Search for "24XO7 = 1 800-299-7264 Qatar Airways Phone Number F0r Flight Reservations"

The Bulletin—October 2, 2012

...in and intellectually engaging with the US South. October 1 marked the fiftieth anniversary of the integration of the University of Mississippi. A number of media outlets reflected upon how...

African Americans in Atlanta: Community Building in a New South City

...located east and west of downtown. Although most were common laborers, a small number, perhaps less than ten percent, stood above the masses by virtue of their occupation, education, or...

A Conversation with Digital Historians

...is potentially a powerful development. Digital Scholarship Lab, Screenshot of Voting America: United States Politics, 1840–2008, "Dot-Density Map of Presidential Voting, 1920," University of Richmond, 2011. Andrew J. Torget: I...

Finding Media

...few favorite sites and search strategies for finding useable media: Public Domain and US Government works: The term "public domain" can be a little tricky—there are a number of caveats...

The X-Codes: A Post-Katrina Postscript

...numbers and letters in each quadrant of the X, recorded coded information. Later, as I recalled my odyssey through drowned areas of the city, I kept returning to that visual...

An Upcountry Legacy: Mary Black's Family Quilts

...a neighboring farmer. Their children were James Robert (b. 1854), Nancy Jane (b. 1856), a stillborn infant (1858), and Mary Louisa (b. 1860). During the Civil War, Rosa maintained the...

I-26, Corridor of Change

...changes. (November 8, 2000. Approx. 1 1/2 hours. Streaming audio and transcription of interview. Source: Documenting the American South, Southern Oral History Program, Southern Historical Collection, University of North Carolina...

When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras

...Review: Social Science Research on Race 10, no. 1 (2013): 155–178; George Gmelch, "Return Migration," Annual Review of Anthropology 9 (1980): 135–159; Larry H. Long and Kristin A. Hansen, "Trends...

References
1.	See Horace Clarence Boyer, Golden Age of Gospel (Champaign: University of Illinois Press, 2000); Jon Spencer, Protest and Praise: Sacred Music of Black Religion (Minneapolis, MN: Fortress Press, 1991); Michael W. Harris, Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church (New York: Oxford University Press, 1994); Bob Darden, People Get Ready! A New History of Black Gospel Music (New York: Bloomsbury, 2004); Anthony Heilbut, Gospel Sound: Good News and Bad Times (New York: Simon and Schuster, 1971); Pearl Williams-Jones, "Afro-American Gospel Music: A Crystallization of the Black Aesthetic," Ethnomusicology 19, no. 3 (1975) 373–385; Robert M. Marovich, A City Called Heaven: Chicago and the Birth of Gospel Music (Champaign, University of Illinois Press, 2015); and Jerry Zolten, Great God A'Mighty! The Dixie Hummingbirds: Celebrating the Rise of Soul Gospel Music (New York: Oxford University Press, 2003)
2.	Fortunately, digging deeper into gospel's more recent history has been made easier with the important work of scholars like Mellonee V. Burnim, Brooksie Eugene Harrington, Deborah Pollard Smith, Jon Spencer, Guthrie Ramsey, and Birgitta Johnson. In addition, historians like Shawn David Young and David Stowe provide useful insights into the contemporary Christian music genre. Brooksie Eugene Harrington, "Shirley Caesar: A Woman of Words" (PhD diss., Ohio State University, 1992); Birgitta J. Johnson, "Back to the Heart of Worship: Praise and Worship Music in a Los Angeles African-American Megachurch," Black Music Research Journal 31, no. 1 (2011): 105–129; Deborah Smith Pollard, When the Church Becomes Your Party: Contemporary Gospel Music (Detroit, MI: Wayne State University Press, 2008); Spencer, Protest and Praise; David W. Stowe, No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism (Chapel Hill: University of North Carolina Press, 2013); Shawn David Young, Gray Sabbath: Jesus People USA, the Evangelical Left, and the Evolution of Christian Rock (New York: Columbia University Press, 2015); Guthrie P. Ramsey, Race Music: Black Cultures from Bebop to Hip-Hop (Berkeley: University of California Press, 2004).
3.	Geoffrey Himes, "Shout It! Gospel According to Shirley Caesar," Washington Post, April 3, 1987, B7.
4.	John P. Kee, Wait on Him (Tyscot Records, 1991).
5.	Christina Greene, Our Separate Ways: Women and the Black Freedom Movement in Durham, North Carolina (Chapel Hill: University of North Carolina Press, 2005).
6.	"Obituary," Carolina Times, January 31, 1981.
7.	Bobby Jones and Lesley Sussman, Touched by God: Black Gospel Greats Share Their Stories of Finding God (New York: Pocket Books, 1998), 239.
8.	Carol B. Stack, Call to Home: African Americans Reclaim the Rural South (New York: Basic Books, 1996); Sabrina Pendergrass, "Perceptions of Race and Region in the Black Reverse Migration to the South," Du Bois Review: Social Science Research on Race 10, no. 1 (2013): 155–178; George Gmelch, "Return Migration," Annual Review of Anthropology 9 (1980): 135–159; Larry H. Long and Kristin A. Hansen, "Trends in Return Migration to the South," Demography 12, no. 4 (1975): 601–614.
9.	David D. Porter and Rosalyn Gist Porter, "The Changing Profile of Charlotte," Black Enterprise 13 (June 1983): 180.
10.	Jones, Touched by God, 242.
11.	Robert Darden, "New Life's 'Wait on Him' Is an Overnight Hit for John P. Kee," Billboard, February 24, 1990, 45.

Search Results for 24XO7 = 1 800-299-7264 Qatar Airways Phone Number F0r Flight Reservations