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Three Poems and a Critique of Postracialism

...imagining a postracial America long before Obama emerged on the national political stage.5See especially Paul Gilroy, Against Race: Imagining Political Culture Beyond the Color Line (Cambridge: Belknap Press of Harvard University Press,...

"Within Thy Circling Pow'r I Stand": Immersive Video from Sacred Harp's Hollow Square

Introduction Typical spatial arrangement of the hollow square at the annual Sacred Harp singing at Mt. Lebanon Baptist Church, Fayette County, Alabama. Illustration by Jesse P. Karlsberg. Sacred Harp singing...

All Roads Led from Rome: Facing the History of Cherokee Expulsion

...Historical Atlas of Georgia Counties, http://georgiainfo.galileo.usg.edu/histcountymaps/index.htm; Ga. Acts, Dec. 3, 1832, http://neptune3.galib.uga.edu; Daniel Haskel and J. Calvin Smith, A Complete Descriptive and Statistical Gazetteer of the United States of America...

Social Justice Environmentalism

...environmental causes have often participated in actions to oppose racial injustice, eliminate poverty, and achieve gender equality. Such alliances have been essential to the success of the environmental movement. "Negroes'...

An Excerpt from The Lesbian South: Southern Feminists, the Women in Print Movement, and the Queer Literary Canon

...of queering was central to utopian reimaginations of rural space in early women's liberation. Creating autonomous women's space and queer space was a central focus of women's communes and the...

"Out Yonder on the Road": Working Class Self-Representation and the 1939 Roadside Demonstration in Southeast Missouri

...(Peter Wilderness), Case No. 101 (Walter Johnson), Case No. 72 (Ike Tripp), Case No. 41 (Daniel McClenton), Case No. 7 (Alonzo Julian), all in Folder "Tenant Farming, 1939-1944," Box 1,...

Birth Right

...1989, Alabama had one of the highest rates of rural hospital closings in the nation.2Health Care Information Resources Group for the American Hospital Association. (March 1994). Hospital Closures 1980-1993: A...

References
1.	I attended and observed preparations for the Moore’s Ford reenactments in 2007, 2008, 2009 and 2010. I have interviewed many participants in the 2005 and 2006 reenactments.
2.	For an account of earlier memorial practices at Moore’s Ford see Mark Auslander, "'Return to Sender:' Confronting Lynching and Our Haunted Landscapes.“ Southern Changes, Vol. 24, No. 1-2, 2002, pp. 4-7.
3.	Inge Nielsen, Cultic Theatres and Ritual Drama: A Study in Regional Development and Religious Interchange between East and West in Antiquity (Aarhus, Denmark: Aaruhus University Press, 2002).
4.	Rory Tuner, “Bloodless Battles: The Civil War Reenacted,” The Drama Review, Vol. 24, no. 4 (1990).
5.	Alice Correia, “Interpreting Jeremy Deller’s The Battle of Orgreave,” Visual Culture in Britain, Vol. 7, no. 2 (2006).
6.	Oren Baruch Stier, “Different Trains: Holocaust Artifacts and the Ideologies of Remembrance,” Holocaust and Genocide Studies, Vol. 19, no. 1 (2005).
7.	Jo Blatti, “Field to Factory: Afro-American Migration, 1915-1940,” Oral History Review, Vol. 16, no. 1 (1988). The exhibition was curated by Spencer Crew and designed by Jim Sims.
8.	Handler and Gable report that white reenactors and staff at Colonial Williambsurg tend to minimize the cruelty of the slavery system. Richard Handler and Eric Gable, The New History in the Old Museum: Creating the Past at Colonial Williamsburg (Durham: Duke University Press, 2002): p.225.
9.	James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, no. 4 (1999): p. 30.
10.	The protests against the auction were organized primarily by the local NAACP and SCLC chapters. In her detailed analysis of this episode Lisa Woolfork argues that much of the local African American opposition to the auction was deeply gendered; senior male African American activists and civil rights leaders, she suggests, were offended that the auction was conceived of and planned by female African American professionals at Colonial Williamsburg. Lisa Woolfork, Embodying American Slavery in Contemporary Culture (Urbana: University of Illinois Press, 2009). See also James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, No. 4 (1999).
11.	In spring 2010 a Lumpkin County, Georgia high school history teacher was placed on leave after her students, planning on creating an anti-racist film about lynching, walked through the school cafeteria wearing Klan robes. See: http://www.wsbtv.com/news/second-teacher-at-center-of-kkk-controversy/241731973.
12.	I wish to emphasize that local community disagreements with the urban-based organizers of the reenactments, over issues such as the age of the vehicle, were nuanced and low key. Nearly all local participants would be extremely reluctant to offer public critique of a figure such as Representative Boyd, whom is widely regarded in the Georgia African American community as a hero of the civil rights struggle.
13.	It is interesting to note that in 2008 a friend of Jane’s, one of the organizers of the performance, made the doll out of nylon pantyhose. So in that year the doll and Martin’s shirt shared powerful affinities, both were articles of clothing stained with blood.
14.	Roland Barthes, Camera Lucida, tr. Richard Howard (New York: Hill and Wang, 1981).

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