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Southern Spaces

A journal about real and imagined spaces and places of the US South and their global connections

Ossabaw Island Flyover

...Irma (2017). Hurricane Matthew, in particular, uprooted many of the older live oaks on the island and otherwise dramatically altered its landscape. Although Ossabaw is often labeled as "pristine," humans...

No Country for Old Hippies: Jason Mellard's Progressive Country

...Doug Sahm) with the exception being Marcia Ball, who were already living in Texas or had gravitated to Austin's heterogeneous soundscape from New York, Los Angeles, or Nashville. Armadillo World Headquarters,...

Family Forestry in Twiggs County, Georgia / Live in Macon at the Douglass Theatre

...Franklin, George Harrison, Warren Haynes and Gov't Mule, John Hiatt, the Indigo Girls, Train, Dave Edmunds, Dion and other artists. His musical portrait, Southscape, was released in August of 2005....

Lift Every Voice and Sing: The Quilts of Gwendolyn Ann Magee

...with her adoptive mother, schoolteacher Annie Lee Jones.3Roland Freeman, "Journey of the Spirit: The Art of Gwendolyn A. Magee," in Barilleaux, Journey of the Spirit. Fascinated with color, Magee recalled trying...

Call for Submissions: Landscapes and Ecologies of the U.S. South Proposals due: January 31, 2011

...environmental justice, environmental racism, agroecology, landscape architecture, eco-literature, ecological historic preservation, sustainability, biodiversity, foodways, activism, eco-feminism, deep ecology, environmental law, ethical consumerism, corporate environmental policy, environmental ethics, spirituality and religion,...

Africana Archives: Making Art at the Schomburg

...and scholarship in today's Africana archives eco-system. All that's needed are fresh questions and a creative imagination; the stories and objects are there for the taking, promoting, and interpreting. Africana...

Memphis by Hand: Creative Small-Business Advertising

...buildings with hand-stenciled and freehand advertising for local businesses. Such work suggests that small-business advertising can be a collective endeavor, relying on neighborhood talent and artistic vision. About the Photographer...

Changing Places, Changing Lives

...have become permanent inmates of a carceral landscape: mute and nearly mummified human sacrifices to a commodity-producing global machinery. Damian Alan Pargas does not quibble with the argument that slaveholding...

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References
1.	See King, "This book is the record of an extensive tour of observation through the States of the South and South-west during the whole of 1873, and the Spring and Summer of 1874" (i).
2.	See King's subtitle: "A Record of Journeys in Louisiana, Texas, the Indian Territory, Missouri, Arkansas, Mississippi, Alabama, Georgia, Florida, South Carolina, North Carolina, Kentucky, Tennessee, Virginia, West Virginia, and Maryland."
3.	See Jennifer Greeson, Our South: Geographic Fantasy and the Rise of National Literature (Cambridge, MA: Harvard University Press, 2010).
4.	"The emergence of William Faulkner as the centerpiece of narrowly focused notions of Southern identity seemed to crystallize the inward-looking aspect of the discipline" (5).
5.	In a June 2001 special issue of American Literature, Houston A. Baker, Jr. and Dana D. Nelson coined the phrase "new Southern Studies" as an "emerging collective already producing a robust body of work" in rethinking southern culture (231). Baker and Nelson cite Patricia Yaeger's Dirt and Desire (2000) as one of these works. Baker's Turning South Again (2001) represents his own venture at this scholarship.
6.	Lowe cites Glissant, Foucault, Bhabha, and Brent Staples as further influences. See Paul Gilroy, The Black Atlantic: Modernity and Double-Consciousness (Cambridge, MA: Harvard University Press, 1995); Joseph Roach, Cities of the Dead (New York: Columbia University Press, 1996). One can see Lowe approaching the term "circumCaribbean" in his earlier article on these subjects; in writing of Roach's "path-breaking" work, Lowe praises him for adumbrating "a culture of performance that circles around the Caribbean rim" (71). See Lowe, "'Calypso Magnolia': The Caribbean Side of the South," South Central Review 22, no. 1, 54–80.
7.	Lowe broached this type of critical move at moments. In his final chapter, he posits a reading of Cristina García's The Agüero Sisters alongside Faulkner's Absalom, Absalom!. However, the aims of Calypso Magnolia seem to be more syncretic and surveying (317).
8.	As Brown writes in her review of Lowe's earlier "Calypso Magnolia," "I can see many benefits of using the sea… to find points of connection between the South and the Caribbean" (83).
9.	Other than a passing reference to Faulkner's Mississippi, the only traditionally defined "southern" writer to appear in Island People is Georgian Flannery O'Conner, whose relationship to depictions of race is mentioned in reference to Jean Rhys (12, 367).
10.	Joshua Jelly-Schapiro, "Introduction," in The Traveller's Tree: A Journey through the Caribbean Islands (New York: New York Review of Books, 1950, 2011), ix–x.
11.	José Quiroga, Tropics of Desire: Interventions from Queer Latino America (New York: New York University Press, 2000), xiii.
12.	The reader follows Jelly-Schapiro from Kingston's Myrtle Bank Hotel (44) to Havana's Hotel Nacional (99) and Havana Hilton (100) to San Juan's Condado Vanderbilt Hotel (175) to La Romana's Casa de Campo (216), Port-au-Prince's Hotel Oloffson (260), George Town's unnamed Hotwire.com recommendation (281), Grenada's Heliconia guesthouse (296), to Antigua's Sandals and "Florida-style condos" (309), St. John's Heritage Hotel (310), Fort-de-France's Hotel L'Imperatrice (336), Dominica's Pointe Baptiste (369), and finally, Jelly-Schapiro's last stop, Trinidad's "ugly new Hyatt" (400).
13.	A small list of Island People's inhabitants: in Puerto Rico (via the Bronx), we find Rita Moreno, Pedro Albizu Campos, Luis Muñoz Marín, Tito Puente, "El Cantante" Héctor Lavoe all sharing the same island; in the Dominican Republic, we read about tigueres, the Coliseum of Cockfighting (208), the "sex economy" (206), Trujillo, "los morenos" and a lack of "pride" in "racial hybridity" (221, 203), perejil and el corte; in Haiti, centered in the text, "at the core of the Caribbean story" (226), again revealing C. L. R. James's influence, the same perejil and el corte, Kreyol, the Massacre River, Toussaint L'Ouverture, Dessalines, the Citadel and Henri Christophe, Boukman, the Duvaliers, Tonton Macoutes, Carnival of Flowers and earthquakes where the "'earth moved like a wave and all was ruined'" (261), Titanyen and bodies, Wyclef Jean, Cité Soleil, Katherine Dunham, and "people's invisibility to their own state" (265); in the Lesser Antilles, we read about George Lamming and Rihanna, Paule Marshall, Jamaica Kincaid, Maurice Bishop, Barbuda's "breeding myth" (308), Montserrat's "volcano crisis" (315), Martinique's Aimé Césaire, Glissant, Fanon, Chamoiseau, and other "literary riches" (358), Jean Rhys and Dominica's "Candy Land for lovers of nature and calm" (365).