The South as Foil: A Review of This Is Not Dixie
...compare their own racial goodness. They can then deny, sanitize, or simply not see the profound anti-black racism in their own sections. Furthermore, when confronted by it, they can depict...
Atlanta's Charis Books and More: Histories of a Feminist Space
...sense in which we use the term community: Susan Krieger notes that "some lesbian communities are geographically specific . . . ; some exist within institutions (e.g., prisons); some exist only...
En ningún [pero todo] lugar del mundo: Historia y sexualidad cubana en el teatro de Abel González Melo
...World, Avante Theater, Miami, Florida, 2018. Directed by Mario Ernesto Sánchez. Photograph by and courtesy of Asela Torres. González Melo: El protagonista de En ningún lugar del mundo fue forzado...
An Interview with Tim Gautreaux: "Cartographer of Louisiana Back Roads"
...ofThe Next Step in the Dance by Tim Gautreaux, Missouri Review 21.2 (1998): 212; Susan Larson, "The Writer Next Door," New Orleans Times-Picayune (15 Mar. 1998): E1. In 1999, St. Martin's published a second volume...
Brushes with War
...Press, 2010), 3-10, 20-27. On the Northern teachers in the Sea Islands during wartime, see Willie Lee Rose, Rehearsal for Reconstruction: The Port Royal Experiment (Indianapolis and New York: Bobbs-Merrill,...
Kara Walker's Blood Sugar: A Subtlety or the Marvelous Sugar Baby
...1758 "There is no sugar barrel that reaches Europe without stains of human blood."3"Il n'arrive point de barrique de sucre en Europe qui ne soit teinte de sang humain." Claude-Adrien...
Ecologies of the Sacred: A Review of Valérie Loichot's Water Graves
...dehumanization. Der Schlangenbandiger (The Snake Charmer), illustrated in this print, became a mid-twentieth-century Mami Wata icon. Chromolithograph reprinted by the Shree Ram Calendar Company, Bombay, India, 1955. Originally printed by...
Somewhere Like Real Life: On Richard Linklater's Boyhood
...San Marcos, to Austin, to Big Bend National Park near the West Texas-Mexico border, the film has a vast canvas that contrasts with the seeming smallness of the story to...
"Within Thy Circling Pow'r I Stand": Immersive Video from Sacred Harp's Hollow Square
...right next to the device. Steve captured conventional "flat" video from the back of the room, behind the tenor section, while Jesse sat and sang with the tenors. The resulting...
Sapelo Island Flyover
...from beach to back-dune meadows to maritime forests; beaches where sand is being actively eroded or deposited by longshore drift; a tree "boneyard" with dead trees on a beach signaling...