The Podcast and the Police: S‑Town and the Narrative Form of Southern Queerness
...viewer—short-circuit both homonormative assumptions about sexuality and gay identity and metronormative assumptions about sex and homophobia in the rural South. Anecdotally, I've heard from a goodly number of southern gay...
New Pasts: Historicizing Immigration, Race, and Place in the South
...also been highly uneven. Until Hurricane Katrina and the need for cheap immigrant labor to rebuild New Orleans, for instance, Louisiana had little Latino population growth. Within the historic “Black...
"I Used That Katrina Water To Master My Flow": Rap Performance, Disaster, and Recovery in New Orleans
...loved ones as phones begin to work again have allowed everyone to breathe normally for the first time in a week. Outside the city, mandatory evacuations forced many to leave...
McGirt v. Oklahoma: Implications of the 2020 Supreme Court Decision for Native America
...Muscogee Creek Nation. We're very proud of her having captured this award. She's currently the Chief Justice of the Prairie Island (Minnesota) Community Court of Appeals. She was also a...
Cherokee Removal Scenes: Ellijay, Georgia, 1838
...removal began, and overstates the number of Cherokees sent from Fort Hetzel, the number removed from Gilmer County, and the number sent to Indian Territory. Incomplete narratives neglected the involvement...
The Shenandoah Valley
The Shenandoah Valley Edward Beyer, Digital Restoration of "Harper's Ferry from Jefferson Rock" from Album of Virginia: Illustrations of the Old Dominion, 1858. The Shenandoah Valley's history marks it as...
Putting the Vernacular in Modernism: A Review of Edward Comentale's Sweet Air
...doubled, at once opening and closing, losing and then finding itself in its own cheap performance" (180). These kinds of juxtapositions are the crux of what Comentale identifies as "vernacular...
An Unlikely Bohemia: Athens, Georgia, in Reagan's America
...towns. Gentrification is occurring, but the area remains relatively cheap, isolated, hard to get to, and modest, especially outside the historic districts and areas close to campus. And somehow, within...
The Place of Appalachia
...(Princeton, NJ: Princeton University Press, 2001); see the discussion in Doreen Massey, Space, Place, and Gender (Minneapolis: University of Minnesota Press, 1994), 162–172; Mary K. Anglin, "Moving Forward: Gender and...
"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic
...I specifically reference the Pulse tragedy in my work with the number 49. A lot of my work features the multiplicity of that number. The blood slide pieces in What...