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An Oyster by Any Other Name

...fellow conspirators, tasting two thousand oysters from all along the Gulf Coast. It was the first symposium hosted by Foodways Texas, an organization dedicated to preserving, promoting, and celebrating the...

"The Ohio River Was Not the River Jordan": A Review of Matthew Salafia's Slavery's Borderland

...most pronounced dividing line between North and South, and between freedom and slavery. It was, in fact, the nation's only physical boundary separating free from slave states. Matthew Salafia constructs...

"I Used That Katrina Water To Master My Flow": Rap Performance, Disaster, and Recovery in New Orleans

..."Cultural Appropriation Is a Bigger Problem than Miley Cyrus," Thought Catalog, August 26, 2013, http://thoughtcatalog.com/nico-lang/2013/08/cultural-appropriation-is-a-bigger-problem-than-miley-cyrus/. For Big Freedia's response to Miley Cyrus, see Jason Newman, "Bounce Queen Big Freedia Slams...

North Carolina: A State of Shock

...tax-free foundations, think-tanks, and funding agencies concluded that these organizations had spent between $2.5 and $3 billion from 1970 to 2003 in order to promote their ideas.19The National Committee for...

Six Degrees of Alan Lomax: A Review and Multimedia Excerpts

...Folklore Society annual meeting that Harry Oster helped found. Lomax used the opportunity to challenge the cultural integrity of CODOFIL, a state agency designed to promote and preserve French in...

The Medicalized Border and the Politics of Exclusion

...achieve the hygienic practices that kept middle-class and wealthy Anglo and Mexican American homes clean and free of disease was lost on these public health officials. Exposing Anglo Americans' privileges...

Category 3 Gentrification: On New Orleans's Population Trends and the Hostility of Internet Commenters

...a white majority, using this bit of evidence: "I see whites, blacks, Vietnamese, Hispanics, and every other color on my street every day. We live in a community of many...

Queer Memory: Loss, Martyrs, and Memorialization in Southern Florida

...also know the frayed and often misremembered history of AIDS stigma.4For more on AIDS and memory, see Marita Sturken, Tangled Memories: The Vietnam War, the AIDS Epidemic, and the Politics...

Three Poems and a Critique of Postracialism

...is to his great niece or her readers. All struggle to read his codes and caesuras. As the poem transitions back to the story proper, racial intelligibility is once again...

