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Southern Spaces

A journal about real and imagined spaces and places of the US South and their global connections

Editors

...Associate Kelly Gannon (2014–2019) Editorial Associate Sophia Leonard (2017–2019) Managing Editor Rachel Kolb (2018–2019) Editorial Associate Stephanie Larson (2015–2017) Review Editor Jordan Johnson (2014–2017) Managing Editor Meredith Doster (2013–2016) Managing Editor Alan G. Pike...

LiFT Art Salon: Gallery 72

...Journal Constitution.6Michael Kahn, "Review: Gallery 72, former home to the AJC, sparks new life into Marietta Street," ArtsATL, May 1, 2014, http://www.artsatl.com/2014/05/review-gallery-72/. The LiFT Team (from left to right: Jordan Streiff, Shady Patterson, Miriam...

The Heavenly Port, Common Meter, 378t

On Jordan’s stormy banks I stand, And cast a wishful eye…… From White, B.F. The Sacred Harp Revised Cooper edition, Samson, Alabama: Sacred Harp Book Co., 2006. Published: 17...

Day of action, Freedom Plaza, Washington, D.C., September 27, 2010

...a sit-in on Freedom Plaza. While mountaintop removal is often considered an Appalachian problem, this protest and its depiction of the federal Army Corps of Engineers points to the complexity...

Telling the Raymond Andrews Story: The Making of Somebody Else, Somewhere Else

Somebody Else, Somewhere Else: The Raymond Andrews Story Somebody Else, Somewhere Else: The Raymond Andrews Story, 2010. I came to the work of Raymond Andrews in 2002, my final year...

Segregation's New Geography: The Atlanta Metro Region, Race, and the Declining Prospects for Upward Mobility

...discriminatory practices, and overt racism that typified the Jim Crow era. In addition to the "promise of freedom" outside the South was the wealth of opportunity in the industrial cities...

The Dispossessions of Appalachia: A Review of Ramp Hollow

...the 1960s and 1970s, activists promoted a related golden-age vision of egalitarian pastoralism in pre-industrial Appalachia, which they contrasted with the ugliness of strip mining, black lung disease, and other...

Loving-Moonlight(ing): Cinema in the Breach

...race, no matter their sex, no matter their sexual orientation, should have that same freedom to marry… I support the freedom to marry for all. That's what Loving, and loving...

