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Quilting Conversation

Introduction by Katherine Jentleson During the summer of 2018, Atlanta's High Museum of Art hosted Outliers and American Vanguard Art, an exhibition that demonstrated how self-taught artists have been major...

Shaping a Southern Soundscape

...generation of academics have named it the southern imaginary—runs deep in American culture. We know that it defines, ensnares, and empowers whites and blacks. We know it has tremendous flexibility...

"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic

...I specifically reference the Pulse tragedy in my work with the number 49. A lot of my work features the multiplicity of that number. The blood slide pieces in What...

The Medicalized Border and the Politics of Exclusion

...achieve the hygienic practices that kept middle-class and wealthy Anglo and Mexican American homes clean and free of disease was lost on these public health officials. Exposing Anglo Americans' privileges...

A Conversation with Digital Historians

...make people aware of past injustices.1Karen Halttunen, “Groundwork: American Studies in Place—Presidential Address to the American Studies Association, November 4, 2005,” American Quarterly, 58.1 (March 2006), 1-15. This is very...

Whatwuzit?: The 1996 Atlanta Summer Olympics Reconsidered

...Atlanta was voted number two in Fortune's 1995 'Best Cities for Business' list, the city also ranks number two in the nation in income disparity between blacks and whites, number...

Family Forestry in Twiggs County, Georgia / Live in Macon at the Douglass Theatre

...door at 355 Broadway. The new facility accommodated seven-hundred fifty to eight hundred patrons and quickly became the hub of African American entertainment in Macon. As the premiere African American...

Brick by Brick: Atlanta’s Collier Heights

...developed, financed, designed, and constructed by African Americans for African American residents.2See Betsy Riley, "Collier Heights awarded Local Historic district status," Atlanta Magazine, May 16, 2013, http://www.atlantamagazine.com/civilrights/collier-heights-awarded-local-historic-district-status/; U.S. Department of the...

Born In Violent Conquest: A Review of Jacksonland

...Native American and United States history and participates in WCU's Cherokee Studies program. Denson is author of Demanding the Cherokee Nation: Indian Autonomy and American Culture (University of Nebraska Press, 2004)....

Black Markets and the US-Mexico Border

...between "strong" and "weak" states. See William J. Novak, "The Myth of the 'Weak' American State," American Historical Review 113, no. 3 (2008) and Michael Mann, The Sources of Social...

References
1.	Alfred McCoy identifies five distinct drug wars since Richard Nixon's inauguration of the "War on Drugs" in the late '60s and early '70s in Alfred McCoy, The Politics of Heroin: CIA Complicity in the Global Drug Trade, Afghanistan, Southeast Asia, Central America, Colombia (Chicago: Chicago Review Press, 2003), 387–460. Kathleen Frydl thinks the drug war started earlier, in conjunction with the Cold War in the '40s and '50s, and traces the preoccupation with "kingpins" to domineering figures like Harry Anslinger, the director of the Federal Bureau of Narcotics from 1930–1962 in Kathleen Frydl, The Drug Wars in America, 1940–1973 (New York: Cambridge University Press, 2013), 59–119. In the very interesting case of marijuana prohibition, Isaac Campos makes the convincing argument that Mexican elites actually beat the United States to the punch by regulating it first, though typically U.S. politicians, reformers, and society at large have been unusually concerned about mind-altering substances compared to other nations. See Isaac Campos, Home Grown: Marijuana and the Origins of Mexico's War on Drugs (Chapel Hill: The University of North Carolina Press, 2014), 203–223.
2.	The best examination of this concept I've found is in Eric Monkkonen's history of police, which stands to this day as one of the most sophisticated historical studies of law enforcement in the U.S. See Eric H. Monkkonen, Police in Urban America, 1860–1920 (New York: Cambridge University Press, 1981).
3.	The historian Paul Gootenberg calls this "talking like a state," which he believes can be an intellectual and political pitfall because it can obscure the fact that criminality itself is always politically and culturally constructed. See Paul Gootenberg, "Talking About the Flow: Drugs, Borders, and the Discourse of Drug Control," Cultural Critique, no. 71 (2009), 13.
4.	Building on Michael Mann's work, William Novak has helped elucidate the difference between "strong" and "weak" states. See William J. Novak, "The Myth of the 'Weak' American State," American Historical Review 113, no. 3 (2008) and Michael Mann, The Sources of Social Power: The Rise of Classes and Nation States, 1760–1914 (New York: Cambridge University Press, 1993). Several other key texts, both old and new, engage directly with the problem of state capacity and expansion. See Stephen Skowronek, Building a New American State: The Expansion of National Administrative Capacities, 1877–1920 (New York: Cambridge University Press, 1982), Charles Maier, Leviathan 2.0: Inventing Modern Statehood (Cambridge, MA: The Belknap Press of Harvard University Press, 2012), and James Sparrow, Warfare State: World War II Americans and the Age of Big Government (New York: Oxford University Press, 2013). For the Mexican side of the equation, see Alan Knight, "The Modern Mexican State: Theory and Practice," in The Other Mirror: Grand Theory through the Lens of Latin America, ed. Miguel Angel Centeno and Fernando López-Alves (Princeton, NJ: Princeton University Press, 2000).
5.	See Pekka Hämäläinen, The Comanche Empire (New Haven, CT: Yale University Press, 2009).
6.	Journalists like Alma Guillermoprieto, Laura Carlsen, Francisco Goldman, Alfredo Corchado, and others have been working tirelessly to address this problem by writing excellent articles in the New York Review of Books, The New Yorker, The Nation, and elsewhere.
7.	Saskia Sassen has written a particularly provocative book using the logic of "expulsion" to understand the vicissitudes of the current mode of globalization, and David Garland makes a compelling argument about the rise of what he calls "expressive justice" since the 1980s. Both these works could work symbiotically with books like Border Contraband to generate more precise answers to today's most important questions. See Saskia Sassen, Expulsions: Brutality and Complexity in the Global Economy (Cambridge, MA: The Belknap Press of Harvard University Press, 2014) and David Garland, The Culture of Control: Crime and Social Order in Contemporary Society (Chicago: University of Chicago Press, 2001).

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