References
1.	Peniel E. Joseph, "Our National Postracial Hangover" Chronicle of Higher Education, 27 July 2009. On the Gates affair, see especially Charles J. Ogletree, The Presumption of Guilt: The Arrest of Henry Louis Gates, Jr. and Race, Class, and Crime in America (New York: Palgrave Macmillan, 2010).
2.	Colson Whitehead, "The Year of Living Postracially," The New York Times, November 4, 2009.
3.	The Colbert Report, episode no. 153, first broadcast October 26, 2009 by Comedy Central. Colbert went on to suggest that Cornell West rename his signature book "Race Mattered."
4.	David A. Hollinger, "The Concept of Post-Racial: How Its Easy Dismissal Obscures Important Questions," Daedalus 140, no. 1 (Winter 2011): 175.
5.	See especially Paul Gilroy, Against Race: Imagining Political Culture Beyond the Color Line (Cambridge: Belknap Press of Harvard University Press, 2000).
6.	Edward S. Casey, "How to Get From Space to Place in a Fairly Short Stretch of Time: Phenomenological Prolegomena," in Senses of Place, Steven Feld and Keith H. Basso, eds. (Santa Fe: School of American Research Press, 1996), 19. I should note that in this essay and elsewhere Casey's claims are broad. He often uses the collective "we" or "human beings" to describe the purview of his philosophical project (e.g., "we are not only in places but of them" [19]). Nonetheless, as I argue in the broader project of which this essay is a part, Casey's concept of emplacement has particular urgency for raced human beings.
7.	On the genius loci trope, see Geoffrey H. Hartman, "Romantic Poetry and the Genius Loci" in Beyond Formalism: Literary Essays, 1958–1970 (New Haven: Yale University Press, 1970), 311–36; Roberto M. Dainotto, Place in Literature: Regions, Cultures, Communities (Ithaca, NY: Cornell University Press, 2000); and John D. Kerkering, "American Renaissance Poetry and the Topos of Positionality: Genius Mundi and Genius Loci in Walt Whitman and William Gilmore Simms" Victorian Poetry 43, no. 2 (Summer 2005): 223–248.
8.	Elizabeth Alexander, The Venus Hottentot (Saint Paul: Graywolf Press, 2004 [1990]), 50.
9.	Elizabeth Alexander, Antebellum Dream Book: Poems (Saint Paul: Graywolf Press, 2001), 22.
10.	Elizabeth Alexander, "Natasha Trethewey Interviews Elizabeth Alexander," Southern Spaces, December 10, 2009, https://southernspaces.org/2009/natasha-trethewey-interviews-elizabeth-alexander. On passing narratives in twentieth-century American literature, see especially Gayle Wald, Crossing the Line: Racial Passing in Twentieth-Century US Literature and Culture(Durham: Duke University Press, 2000).
11.	See especially Elizabeth McLagan, A Peculiar Paradise: A History of Blacks in Oregon (Portland: Georgian Press, 1980).
12.	Elizabeth Alexander, "Natasha Trethewey Interviews Elizabeth Alexander."
13.	Natasha Trethewey, Native Guard (Boston: Houghton Mifflin, 2006), 36.
14.	Natasha Trethewey, Native Guard (Boston: Houghton Mifflin, 2006), 35.
15.	Thadious M. Davis, Southscapes: Geographies of Race, Region, and Literature (Chapel Hill: University of North Carolina Press, 2011), 58.
16.	Davis offers little help here, noting, "The Fugitives' rural iconography is made obsolete by the sound of the bulldozers building more of the city, Southscapes, 78."
17.	The paradoxes of Atlanta's uneven development and race relations have been exhaustively documented by Ronald H. Bayor, Larry Keating, Kevin M. Kruse, and David L. Sjoquist. Since the 1996 Olympics, it has become a critical doxa to describe Atlanta as an urban space characterized by its "sense of placelessness"—a "nonplace," if you will.
18.	One imagines that Robert Penn Warren and Allen Tate might have admired Trethewey's formal commitments and/or keen interest in Civil War memory. It bears repeating, this is a very well-wrought sonnet in a collection of poems called Native Guard.
19.	Davis, Southscapes, 57.
20.	Robert Lowell, For the Union Dead (New York: Farrar, 1964), 70.
21.	C. S. Giscombe, Prairie Style (Champaign, IL: Dalkey Archive Press, 2008), 22.
22.	Ron Sillman, in C. S. Giscombe, Giscome Road (Champaign, IL: Dalkey Archive Press, 1994), back cover.
23.	Giscombe, Prarie Style, xiii.
24.	C. S. Giscombe, Into and Out of Dislocation (New York: North Point Press, 2000), dust jacket.
25.	Giscombe, Prairie Style, 68–69.
26.	Max Cavitch, American Elegy: The Poetry of Mourning from the Puritans to Whitman (Minneapolis: University of Minnesota Press, 2007), 1.
27.	Peniel E. Joseph, "Our National Postracial Hangover: With the Gates Fiasco, the Rosy Glow Has Faded," The Chronical of Higher Education, 27 July, 2009, http://chronicle.com/article/Our-National-Postracial/47462/.
28.	George Lipsitz, How Racism Take Place (Philadelphia: Temple University Press, 2011), 5.
29.	Ibid., 5.
30.	For a powerful, related claim about poetry's representation power, see Neville Hoad, "Three Poems and a Pandemic" in Political Emotions: New Agendas in Communication, ed. Janet Steiger et al. (New York: Routledge, 2010).

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