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No Country for Old Hippies: Jason Mellard's Progressive Country

Review Jason Mellard's Progressive Country: How The 1970s Transformed The Texan in Popular Culture broadens our understanding of this musical style's dynamic role in negotiating the political contentions of a...

Cultural Life in a "Chocolate City": A Review of Natalie Hopkinson's Go-Go Live

Review In Go-Go Live: The Musical Life and Death of a Chocolate City journalist and educator Natalie Hopkinson uses go-go—the ultra-local style of African American popular music that has dominated...

Whiskey and Geography

Shooting Creek Making Whiskey in the Backcountry Whiskey making, while rare in southern England, was highly developed in both Scotland and Ireland by the time of the Ulster emigration. We...

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To subscribe to the Southern Spaces mailing list and receive periodic updates on our publications, e-mail SEditor@emory.edu and include "Subscribe to Southern Spaces Mailing List" in the subject line....

Winslow Homer and the American Civil War

Presentation Part 2: Wood details the history of Winslow’s painting, “Near Andersonville.” Part 3: Wood explains Homer’s possible motivations for painting “Near Andersonville Part 4: Examining soldiers in the painting, Wood offers a...

Aestheticizing a Political Debate: Can the Creek Confederacy Be Sung Back Together?

Aestheticizing a Political Debate: Can the Creek Confederacy Be Sung Back Together? Part 2: Womack analyzes Posey’s representation of the vexed relationships between Creeks and Freedmen in the Creek Confederacy...

History: The Parlor

...during these visits. In southern rural communities, women's friendships were largely influenced by kinship networks. One's closest neighbors were likely to include relatives and in-laws of various degrees. Mary and...

The Bulletin—July 10, 2012

...that federal rgulators have failed to protect coal miners in eastern Kentucky, southern West Virginia, and southwestern Virginia from breathing excessive amounts of toxic coal dust over the last thirty...

Let Me Do My Thang: Rebirth Brass Band

Video...

"Gaps in People's Lacks": James Franco's As I Lay Dying

...able to write during his days haunting the Warner Brothers back lot. About the Author Daniel Pecchenino is a lecturer in the writing program at the University of Southern California....

References
1.	If you don't believe me, consider the fact that The Los Angeles Review of Books has run not one, but two interviews with Franco, as well as a review, in the last six months about his adaptation of Faulkner's As I Lay Dying: Joseph Entin, "Filming Faulkner's Modernism: James Franco's As I Lay Dying," The Los Angeles Review of Books, November 13, 2013, http://lareviewofbooks.org/essay/filming-faulkners-modernism-on-james-francos-as-i-lay-dying; Merve Emre, "Merve Emre Interviews James Franco: James Franco and Matt Rager on 'As I Lay Dying,'" The Los Angeles Review of Books, October 27, 2013, http://lareviewofbooks.org/interview/james-franco-and-matt-rager-on-as-i-lay-dying; Michael Bibler, "Michael Bibler Interviews James Franco," The Los Angeles Review of Books, May 15, 2013, http://lareviewofbooks.org/interview/james-franco-on-his-adaptation-of-faulkners-as-i-lay-dying.
2.	Faulkner himself worked in Hollywood on and off for over two decades, and his ambivalence about film and the place that churned out reel after reel of the stuff is well documented. For more on this, see Tom Dardis' Some Time in the Sun (New York: Scribner's,1976), Ian Hamilton's Writers in Hollywood: 1915–1951 (New York: Carroll & Graf, 1990), Joseph Blotner's Faulkner: A Biography (Jackson: University Press of Mississippi, 1974), and Meta Carpenter Wilde and Oren Borsten's A Loving Gentleman: The Love Story of William Faulkner and Meta Carpenter (New York: Simon and Schuster, 1976).
3.	The 1969 film version of The Reivers, starring Steve McQueen, is enjoyable, but the novel is far more conventional than most of Faulkner's other fiction, making the act of adaptation much simpler.
4.	William Faulkner, As I Lay Dying (New York: Vintage International Edition, 1990).
5.	The intersection of race, class, and the visual arts in Faulkner's fiction is examined in Waid's The Signifying Eye: Seeing Faulkner's Art (Athens: University of Georgia Press, 2013). In the interest of full disclosure, I worked with Dr. Waid on this book as an editorial consultant.

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