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Separate and Unequal Schools: The Past Is Future

...no reliable data on the number of children with special needs enrolled in private schools. A small number were established to serve special needs students, but the vast majority do...

Vale of Amusements: Modernity, Technology, and Atlanta's Ponce de Leon Park, 1870–1920

...York numbered approximately eight-hundred-thousand residents. Atlanta, by comparision, had a population of just above nine-thousand residents, making it the ninety-ninth largest city in America behind Hoboken, New Jersey; Columbus, Georgia;...

"The Emblem of North American Fraternity": Opossums and Jim Crow Politics

...Evening Telegraph, Jan. 3, 1894, 9; "Lovers of 'Possums: Indianapolis Epicures Who Fancy the Toothsome Dish," The Indianapolis (IN) Journal, Part Two, Dec. 28, 1902, https://chroniclingamerica.loc.gov/lccn/sn82015679/1902-12-28/ed-1/seq-13/; "Oh, Carve Dat 'Possum: First Annual...

Creolization as Cultural Continuity and Creativity in Postdiluvian New Orleans and Beyond

...not an American city. It was a Caribbean city. Once you recalibrate, it becomes the best governed, cleanest, most efficient, and best-educated city in the Caribbean. New Orleans is actually...

Low-Wage Legacies, Race, and the Golden Chicken in Mississippi: Where Contemporary Immigration Meets African American Labor History

...percent is white, and almost 25 percent self-identifies as "Hispanic."5US Bureau of the Census, "Forest City, Mississippi, Profile of General Population and Housing Characteristics, 2010," accessed December 23, 2013, http://factfinder2.census.gov/faces/tableservices/jsf/pages/productview.xhtml?pid=DEC_10_DP_DPDP1....

"Within Thy Circling Pow'r I Stand": Immersive Video from Sacred Harp's Hollow Square

...cameras into a series of 360-degree videos.3Janko Roettgers, "Google Is Shutting Down Its Jump VR Video Program," Variety (blog), May 18, 2019, https://variety.com/2019/digital/news/google-jump-shutting-down-1203219306/. We used the Sennheiser Ambeo VR microphone...

Search Results for cheap airline tickets from kansas city to indianapolis phone number 1-800-299-7264

Separate and Unequal Schools: The Past Is Future

Vale of Amusements: Modernity, Technology, and Atlanta's Ponce de Leon Park, 1870–1920

"The Emblem of North American Fraternity": Opossums and Jim Crow Politics

Creolization as Cultural Continuity and Creativity in Postdiluvian New Orleans and Beyond

Low-Wage Legacies, Race, and the Golden Chicken in Mississippi: Where Contemporary Immigration Meets African American Labor History

"Within Thy Circling Pow'r I Stand": Immersive Video from Sacred Harp's Hollow Square

The Color of Democracy: A Japanese Public Health Official’s Reconnaissance Trip to the US South

DDT Disbelievers: Health and the New Economic Poisons in Georgia after World War II

