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From Arkansas with Love: Evangelical Crisis Management and Southern (White) Gospel Music

...Americans or Blacks, while at the same time sympathize with them as poorer and less modern versions of themselves."61Anthony Harkins, Hillbilly: A Cultural History of an American Icon (New York:...

Lift Every Voice and Sing: The Quilts of Gwendolyn Ann Magee

...has chosen to give this figure an African American face and not portray him as a featureless profile. The tableau reminds viewers that capital punishment in America imposes unequal racial judgment...

When the Border Crossed Me

...not enough acknowledge. Since then, I've studied Spanish formally, gone to graduate school, engaged in fieldwork in Mexico and Central America, written about farmworkers, and made films about immigration and...

Low Country Travelers: An African American Car Club of Charleston County, South Carolina

...through screen door - McClellanville, South Carolina” in The Americans. During the discussion of this iconic image, one of John’s students from nearby St. Stephens offered to introduce us to...

A Real American Horror Story: On Steve McQueen's 12 Years a Slave

...elements to call into question the American variation on the desire to be terrorized by the supernatural, the psychosadistic, and the patently absurd. Our history is laced with horrors we...

Goin' to Chicago and African American "Great Migrations"

...Great Migration. Between 1916 and 1970, six million African Americans left the cotton fields and segregation of the rural South for northern, midwestern, and western cities, changing the American cultural...

A Plague of Bulldozers: Celestine Sibley and Suburban Sprawl

...a significant number of African American fans, her depiction of Atlanta and her search for what Massey calls "a place-called-home" during times of dramatic social change is that of a...

The Shenandoah Valley

...a distinct region of the American South with a geography that has encouraged in-migration, land and industrial development, and trade. The Shenandoah Valley has a habit of confounding and surprising...

The Carolina Piedmont

...significant numbers. Enslaved African Americans made up ten percent of the Carolina Piedmont's population in the 1760s. By 1800, only two or three counties had black populations of more than...

References
1.	I attended and observed preparations for the Moore’s Ford reenactments in 2007, 2008, 2009 and 2010. I have interviewed many participants in the 2005 and 2006 reenactments.
2.	For an account of earlier memorial practices at Moore’s Ford see Mark Auslander, "'Return to Sender:' Confronting Lynching and Our Haunted Landscapes.“ Southern Changes, Vol. 24, No. 1-2, 2002, pp. 4-7.
3.	Inge Nielsen, Cultic Theatres and Ritual Drama: A Study in Regional Development and Religious Interchange between East and West in Antiquity (Aarhus, Denmark: Aaruhus University Press, 2002).
4.	Rory Tuner, “Bloodless Battles: The Civil War Reenacted,” The Drama Review, Vol. 24, no. 4 (1990).
5.	Alice Correia, “Interpreting Jeremy Deller’s The Battle of Orgreave,” Visual Culture in Britain, Vol. 7, no. 2 (2006).
6.	Oren Baruch Stier, “Different Trains: Holocaust Artifacts and the Ideologies of Remembrance,” Holocaust and Genocide Studies, Vol. 19, no. 1 (2005).
7.	Jo Blatti, “Field to Factory: Afro-American Migration, 1915-1940,” Oral History Review, Vol. 16, no. 1 (1988). The exhibition was curated by Spencer Crew and designed by Jim Sims.
8.	Handler and Gable report that white reenactors and staff at Colonial Williambsurg tend to minimize the cruelty of the slavery system. Richard Handler and Eric Gable, The New History in the Old Museum: Creating the Past at Colonial Williamsburg (Durham: Duke University Press, 2002): p.225.
9.	James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, no. 4 (1999): p. 30.
10.	The protests against the auction were organized primarily by the local NAACP and SCLC chapters. In her detailed analysis of this episode Lisa Woolfork argues that much of the local African American opposition to the auction was deeply gendered; senior male African American activists and civil rights leaders, she suggests, were offended that the auction was conceived of and planned by female African American professionals at Colonial Williamsburg. Lisa Woolfork, Embodying American Slavery in Contemporary Culture (Urbana: University of Illinois Press, 2009). See also James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, No. 4 (1999).
11.	In spring 2010 a Lumpkin County, Georgia high school history teacher was placed on leave after her students, planning on creating an anti-racist film about lynching, walked through the school cafeteria wearing Klan robes. See: http://www.wsbtv.com/news/second-teacher-at-center-of-kkk-controversy/241731973.
12.	I wish to emphasize that local community disagreements with the urban-based organizers of the reenactments, over issues such as the age of the vehicle, were nuanced and low key. Nearly all local participants would be extremely reluctant to offer public critique of a figure such as Representative Boyd, whom is widely regarded in the Georgia African American community as a hero of the civil rights struggle.
13.	It is interesting to note that in 2008 a friend of Jane’s, one of the organizers of the performance, made the doll out of nylon pantyhose. So in that year the doll and Martin’s shirt shared powerful affinities, both were articles of clothing stained with blood.
14.	Roland Barthes, Camera Lucida, tr. Richard Howard (New York: Hill and Wang, 1981).

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