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Still Digging Our Own Graves: Coal Miners and the Struggle over Black Lung Disease

...monthly payments can mean the difference between destitution and modest survival.4This estimate of the number of black lung beneficiaries is extrapolated from data on the number of claims filed each...

Art, Diaspora, and Identity: The John Biggers Papers

...Biggers Papers, Emory University Manuscript, Archives, and Rare Book Library. In July 1957, Houston-based artist John Biggers traveled on a United Nations Educational Scientific and Cultural Organization (UNESCO) fellowship to...

Junction City newspaper

Junction City Tribune. "The Exodus." May 1, 1879. "Beneath the surface of this whole affair, however, there is a quiet practical joke. For years the north has complained that the...

A Sleight of History: University of Alabama's Foster Auditorium

...throughout the 1940s and 1950s. On June 11, 1963, Foster Auditorium entered the national spotlight when Alabama governor George Wallace refused to allow two African American students, Vivian Malone and...

"We're Almost There": The Drive-By Truckers' Art of Place

...into the modern era by the cheap electricity and federal intervention of the New Deal's Tennessee Valley Authority. (There are two TVA songs in the Truckers catalogues.)2The two songs are...

Gordon Parks at Atlanta's High Museum of Art

...Series." Gordon Parks: A Segregation Story, on view at the High Museum of Art in Atlanta through June 21, 2015, presents the published and unpublished photographs that Parks took during...

Same-Sex Intimacy in Fiction about Southern Plantations

Same-Sex Intimacy in the Fiction of Southern Plantations Part 2: Bibler refers to Gaines’s novel Of Love and Dust, focusing on how same-sex relations can disrupt plantation hierarchies Part 3:...

The Web of Cis-Atlantic History: A Review of Louisiana: Crossroads of the Atlantic World

Review In this impressive volume edited by Cécile Vidal a collection of historians seek to recover a "marginalized" past (16) within American history. Louisiana: Crossroads of the Atlantic World...

Blues in the Lower Chattahoochee Valley

...known musician in Talbot County. He recalled the many times he walked away with prizes offered at the theater in nearby Junction City. 'I was rough then,' he said. 'I...

References
1.	Evans, David. "The Development of the Blues." Chapter. In The Cambridge Companion to Blues and Gospel Music, edited by Allan Moore, 20–43. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2003.
2.	Fred Fussell, A Chattahoochee Album: Images of Traditional People and Folksy Places Around the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 2000), 1.
3.	Fred Fussell, Chattahoochee Album, 1–2.
4.	Fussell, 2.
5.	Fussell, 5.
6.	Fussell, 89.
7.	Email communication with the author, August 4, 2020.
8.	Liner notes from William Robertson's LP South Georgia Blues.
9.	"Cecil Barfield," Big Legal Mess Records, accessed August 5, 2020. https://biglegalmessrecords.com/collections/cecil-barfield.
10.	Precious Bryant, interview, 2003.
11.	Press bio, Terminus Records.
12.	George Mitchell, liner notes for the Revival Records LP George Henry Bussey and Jim Bunkley.
13.	Fussell, Fred. "'Cowboy' George Daniel: Blues Man from Creek Stand," Chattahoochee Tracings: Newsletter of the Historic Chattahoochee Commission, Volume 31, Fall 2003, p. 5.
14.	Email communication with the author, August 4, 2020.
15.	Bruce Bastin, Red River Blues: The Blues Tradition in the Southeast (Champaign: University of Illinois Press, 1986), 151.
16.	George Mitchell, "Notes on the Attached CD Set," In Celebration of a Legacy: The Traditional Arts of the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 1999), n.p.
17.	George Mitchell, "Notes on the Attached CD Set," In Celebration of a Legacy: The Traditional Arts of the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 1999), n.p.
18.	George Mitchell, "Notes on the Attached CD Set," In Celebration of a Legacy: The Traditional Arts of the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 1999), n.p.
19.	Green Paschal, interview, 1969.
20.	Green Paschal, interview, 1969.
21.	While some of the lyrical qualities of blues had longstanding roots in African American culture, the signature twelve-bar blues form didn't emerge until around 1900.
22.	Angela Y. Davis, Blues Legacies and Black Feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday. New York: Vintage Books, 1999), 126.
23.	Lawrence Levine, Black Culture and Black Consciousness: Afro-American Thought from Slavery to Freedom (New York: Oxford University Press, 1975), 269–270.
24.	George Mitchell, "Notes on the Attached CD Set," In Celebration of a Legacy: The Traditional Arts of the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 1999), n.p.
25.	Bruce Bastin, "Truckin' My Blues Away—East Coast Piedmont Styles" in Nothing But the Blues: The Music and the Musicians, ed. Lawrence Cohn (New York: Abbeville Publishing Group, 1999), 209.
26.	Phone interview with Jake Fussell and the author on May 28, 2020.
27.	Dance Teacher Magazine, www.dance-teacher.com.
28.	David Evans, "Black Fife and Drum Music in Mississippi," Mississippi Folklore Register 6 (Fall 1972): 94–95.
29.	Alan Lomax, The Land Where the Blues Began (New York: The New Press,1993), 333.

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