Revisiting Flaherty's Louisiana Story

References
1.	Cajun Country, dir. Alan Lomax (Media Generation: 1991). A streaming version of this documentary may be viewed at http://www.folkstreams.net/film,125. For more on the complex and ongoing study and discussion of what constitutes, Creole, Cajun, and the cultural Creolization of southern Louisiana see Nicholas R. Spitzer, "Monde Créole: The Cultural World of French Louisiana Creoles and the Creolization of World Cultures," The Journal of American Folklore 116:459 (2003): 57-72.
2.	Shane K. Bernard, The Cajuns: Americanization of a People (Jackson, MS: University Press of Mississippi, 2003): 86-87.
3.	In our interview with J. C. Boudreaux, he expressed similar mixed sentiments about the benefits and costs of the modernization of Acadiana, as does Carl Brasseaux, Director for the Center of Louisiana Studies at the University of Louisiana at Lafayette in an interview included in one of the Revisiting student projects.
4.	For their part Ellis and McLane choose to argue that classicism rather than romanticism is the best was to characterize Flaherty's work. New History of Documentary Film (NY: Continuum, 2008).
5.	Michael Renov, The Subject of Documentary, (Chicago: University of Chicago Press, 2004).
6.	Ibid., 105.
7.	Jack C. Ellis and Betsy A. McLane, A New History of Documentary Film, (NY: Continuum, 2008): 18.
8.	Ibid., 21.
9.	André Bazin, "Lettre de Sibérie, un style nouveau L'Essai documenté,'" France Observateur. 1958. Reprinted as "Bazin on Marker," trans. Dave Kehr, Film Comment 39:4 (2003): 44-45. In discussing Chris Marker's Letter from Siberia as an essay film, Bazin declares that the word "essay [is to be] understood in the same sense that it has in literature—an essay at once historical and political, written by a poet as well."
10.	Della Pollock, "Making History Go." Exceptional Spaces: Essays in Performance and History (Chapel Hill: University of North Carolina Press, 1998): 11.
11.	Stella Bruzzi, New Documentary: A Critical Introduction (New York: Routledge, 2000): 6.
12.	Brian Rusted, "Re: Visiting Flaherty," Critical review of Revisiting Flaherty's Louisiana Story. Unpublished ms.: Proceedings of the Performance Studies International Conference, Aug. 2008. Forthcoming in Liminalities (http://liminalities.net/).
13.	Jay Ruby, Picturing Culture (Chicago: University of Chicago Press, 2000): 67-93. See also Ruby's "A Re-examination of the Early Career of Robert J. Flaherty", Quarterly Review of Film Studies 5.4 (1980): 431-457.
14.	Mikhail M. Bakhtin, Problems in Dostoevsky's Poetics, trans. and ed. Caryl Emerson, (Minneapolis: University of Minnesota Press, 1984): 73.
15.	Gary Saul Morson and Caryl Emerson, Mikhail Bakhtin: Creation of a Prosaics, (Stanford: Stanford University Press, 1990): 239.
16.	Ibid, 242.
17.	Rusted, op cit. We wish to thank Brian Rusted for his enthusiasm for our project and for his work on understanding documentary as performance, especially his notion of the potential in "reintroducing the performing body" into reading documentary and moving away from the "textual orientation" to documentary practices that has predominated in the history of its theory and criticism.
18.	Helen van Dongen, "Filming Robert Flaherty's Louisiana Story," The Helen van Dongen Diary, ed. Eva Orbanz (New York: Museum of Modern Art, 1998): 43.
19.	Robert Flaherty and Francis Flaherty, Working Title Louisiana Story. Filmscript. Undated. Avery Island, Louisiana: McIlhenny Co. Archives. We thank Shane K. Bernard, Curator of the McIlhenny Archives and scholar of Cajun history and culture, for his generous assistance with this project.
20.	Van Dongen, op cit., 31.
21.	Ruby, op cit., 151-180; 239-279.
22.	Bill Nichols, Blurred Boundaries (Indianapolis: Indiana University Press, 1995): 92-106. To be sure, Nichols' modes of documentary representation are not meant to be strictly chronological, but the concluding section of this chapter of Blurred Boundaries especially aligns the performative mode with the "paradigm shift" of post-modernity (105-06).
23.	André de LaVarre's 'Quaint Folks': Cajuns of the Teche, Columbia Pictures, 1942. The spelling of LaVarre's name varies from film to film made over his long career as travel and sports photographer and filmmaker; information about him may be found at http://www.burtonholmes.org/associates/andredelavarre.html.
24.	Erik Barnouw, Documentary: A History of the Non-fiction Film, second revised edition, (New York: Oxford University Press, 1993): 48-51.
25.	Arnold Eagle, a photographer on assignment for Standard Oil to shoot production stills of Louisiana Story, befriended Flaherty and with his encouragement made the 1949 documentary short, The Pirogue Maker. The film features boatmaker Abdon Allemon, who is depicted making the pirogue used in Flaherty's film. It can be viewed on line at Folkstreams.net. Although a title on Eagle's film conjectures that "It may well have been the last pirogue made in Louisiana," there are, in fact, still a few practicing pirogue-makers. My pirogue was made by the late Raymond Sedotal, whose profile appears on Northwestern State University's Louisiana Folklife Center's website.
26.	Ned Simmons, interview by Patricia Suchy, Jim Catano, and Rob Rombout, Avery Island, LA, October 25, 2006.
27.	Quoted in Paul Rotha, Robert J. Flaherty: A Biography, ed. Jay Ruby (Philadelphia: University of Pennsylvania Press, 1983): 5.