Search for "China Southern Airlines Flight 1-800-299-7264 Booking Phone Number Reservations 800"

The Joneses: Home Made in Mississippi

Interview Southern Spaces: How did you begin the project that became this remarkable documentary The Joneses? https://vimeo.com/390791326 The Joneses Trailer. Bunny Lake Films LLC, 2016. John Howard: Jheri (at the...

Southern Spaces on Hurricane Katrina

...Spaces, January 17, 2012, https://southernspaces.org/2012/unhappy-trails-big-easy-public-spaces-and-square-called-congo. Trethewey, Natasha. "Geography." Southern Spaces, January 11, 2011, https://southernspaces.org/2011/geography. Saikku, Mikko. "Bioregional Approach to Southern History: The Yazoo-Mississippi Delta." Southern Spaces, January 28, 2010, https://southernspaces.org/2010/bioregional-approach-southern-history-yazoo-mississippi-delta....

Call for Submissions: Spatial Justice

...16, 2011, https://southernspaces.org/2011/back-future-mapping-workers-across-global-south. Hill, Sarah H. "Cherokee Removal Scenes: Elijay, Georgia, 1838." Southern Spaces, August 23, 2012, https://southernspaces.org/2012/cherokee-removal-scenes-ellijay-georgia-1838. Kirpalani, Neeta and Emily Jackson. "Birth Right." Southern Spaces, January 12, 2010, https://southernspaces.org/2010/birth-right...

Something True about Louisiana: HBO's True Detective and the Petrochemical America Aesthetic

...Ecology," Southern Spaces, February 13, 2013, https://southernspaces.org/2013/beasts-southern-wild-and-dirty-ecology. The trash in True Detective is not luminous, and the whimsy is full of terror. Light, here, is anticlimactic—as in the final battle...

Search Results for China Southern Airlines Flight 1-800-299-7264 Booking Phone Number Reservations 800

Southern Spaces on Hurricane Katrina

Call for Submissions: Spatial Justice

Something True about Louisiana: HBO's True Detective and the Petrochemical America Aesthetic

Beasts of the Southern Wild and Dirty Ecology

Visions for Sustainable Agriculture in Cuba and the United States: Changing Minds and Models through Exchange

Cruising Grounds: Seeking Sex and Claiming Place in Houston, 1960–1980

Vale of Amusements: Modernity, Technology, and Atlanta's Ponce de Leon Park, 1870–1920

The Tennessee Jamboree: Local Radio, the Barn Dance, and Cultural Life in Appalachian East Tennessee

References
1.	Susan Douglas, Listening In: Radio and the American Imagination. (Minneapolis: University of Minnesota Press, 2004), 57.
2.	Ibid, 79.
3.	Ronald R. Kline, Consumers in the Country: Technology and Social Change in Rural America. (Baltimore, MD: Johns Hopkins University Press, 2000), 10.
4.	Ibid.
5.	Ibid, 116.
6.	Ibid, 287.
7.	Joseph C. Pusateri, Enterprise in Radio: WWL and the Business of Broadcasting in America. (Washington, DC: University Press of America, 1980), 153.
8.	Douglas, 5.
9.	Richard A. Peterson, Creating Country Music: Fabricating Authenticity. (Chicago: University of Chicago Press, 1997), 97.
10.	Kline, 287.
11.	Jacob J. Podber, "The Electronic Front Porch: An Oral History of the Early Effects of Radio, Television, and the Internet on Appalachia and the Melungeon Community." (PhD dissertation: Ohio University, 2001), 121.
12.	Ibid, 143-144.
13.	Ibid, 132-133.
14.	Pusateri, 221.
15.	Ibid.
16.	Diane Pecknold, The Selling Sound: The Rise of the Country Music Industry. Durham, NC: Duke University Press, 2007), 15.
17.	Ibid, 16.
18.	Suan Smulyan, Selling Radio: The Commercialization of American Broadcasting, 1920-1934. (Smithsonian Institution Press, 1994), 24.
19.	Ibid, 23.
20.	Kristine M. McCusker, "It Wasn't God Who Made Honky Tonk Angels": Women, Work and Barn Dance Radio, 1920-1960." (PhD dissertation: Indiana University, 2000), 20.
21.	Jeffrey J. Lange, Smile When You Call Me a Hillbilly: Country Music's Struggle for Respectability, 1939-1954. (Athens: University of Georgia Press, 2004), 28.
22.	Peterson, 99, 109.
23.	Pecknold, 16.
24.	Ibid.
25.	Charles Wolfe, Tennessee Strings: The Story of Country Music in Tennessee. (Knoxville, TN: University of Knoxville Press, 1977), 83.
26.	Ibid, 83-85.
27.	Peterson, 232.
28.	David Nusz Black, Television from a Third Coast: A History of Nashville Network and Syndicated Television Production: 1950-1983. (PhD Dissertation: The University of Tennessee, 1996), 393-394.
29.	A Study of the Community of Lafollette, Tennessee. Tennessee State Library and Archive. (Nashville: Public Libraries Division, 1957), 4-5.
30.	Ibid, 50.
31.	Ibid, 20.
32.	Audio interview with Dolly Parton from American Routes. During an interview on American Routes, Parton talks about her musical and family roots in East Tennessee, and about singing on the Cas Walker Show. Available via http://americanroutes.wwno.org/.
33.	Bill Waddell, taped interview by Joe DiCosimo, August 2005.
34.	Ibid.
35.	Ibid.
36.	Waddell, reunion introduction. From tape of Louie Bluie Music and Arts Festival, Caryville, TN, 2007, from the Tennessee State Library and Archives.
37.	Michele Hilmes, Radio Voices: American Broadcasting, 1922-1952. (Minneapolis: University of Minnesota Press, 1997), xvi.
38.	Jody Berland,"Radio Space and Industrial Time: The Case of Music Formats." In Canadian Music: Issues of Hegemony and Identity, eds. Beverly Diamond and Robert Witmer. (Toronto: Canadian Scholars' Press, 1994), 175- 176, 181.
39.	Bill C. Malone, Country Music, U.S.A. (Austin: University of Texas Press, 1985), 369.
40.	A Study of the Community of Lafollette, Tennessee, 5.