Krog Street Tunnel
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Let Me Do My Thang: Rebirth Brass Band
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A Horrible, Beautiful Beast
Review Walker Art Center, Minneapolis, February 17–May 13, 2007 ARC/ Musée d'art moderne de la ville de Paris, France, June 20–September 9, 2007 Whitney Museum of American Art, New York,...
Sea Changes in Personhood
Review While taking its cues from apparently minor literary events and artifacts, Ariel's Ecology: Plantations, Personhood, and Colonialism in the American Tropics is a major intervention in literary criticism, political...
The Bulletin—July 10, 2012
The Bulletin compiles news from in and around the US South. We hope these posts will provide space for lively discussion and debate regarding issues of importance to those living...
Mourning Medgar: Justice, Aesthetics, and the Local
Presentation Part 2: Gwin explores temporal and spatial dimensions of mourning, posing questions of how to mourn and celebrate Evers Part 3: Gwin situates aesthetic and ethical responses from Baldwin,...
Single Centers of Creation?
Essay Detail from Nancy Lowe, Source, Species Icons exhibit, Schatten Gallery, Emory University, Atlanta, Georgia, 2009. Introduction In this sampling from ORIGIN, a collaborative exhibition celebrating the 150th anniversary of...
Struggle Against Disease and Discrimination: The Jesse Peel Papers
Southern Spaces is pairing with Emory University's Manuscript, Archives and Rare Books Library (MARBL) to publish short features on MARBL collections, events, and exhibits that tell the history of spaces...
The Bulletin—August 6, 2013
The Bulletin compiles news from in and around the US South. We hope these posts will provide space for lively discussion and debate regarding issues of importance to those living...
The Morning with Many Tongues
Readings Sean Hill reads the poem "Just as Sure." Poem text. Sean Hill reads the poem "Nigger Street 1937." Poem text. Sean Hill reads the poem "The State House Aflame 1833." Poem text....