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Southern Spaces

A journal about real and imagined spaces and places of the US South and their global connections

Visions for Sustainable Agriculture in Cuba and the United States: Changing Minds and Models through Exchange

...nothing to promote political and economic change. In July 2010 Menendez took the Senate floor to oppose an easing of travel restrictions, remarking that more opportunities for US citizens to...

The Joneses: Home Made in Mississippi

...ever since. The Joneses promotional poster. Bunny Lake Films LLC, 2016. The documentary project spun out of my first book, Men Like That: A Southern Queer History, which began as...

Putting the Vernacular in Modernism: A Review of Edward Comentale's Sweet Air

...modernism," or a "vital forum of exchange and transformation for those otherwise excluded from traditional forms of power and prestige" (7). Jailhouse Rock, 1957. Promotional image featuring the film's star...

Editors

...Sophia Leonard (2017–2019) Managing Editor Rachel Kolb (2018–2019) Editorial Associate Stephanie Larson (2015–2017) Review Editor Jordan Johnson (2014–2017) Managing Editor Meredith Doster (2013–2016) Managing Editor Alan G. Pike (2011–2015) Review Editor Emma Lirette (2012–2015)...

LiFT Art Salon: Gallery 72

...Journal Constitution.6Michael Kahn, "Review: Gallery 72, former home to the AJC, sparks new life into Marietta Street," ArtsATL, May 1, 2014, http://www.artsatl.com/2014/05/review-gallery-72/. The LiFT Team (from left to right: Jordan Streiff, Shady Patterson, Miriam...

The Heavenly Port, Common Meter, 378t

On Jordan’s stormy banks I stand, And cast a wishful eye…… From White, B.F. The Sacred Harp Revised Cooper edition, Samson, Alabama: Sacred Harp Book Co., 2006. Published: 17...

Reckoning with Enslavement

...uncovering the lawsuits they had brought against the Jesuits and other prominent Maryland slaveholders long before the 1838 sale. Some won their freedom. Others didn't—but each of their cases challenged...

"Our Country"—Benjamin E. Wise's William Alexander Percy

...his "experiences of sexual freedom possible. His wealth allowed him to travel around the world, and that wealth was created in large part by black slaves and sharecroppers. His vision...

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References
1.	Full disclosure: I reviewed this book for the press and watched it evolve from a solid praiseworthy Rice University dissertation into an exhilarating path-breaking first monograph of importance for several fields of study.
2.	Donald H. Mader, "The Greek Mirror: The Uranians and Their Use of Greece," in Same-Sex Desire and Love in Greco-Roman Antiquity and in the Classical Tradition of the West, ed. Beert C. Verstraete and Vernon Provencal (Binghamton, NY: Harrington Park Press, 2005), 388.
3.	Quoted in Robert Chauncey, Gay New York: Gender, Urban Culture, and the Makings of the Gay Male World, 1890-1940 (New York: Basic Books, 1994), 179.
4.	McKay Jenkins, The South in Black and White: Race, Sex, and Literature in the 1940s (Chapel Hill: University of North Carolina Press, 1999), 103; Bertram Wyatt-Brown, The House of Percy: Honor, Melancholy, and Imagination in a Southern Family (New York: Oxford University Press, 1994), 205; Richard H. King, A Southern Renaissance: The Cultural Awakening of the American South (New York: Oxford University Press, 1980), 97. Others have discussed Percy’s sexuality in more positive terms, most notably William Armstrong Percy in "William Alexander Percy: His Homosexuality and Why It Matters," in John Howard, ed., Carryin’ On in the Gay and Lesbian South (New York: New York University Press, 1997), 75–92. My treatment of Will Percy picks up on several of the themes in William Armstrong Percy’s 1997 essay. See also Donald Mader, "The Greek Mirror,"; and Kieran Quinlan, "From William Alexander Percy to Walker Percy: Progress or Regress?," European Contributions to American Studies 65 (2006): 143–54.