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Joseph Crespino Interviews Thomas Mullen, Author of Darktown

...the best debut novel of the year. Mullen's books are notable for the range and variety of their historical settings and influences. Last Town on Earth is set in a...

The Complete Oh-OK: Music as Child’s Play in Athens, Georgia

...of what was then called “college radio” to name the best early 1980s band from Athens, Georgia. Many folks will insist on the most famous band to emerge from this...

The Bulletin—November 29, 2012

...degrees latitude; the border would then be drawn due west until it reached the Pacific Ocean. The original boundary was marked by hatchet marks on trees, strategically placed rocks, and...

Rose Library Highlights: Amos Kennedy, Jr.

...his archival holdings in the African American collections at Emory University's Stuart A. Rose Manuscript, Archives, and Rare Book Library. Best known for artist books that narrate African American history in striking...

Mississippi as Metaphor State, Region, and Nation in Historical Imagination

Mississippi as Metaphor Part 2: Dr. Crespino discusses and suggests the limits of James Silver’s image of Mississippi as “the closed society” Part 3: Dr. Crespino traces the idea of Mississippi as...

Driving Through Time: The Digital Blue Ridge Parkway

...GeoBrowse tool allows visitors to browse documents in the collection by geographical location. Beyond the political and legal challenges, the actual construction of the Parkway proved difficult at best and...

Glocal Lounge

...regions, offers critical scrutiny of any monolithic "South," interrogates historical developments and geographies over time, and maps expressive cultural forms associated with place. Perhaps our blog can serve as a...

Digital Spaces: A Call for Articles and Multi-Media Projects

...in work that deals with the real and imagined spaces and places of the US South, but we also encourage submissions that model innovative digital scholarship, activism, art, and teaching...

History, Geography, and the New Orleans Tourism Industry: A Review of Bourbon Street

...before the tragedy, places recent gun violence within a much longer history of social, political, and environmental threats that have failed to effect Bourbon Street's oft-predicted demise: "It has survived...

References
1.	Ken Daley, "Bourbon Street Shooting Leaves 10 Wounded, 2 Critically, Tourism Image Scarred," NOLA.com, June 30, 2014, http://www.nola.com/crime/index.ssf/2014/06/bourbon_street_gunfight_leaves.html; Helen Freund, "Bourbon Street Shooting Victim, 21, Dies," NOLA.com, July 2, 2014, http://www.nola.com/crime/index.ssf/2014/07/bourbon_street_shooting_victim.html.
2.	Julie Levinson, The American Success Myth on Film (New York: Palgrave Macmillan, 2012), 11–12.
3.	J. Mark Souther, New Orleans on Parade: Tourism and the Transformation of the Crescent City (Baton Rouge: Louisiana State University Press, 2006), 226. Political scientist Paul A. Passavant makes a similar argument in "Mega-Events, the Superdome, and the Return of the Repressed in New Orleans," in The Neoliberal Deluge: Hurricane Katrina, Late Capitalism, and the Remaking of New Orleans, ed. Cedric Johnson (Minneapolis: University of Minnesota Press, 2011), 87–129.
4.	Kevin Fox Gotham and Miriam Greenberg, Crisis Cities: Disaster and Redevelopment in New York and New Orleans (Oxford: Oxford University Press, 2014), viii. For other examples of recent scholarship critical of the market-driven approach to post-Katrina recovery, see Vincanne Adams, Markets of Sorrow, Labors of Faith: New Orleans in the Wake of Katrina (Durham: Duke University Press, 2013); John Arena, Driven from New Orleans: How Nonprofits Betray Public Housing and Promote Privatization (Minneapolis: University of Minnesota Press, 2012); Cedric Johnson, ed., The Neoliberal Deluge: Hurricane Katrina, Late Capitalism, and the Remaking of New Orleans (Minneapolis: University of Minnesota Press, 2011); Lawrence N. Powell, "What Does American History Tell Us about Katrina and Vice Versa?," Journal of American History 94, no. 3 (December 2007): 863–876; Lynnell L. Thomas, Desire and Disaster in New Orleans: Tourism, Race, and Historical Memory (Durham: Duke University Press Books, 2014), 158–173.
5.	Clyde Woods, "Katrina's World: Blues, Bourbon, and the Return to the Source," American Quarterly 61, no. 3 (2009): 448.
6.	Passavant, "Mega-Events, the Superdome, and the Return of the Repressed in New Orleans."
7.	For an analysis of the implications of Campanella's privileging of experience-knowledge, see Emma Lirette, "Category 3 Gentrification: On New Orleans's Population Trends and the Hostility of Internet Commenters," Southern Spaces, April 17, 2013, https://southernspaces.org/blog/category-3-gentrification-new-orleanss-population-trends-and-hostility-internet-commenters.
8.	By a cruel irony, the June 2014 Bourbon Street shooting occurred just outside Johnny White's bar, the same bar that famously stayed open during and after Hurricane Katrina. The fact that this Bourbon Street institution has served as both a symbol of the city's rebirth and a reminder of its rampant violence and criminalizaton highlights the relationship between geographies of pleasure and pain. See, Benjamin Alexander-Bloch, "Bourbon Street Shooting Sent Bystanders Rushing into Nearby Businesses," NOLA.com, June 29, 2014, http://www.nola.com/crime/index.ssf/2014/06/as_bourbon_street_shooting_occ.html; Richard Campanella, Bourbon Street: A History (Baton Rouge: Louisiana State University Press, 2014), 310.

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