Call for Submissions: Landscapes and Ecologies of the U.S. South Proposals due: January 31, 2011
...Ward, New Orleans, Louisiana, 2005. From Dorothy Moye's Katrina + 5: An X-Code Exhibition. 400-600 word proposals should include: a description of the major ideas, arguments, and sources for the...
Gordon Parks at Atlanta's High Museum of Art
...photography's historical role in the construction of African American identity. As a relatively new mechanical medium, training in early photography was not restricted by racially limited access to academic fine...
The Same Language: A Memoir by Ben Duncan
Video...
"Gaps in People's Lacks": James Franco's As I Lay Dying
...Los Angeles to New York to New Haven. Not content with just being a talented actor, Franco has spent the last few years trying to fashion himself into an arts...
Opening Spaces: On Tolerance and the Possibility for Love
"I'm tired of these categories." —Patricia Yaeger1Patricia Yaeger, Dirt and Desire: Reconstructing Southern Women's Writing, 1930–1990 (Chicago: University of Chicago Press, 2000), ix. In a recent New York Times opinion...
Naming Each Place
...work of other black writers Part 3: Trethewey and Brown discuss writing against the New Critics Part 4: Trethewey and Brown discuss working and hanging out in New Orleans and more Part...
Sams Gap, North Carolina
...bridge at Sams Gap, Sams Gap, NC, 2001. Photo courtesy of Rob Amberg. NCDOT supervisors discussing work on the new Visitor Center, Sams Gap, NC, 2003. Photo courtesy of Rob...
Quilting Conversation
...working in New York in the 1970s, thanks in part to a 1971 exhibition at the Whitney Museum, Abstract Design in American Quilts, that put historical quilts in conversation with...
African American Suburban Development in Atlanta
...primarily through new home construction during the post war period Part 4: Dr. Wiese refers to postwar growth on Atlanta’s west side to illustrate how self-contained Black neighborhoods emerged Part 5: Dr....
Mississippi as Metaphor: State, Region, and Nation in Historical Imagination
Mississippi as Metaphor Part 2: The limits of James Silver’s image of Mississippi as “the closed society” Part 3: The idea of Mississippi as America writ large: did the “Mississippi...