Search for "VIPREG2024 1xbet free promo code 2024 Dominican Republic"

Residues of Border Control

...dream come true. Luke Desforges, "Front Doors to Freedom, Portal to the Past: History at the Ellis Island Immigration Museum, New York," Social & Cultural Geography 5, no. 3 (2004)....

Ecologies of the Sacred: A Review of Valérie Loichot's Water Graves

...in a colonial epistemological tradition is not always fully interrogated. As the philosopher and novelist Sylvia Wynter writes in "Unsettling the Coloniality of Being/ Power/Truth/ Freedom," the term "humanity" has...

Transcript of "When I Say 'Steal,'Who Do You Think Of?": Part One

...created that wealth, in the form of free health care, free schooling as far as you ever wanted to go, inexpensive good food, cheap housing, recreation of all sorts, books,...

Creolization as Cultural Continuity and Creativity in Postdiluvian New Orleans and Beyond

...1983). This carefree and sometimes unruly bunch is related to those who dance and drink behind the jazz funeral band after the body is "cut loose" at a New Orleans...

Open Educational Resources at Southern Spaces

...across multiple disciplines. Presenting well-crafted articles, videos, reviews, interviews, and digital projects, these collections of free materials offer valuable resources for teaching, learning, and research. OER Commons logo, December 12,...

Race and Difference in the "Other America": A Review of Anne Braden: Southern Patriot

...The Southern Patriot. Cover of Free Thomas Wansley: A letter to white Southern women from Anne Braden, 1972. Print by John Wilson. Courtesy of Emory University's Manuscript, Archive, and Rare...

The Liminal Site

...is worth while," they wrote, "also to provide parks of the mountain type—places where people can climb, can enjoy the wild woods, and can enjoy that sense of freedom and...

References
1.	We now live in North Vancouver, British Columbia, but—since we moved during the Great Recession—we were unable to sell our Birmingham house. I have opted, therefore, to continue using the present tense and referring to the place as "our house," especially because we own no other: in North Vancouver, we are renters.
2.	Olmsted Brothers, A System of Parks and Playgrounds for Birmingham: Preliminary Report upon the Park Problems, Needs, and Opportunities of the City and its Immediate Surroundings (Birmingham: Park and Recreation Board of Birmingham, 1925), 12. Reprinted by the Birmingham Historical Society, 2005.
3.	Ibid., 20.
4.	William Faulkner, Absalom, Absalom! In William Faulkner, Novels 1936–1940, ed. by Joseph Blotner and Noel Polk (New York: Library of America, 1990), 111.
5.	Edward O. Wilson, The Future of Life (New York: Vintage, 2003), 135.
6.	Yi-Fu Tuan, Space and Place: The Perspective of Experience (Minneapolis: University of Minnesota Press, 1977), 3.
7.	Miwon Kwon, One Place After Another (Cambridge: MIT Press, 2002), 166.
8.	Apparently they were not alone. As the leading book on dogwoods puts it: "Take a typical understory plant like C. florida that thrives in the partly shady wood with nice rich organic soils all moist and acidic. Once the plant leaves the nursery for that long trunk ride to its new home, the game is just about over. Despite all encouragement and direction, most homeowners run right home and find the sunniest, driest, and nastiest site with the poorest excuse for soil available to them." See, Paul Cappiello and Don Shadow, Dogwoods (Portland, OR: Timber Press, 2005), 32.
9.	For what is quite possibly the definitive treatment of diasporic gardening, see Sarah Casteel's remarkable recent book Second Arrivals (Charlottesville: University of Virginia Press, 2007).
10.	On December 19, 2006, the National Arbor Day Foundation—hardly a political organization—published, based on the past fifteen years' climate data, its independent revision of the USDA's 1990 map of climate hardiness zones (arborday.org/media/zones.cfm), reinforcing what gardeners had been experiencing—"on the ground," as it were—for some time.
11.	Lucy Lippard, The Lure of the Local: Senses of Place in a Multicentered Society (New York: The New Press, 1997), 264. Frankly, as a modernist I'm not much concerned with accessibility, and, at the risk of sounding overly literal about it, most people seeing the garden from that direction will have had to walk at least half a mile to do so.
12.	Louise Wrinkle's Mountain Brook garden, often cited in works like Sally Wasowski with Andy Wasowski, Gardening with Native Plants of the South (Boulder, CO: Taylor Trade, 1994), is a model here, or was until she paved her creekside walkway with asphalt. (In some cases, creating such an illusion is not difficult because people are not always very observant. In 2004, a group of non-neighborhood-residents calling themselves "Friends of the Vulcan Trail," on an annual and officious "trail-clearing" mission, veered several yards off the trail to destroy two of my rhododendrons, not to mention a small tree belonging to one neighbor and a mahonia belonging to another.) But the real impulse behind this sort of restorative gardening is what Ken Druse calls "giving back" in The Passion for Gardening: Inspiration for a Lifetime (New York: Clarkson Potter, 2003), 97–143. It's a different aesthetic and ethic from Schwartz's, which I deploy elsewhere in the garden. (Why choose?) Schwartz, notes Tim Richardson, "does not try to manipulate the natural landscape in a subtle way, bending it to her ends by using nature's own palette of trees, shrubs, and flowers. For Schwartz, such an approach is lazy or even dishonest, since her argument is that even the notion that unsullied 'nature' exists out there is patently false," see Tim Richardson, ed., The Vanguard Landscapes and Gardens of Martha Schwartz (New York: Thames and Hudson, 2004), 7. Like most dogmatism, such orthodox postmodernism can overstate its point. Habitat restoration, subtly aestheticized or not, isn't about pretending unsullied nature exists, it's about ameliorating some of the sullying.
13.	Partly because of gardening's perceived distance from urban youth subcultures and electronic media, no scholarly cultural studies treatment of its pleasures exists, and the afterword below is not intended to fill that void. For an impressionistic meditation intended to "inspire" other gardeners, see Druse, The Passion for Gardening.
14.	V. Vale, Swing! The New Retro Renaissance (San Francisco: RE/Search Publications, 1998).
15.	"I wonder," asks Tom Rooks, a landscape designer in Michigan extensively quoted by Druse, "what do people do who are in love with things that are completely man-made? Like people who are in love with cars? What we're in love with is so complex and so never-ending, you can never feel you've done everything or learned everything about it." Druse, The Passion for Gardening, 22. Druse's own metaphor that nature is "the senior partner in this collaboration" is schmaltzy but accurately depicts the basic ontological sense that gardening can resist fetishism. Ibid., 232.
16.	Edward W. Soja, Postmetropolis: Critical Studies of Cities and Regions (Madden, Massachussetts: Blackwell, 2000), 401. For the classic postmodern-geography treatment of Atlanta, see Charles Rutheiser, Imagineering Atlanta: The Politics of Place in the City of Dreams (New York: Verso, 1996).

Search Results for VIPREG2024 1xbet free promo code 2024 Dominican Republic