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References
1.	Eve Kosofsky Sedgwick, Touching Feeling: Affect, Pedagogy, Performativity (Durham, NC: Duke University Press, 2003), 8. Sedgwick's foundational contribution to the field of queer theory was her implicit understanding of the closet-structure and coming-out narrative and how they functioned. Sedgwick understood the closet as a "resilient and productive… structure of narrative" with a firm "hold on important forms of social meaning" both before and since the great gay liberationist movement "began" at Stonewall. See Eve Kosofsky Sedgwick, Epistemology of the Closet (Berkeley: University of California Press, 1990), 67. Like other key thinkers such as Michel Foucault and Judith Butler, Sedgwick understood the "very specific crisis of definition" implicit in binary distinctions like gay/straight, homosexual/heterosexual, black/white, as well as how that crisis is often socially constructed, limiting the possibilities of non-normative subjectivities (72). Such distinctions create hierarchy and the implicit desire on the part of the majority for the minority to be exposed, excavated, and/or transcended. These realities necessitate giving voice. Yet, we can read silence and invisibility as power. Arguably, in Loving and Moonlight, what is unsaid, what is invisible, is represented as equal in power to what is said and shown.
2.	Joe Robberson, "Director Jeff Nichols talks 'Loving,' His relationship With the South & His Muse, Michael Shannon," Zimbio, November 7, 2016, http://www.zimbio.com/Zimbio+Exclusive+Interviews/articles/bqW7H-jZy09/Director+Jeff+Nichols+Talks+Loving+Relationship.
3.	Nichols, a native of Arkansas, has made four previous films: Shotgun Stories (2007), Take Shelter (2011), Mud (2012), and Midnight Special (2016). All of these films are fiction. Loving is Nichols's first film to be rooted in fact.
4.	Virginia was not alone in enforcing such legal holdovers. By the time of the 1967 decision, fifteen other (mostly southern) states (Alabama, Arkansas, South Carolina, North Carolina, Georgia, Mississippi, West Virginia, Missouri, Louisiana, Kentucky, Florida, Texas, Tennessee, Oklahoma, and Delaware) had similar anti-miscegenation laws on the books. While the Supreme Court's federal decision invalidated all of these state laws, it would take until 1998 and 2000 for South Carolina and Alabama, respectively, to amend their state constitutional language on miscegenation.
5.	Moze Halperin, "Playwright Tarell Alvin McCraney Discusses the Piece that Inspired 'Moonlight,'" Flavorwire, October 21, 2016, http://flavorwire.com/592191/playwright-tarell-alvin-mccraney-discusses-the-piece-that-inspired-moonlight. Halperin writes, with "In the Moonlight, which McCraney set in his own home of Liberty City, Florida, the playwright tried to lay out some of his own biographical questions about growing up with a mother grappling with drug addiction, and growing up gay in a neighborhood sequestered by race and class, in a community where his own divergence from masculine norms led him to be classified as Other from a young age. Moonlight writer/director Barry Jenkins likewise grew up in Liberty City—and in the very same public housing unit as McCraney—Liberty Square, though they didn't know each other. His adaptation of McCraney's work combined their diverging and overlapping experiences, and projected them onto the story of a protagonist, who, through the convergence of time and society's all-too-often blanketing perceptions of black manhood, lives as a beautifully unchanging soul housed within three metamorphosed bodies."
6.	"Lifetime Risk of HIV Diagnosis," CDC, February 23, 2016, https://www.cdc.gov/nchhstp/newsroom/2016/croi-press-release-risk.html; "CDC Fact Sheet: Today's HIV/AIDS Epidemic," August 2016, https://www.cdc.gov/nchhstp/newsroom/docs/factsheets/todaysepidemic-508.pdf; Claire Galofaro, "Appalachia Bracing for HIV," U.S. News & World Report, June 5, 2015, http://www.usnews.com/news/us/articles/2015/06/04/appalachia-gripped-by-hepatitis-c-epidemic-bracing-for-hiv.
7.	Richard Goldstein, "'Go the Way Your Blood Beats': An Interview with James Baldwin," In James Baldwin: The Last Interview and Other Conversations (Brooklyn, NY: Melville House, 2014), 59.
8.	Kate Chopin, The Awakening (Chicago and New York: Herbert S. Stone & Co, 1899).
9.	Richie Hoffman, "Sea Interlude: Moonlight," The Missouri Review, 34, no. 4 (2011): 93.
10.	Alex Abad-Santos, "Watch: Mahershala Ali's powerful SAG Awards speech on persecution and acceptance," Vox.com, January 29, 2017, http://www.vox.com/2017/1/29/14433536/mahershala-ali-2017-sag-award-speech-video.
11.	Catherine Filloux, Tarell Alvin McCraney, and Joe Sutton, The Breach. In Katrina on Stage: Five Plays, edited by Suzanne M. Trauth and Lisa S. Brenner (Evanston, Illinois: Northwestern University Press, 2011), 57.
12.	Arica L. Coleman, "What's Fact and Fiction in Jeff Nichols's Film about the Lovings," History News Network, November 14, 2016, historynewsnetwork.org/article/164415.
13.	"Loving for All," Statement by Mildred Loving, June 12, 2007. In Grey Villet, Loving: An Intimate Portrait (New York: Princeton Architectural Press, 2017), 111.
14.	Loving v. Virginia was cited as legal precedent for the Supreme Court's Obergefell v. Hodges decision in which the court saw "the history of marriage is one of continuity and change." See https://www.supremecourt.gov/opinions/14pdf/14-556_3204.pdf.
15.	Lynne Huffer, "The New Normal is Not Good Enough," The Huffington Post, February 2, 2016, http://www.huffingtonpost.com/lynne-huffer/the-new-normal-not-good-enough_b_1895309.html.
16.	Toni Morrison, "No Place for Self-Pity, No Room for Fear," The Nation, March 23, 2015, https://www.thenation.com/article/no-place-self-pity-no-room-fear.
17.	Chauncey Devega, "'Moonlight' and 'Loving': Film as symbolic resistance in the age of Trump," Salon, December 10, 2016, http://www.salon.com/2016/12/10/moonlight-and-loving-film-as-symbolic-resistance-in-the-age-of-trump/.