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The Potential of Historical GIS and Spatial Analysis in the Humanities

Presentation Question and Answer Session About the Speaker S. Wright Kennedy is a doctoral candidate in the History Department at Rice University. His primary area of interest is the integration...

"Out Yonder on the Road": Working Class Self-Representation and the 1939 Roadside Demonstration in Southeast Missouri

...than those on the other side of the camera. The images captured along Highways 60 and 61 in the Bootheel were made possible by the conscious efforts of rural people...

Ossabaw Island Flyover

Video and Essay https://vimeo.com/391985688 Ossabaw Island is a barrier island on the Georgia coast. The island, which trends northeast–southwest, is about 14.5 kilometers (9 miles) long and 10.5 kilometers (6.6...

Southern Spaces Stands with the Movement for Black Lives

...of Education Sciences, National Center for Education Statistics, https://nces.ed.gov/programs/coe/indicator_csc.asp. On racism and oppression in academia, see Salvador Vidal-Ortiz, "Dismantling Whiteness in Academe," Inside Higher Ed, November 10, 2017, https://www.insidehighered.com/advice/2017/11/10/how-whiteness-structuring-interactions-higher-education-essay. On...

Memphis: Cotton Fields, Cargo Planes, and Biotechnology

...deeply rooted in the city and regional economic structure, as well as historic patterns of rural-urban migration and ties to agricultural and industrial development. Wanda Rushing, Wall painting in...

Joshua McCarter Simpson's "To the White People of America" (1854)

...the project director and editor-in-chief of Sounding Spirit, a research lab and publishing initiative promoting collaborative engagement with historical American songbooks. Karlsberg is an internationally recognized singer, teacher, composer, and songbook...

References
1.	See Horace Clarence Boyer, Golden Age of Gospel (Champaign: University of Illinois Press, 2000); Jon Spencer, Protest and Praise: Sacred Music of Black Religion (Minneapolis, MN: Fortress Press, 1991); Michael W. Harris, Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church (New York: Oxford University Press, 1994); Bob Darden, People Get Ready! A New History of Black Gospel Music (New York: Bloomsbury, 2004); Anthony Heilbut, Gospel Sound: Good News and Bad Times (New York: Simon and Schuster, 1971); Pearl Williams-Jones, "Afro-American Gospel Music: A Crystallization of the Black Aesthetic," Ethnomusicology 19, no. 3 (1975) 373–385; Robert M. Marovich, A City Called Heaven: Chicago and the Birth of Gospel Music (Champaign, University of Illinois Press, 2015); and Jerry Zolten, Great God A'Mighty! The Dixie Hummingbirds: Celebrating the Rise of Soul Gospel Music (New York: Oxford University Press, 2003)
2.	Fortunately, digging deeper into gospel's more recent history has been made easier with the important work of scholars like Mellonee V. Burnim, Brooksie Eugene Harrington, Deborah Pollard Smith, Jon Spencer, Guthrie Ramsey, and Birgitta Johnson. In addition, historians like Shawn David Young and David Stowe provide useful insights into the contemporary Christian music genre. Brooksie Eugene Harrington, "Shirley Caesar: A Woman of Words" (PhD diss., Ohio State University, 1992); Birgitta J. Johnson, "Back to the Heart of Worship: Praise and Worship Music in a Los Angeles African-American Megachurch," Black Music Research Journal 31, no. 1 (2011): 105–129; Deborah Smith Pollard, When the Church Becomes Your Party: Contemporary Gospel Music (Detroit, MI: Wayne State University Press, 2008); Spencer, Protest and Praise; David W. Stowe, No Sympathy for the Devil: Christian Pop Music and the Transformation of American Evangelicalism (Chapel Hill: University of North Carolina Press, 2013); Shawn David Young, Gray Sabbath: Jesus People USA, the Evangelical Left, and the Evolution of Christian Rock (New York: Columbia University Press, 2015); Guthrie P. Ramsey, Race Music: Black Cultures from Bebop to Hip-Hop (Berkeley: University of California Press, 2004).
3.	Geoffrey Himes, "Shout It! Gospel According to Shirley Caesar," Washington Post, April 3, 1987, B7.
4.	John P. Kee, Wait on Him (Tyscot Records, 1991).
5.	Christina Greene, Our Separate Ways: Women and the Black Freedom Movement in Durham, North Carolina (Chapel Hill: University of North Carolina Press, 2005).
6.	"Obituary," Carolina Times, January 31, 1981.
7.	Bobby Jones and Lesley Sussman, Touched by God: Black Gospel Greats Share Their Stories of Finding God (New York: Pocket Books, 1998), 239.
8.	Carol B. Stack, Call to Home: African Americans Reclaim the Rural South (New York: Basic Books, 1996); Sabrina Pendergrass, "Perceptions of Race and Region in the Black Reverse Migration to the South," Du Bois Review: Social Science Research on Race 10, no. 1 (2013): 155–178; George Gmelch, "Return Migration," Annual Review of Anthropology 9 (1980): 135–159; Larry H. Long and Kristin A. Hansen, "Trends in Return Migration to the South," Demography 12, no. 4 (1975): 601–614.
9.	David D. Porter and Rosalyn Gist Porter, "The Changing Profile of Charlotte," Black Enterprise 13 (June 1983): 180.
10.	Jones, Touched by God, 242.
11.	Robert Darden, "New Life's 'Wait on Him' Is an Overnight Hit for John P. Kee," Billboard, February 24, 1990, 45.