemporary Culture (Urbana: University of Illinois Press, 2009). See also James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, No. 4 (1999).
11.	In spring 2010 a Lumpkin County, Georgia high school history teacher was placed on leave after her students, planning on creating an anti-racist film about lynching, walked through the school cafeteria wearing Klan robes. See: http://www.wsbtv.com/news/second-teacher-at-center-of-kkk-controversy/241731973.
12.	I wish to emphasize that local community disagreements with the urban-based organizers of the reenactments, over issues such as the age of the vehicle, were nuanced and low key. Nearly all local participants would be extremely reluctant to offer public critique of a figure such as Representative Boyd, whom is widely regarded in the Georgia African American community as a hero of the civil rights struggle.
13.	It is interesting to note that in 2008 a friend of Jane’s, one of the organizers of the performance, made the doll out of nylon pantyhose. So in that year the doll and Martin’s shirt shared powerful affinities, both were articles of clothing stained with blood.
14.	Roland Barthes, Camera Lucida, tr. Richard Howard (New York: Hill and Wang, 1981).

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