"I Used That Katrina Water To Master My Flow": Rap Performance, Disaster, and Recovery in New Orleans
...loved ones as phones begin to work again have allowed everyone to breathe normally for the first time in a week. Outside the city, mandatory evacuations forced many to leave...
James Holland, Riverkeeper: Environmental Protection along the Altamaha
...to take, returning the rest to forage through the delta mud. The numbers in the coolers spoke: they were falling, 300 pounds, 225, 175. Every year they fell—he remembers 1,500...
Cherokee Removal Scenes: Ellijay, Georgia, 1838
...removal began, and overstates the number of Cherokees sent from Fort Hetzel, the number removed from Gilmer County, and the number sent to Indian Territory. Incomplete narratives neglected the involvement...
The Shenandoah Valley
The Shenandoah Valley Edward Beyer, Digital Restoration of "Harper's Ferry from Jefferson Rock" from Album of Virginia: Illustrations of the Old Dominion, 1858. The Shenandoah Valley's history marks it as...
Putting the Vernacular in Modernism: A Review of Edward Comentale's Sweet Air
...doubled, at once opening and closing, losing and then finding itself in its own cheap performance" (180). These kinds of juxtapositions are the crux of what Comentale identifies as "vernacular...
An Unlikely Bohemia: Athens, Georgia, in Reagan's America
...towns. Gentrification is occurring, but the area remains relatively cheap, isolated, hard to get to, and modest, especially outside the historic districts and areas close to campus. And somehow, within...
The Place of Appalachia
...(Princeton, NJ: Princeton University Press, 2001); see the discussion in Doreen Massey, Space, Place, and Gender (Minneapolis: University of Minnesota Press, 1994), 162–172; Mary K. Anglin, "Moving Forward: Gender and...
Cosmopolitanism and Nationalism in Native American Literature: A Panel Discussion
Introduction: Theorists in Dialogue about Native American Literature, Hybridity, and Tribal Sovereignty Craig Womack: Each of the participants who joined me in the Emory discussion on April 22, 2011—Lisa Brooks,...
"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic
...I specifically reference the Pulse tragedy in my work with the number 49. A lot of my work features the multiplicity of that number. The blood slide pieces in What...
The Carolina Piedmont
...that connected mountains with coast. Faced with increasing white numbers and hostility, as well as the ravages of smallpox and the occupation of their familiar territory, natives desperately sought strategies...