Southern Spaces Stands with the Movement for Black Lives
..."there are several million ways to murder."1James Baldwin, "We Can Change the Country," in The Cross of Redemption: Uncollected Writings, ed. Randall Kenan (New York: Penguin Random House, 2010), 61....
Wounds, Vines, Scratches, and Names: Signs of Return in Southern Photography
...and illness make on her husband Larry’s body and the flaws in the contact prints made from wet-plate collodion negatives, a nineteenth-century processing method. This doubled subject matter highlights the...
Prop Master at Charleston's Gibbes Museum of Art
...contributed to the content/ of this online presentation of the Prop Master exhibit. Gibbes Executive Director and Chief Curator Angela Mack conceived of the idea to contact Susan and Juan...
An Oyster by Any Other Name
...Pass. The sheer number of oysters in one place was notable, however the history came from the laminated nametags accompanying each sampling of oysters. Rather than numeric codes in fine...
#598, Common Meter
...And here my spirit waiting stands, Till God shall bid it fly. 3) ‘Tis he, by his almighty grace That forms thee fit for heaven: And...
Tuscaloosa: Riversong
...will defeat me and my tribe. Who is he to imagine he will kill me with his songs, sacred or commonplace? Who is he to be sure that his spirits...
Place and Pluralism: The “Georgia Harmonies” Traveling Exhibition
...“Georgia Harmonies: Celebrating Georgia Roots Music” opened at the Harris Arts Center in Calhoun, Georgia. The first of a dozen stops in Georgia of “New Harmonies” (a project of the...
Roadside Architecture
...my interest. When I first arrived at the University of Mississippi in 1999, after sixteen years in Texas, I felt a pressing need to explore my new surroundings, both locally...
"Possum on Terrace": A Typed Manuscript from John Egerton on Journalist Johnny Popham
...conference and Popham's biography. A Virginia native, Popham was sent by the New York Times to cover the US South in the mid-twentieth century. In 1958, after twenty-five years on...
Black. Queer. Southern. Women.
...the oral history interviews for the book? Themes of spirituality, sexual fluidity, nomenclature, and queerness (9:08). Part Four Johnson acknowledges several women in his oral history project who have helped...