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Catastrophe and Hope: Martyn Bone’s The Writings of Jesmyn Ward

...26, 2018, https://time.com/5349517/jesmyn-ward-my-true-south/ In Ward’s autobiographical writing, descriptions of Mississippi manifesting global social and economic systems are then followed with ruminations on her particular experience.9In “My True South,” Mississippi is, for Ward, family,...

Call for Submissions: Queer Intersections / Southern Spaces

...2009. https://southernspaces.org/2009/same-sex-intimacy-fiction-about-southern-plantations. Chenault, Wesley, Andy Ditzler, and Joey Orr. "Discursive Memorials: Queer Histories in Atlanta's Public Spaces." Southern Spaces, February 26, 2010. https://southernspaces.org/2010/discursive-memorials-queer-histories-atlantas-public-spaces. Chesnut, Saralyn, Amanda C. Gable, and Elizabeth...

Tracing the Arctic Regions: Mapping 19th Century Photographs of Greenland

Presentation https://vimeo.com/171940774 Question and Answer Session https://vimeo.com/174834636 About the Speaker George Philip LeBourdais is a PhD candidate in the Department of Art and Art History at Stanford University. His research...

Digital Spaces: A Call for Articles and Multi-Media Projects

...2015. https://southernspaces.org/2015/highlighting-charlestons-african-american-history-through-lowcountry-digital-history-initiative. Bransford, Steve, Michael Page, and Anthony Martin. "St. Catherines Island Flyover." Southern Spaces, July 14, 2015. https://southernspaces.org/2015/st-catherines-island-flyover. Hagood, Taylor. "The Digital Yoknapawtawpha Project." Southern Spaces, January 22, 2014. https://southernspaces.org/2014/digital-yoknapatawpha-project....

How I Shed My Skin

Presentation and Review https://vimeo.com/134247004?fl=ls&fe=ec Civil rights narratives often empower and embolden, promoting faith in possibilities, hope for rectifying inequities. More sober assessments show that, though we've come a long way—thanks...

Search Results for Budget prescriptions https:/simplemedrx.top

Catastrophe and Hope: Martyn Bone’s The Writings of Jesmyn Ward

Call for Submissions: Queer Intersections / Southern Spaces

Tracing the Arctic Regions: Mapping 19th Century Photographs of Greenland

Digital Spaces: A Call for Articles and Multi-Media Projects

"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic

References
1.	As Skyler Swisher wrote in an article for the South Florida Sun Sentinel in 2019, sixty-eight percent of Floridians support LGBT anti-discrimination laws, which led some to hope 2020 would be “the year for Florida to protect gay and transgender people from discrimination.” Yet, one attempt, the Florida Competitive Workforce Act, died in the civil justice subcommittee in March 2020. There’s no statewide ban on conversion therapy and twenty seven percent of LGBT Floridians live below the poverty line.
2.	Bible passages included in Convoluted’s web: Genesis 19, Leviticus 18:22, Leviticus 20:13, Mark 10:6–9, Romans 1:26–32, Romans 13:8–10, 1 Corinthians 6:9–11,17–20, 1 Corinthians 7:2, 1 Timothy 1:8–11, Hebrews 13:1–5, Jude 1:5–8.
3.	R.L. Spitzer, “Can Some Gay Men and Lesbians Change Their Sexual Orientation? 200 Participants Reporting a Change from Homosexual to Heterosexual Orientation,” Archives of Sexual Behavior 32 (2003): 403–417.
4.	Douglas Crimp, Melancholia and Moralism: Essays on AIDS and Queer Politics (Cambridge, MA: MIT Press, 2002).
5.	David Breslin and David Kiehl, David Wojnarowicz: History Keeps Me Awake at Night (New Haven, CT: Yale University Press, 2018), 270–271.
6.	Felix Gonzalez-Torres, “Practices: the Problem of Divisions of Cultural Labour,” Art and Design 9 (1994): 91. See Joan Gibbons, Contemporary Art and Memory: Images of Recollection and Remembrance (London: I.B. Tauris, 20017).
7.	For the connection between Rilke and González-Torres’s work, see Christopher Castiglia and Christopher Reed, “Remembering a New Queer Politics: Ideals in the Aftermath of Identity,” If Memory Serves: Gay Men, AIDS, and the Promise of the Queer Past (Minneapolis: University of Minnesota Press, 2012): 175–215. The full and correct Rainer Marie Rilke quote: “And still it is not enough to have memories. One must be able to forget them when they are many, and one must have the great patience to wait until they come again. For it is not yet the memories themselves. Not until they have turned to blood within us, to glance, to gesture, nameless and no longer to be distinguished from ourselves—not until then can it happen that in a most rare hour the first word of a verse arises in their midst and goes forth from them.”
8.	See the Touching Up Our Roots oral history about his life: In the Eye of the AIDS Storm: The Saga of Dr. Jesse Peel, directed and produced by Dave Hayward (2010), DVD. Touching Up Our Roots: Georgia's LGBT History Project. Georgia State University.
9.	Felix González-Torres, interview by Tim Rollins, Between Artists: Twelve Contemporary American Artists Interview Twelve Contemporary American Artists (New York: A.R.T. Press, 1996), 94.
10.	Maya Chinchilla, “Church at Night,” GLQ 24, no. 1 (2018), 3–8. https://doi.org/10.1215/10642684-4254387.