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Southern Spaces

A journal about real and imagined spaces and places of the US South and their global connections

A Sleight of History: University of Alabama's Foster Auditorium

...Foster Auditorium, once the university hub, is now relegated to the margins of campus. The building, completed in 1939, served as the site of basketball games, dances, registration, and graduation...

Three Black Towns: An Excerpt from Black Landscapes Matter

..."National Register of Historic Places Registration Form: Eatonville Historic District," September 9, 1997, https://npgallery.nps.gov/GetAsset/e5fa60c5-551d-41d3-bbef-2a52ff3a7b0b. Eatonville was a fully developed town featuring a bustling business district, churches, and one of the...

Brick by Brick: Atlanta’s Collier Heights

...Interior, National Park Service, National Register of Historic Places Registration Form: Collier Heights Historic District Application, NPS Form 10-900,OMB No. 1024-0018, received by NPS May 15, 2009, http://www.nps.gov/nr/publications/sample_nominations/CollierHeightsHD.pdf. Map of...

How I Shed My Skin

Presentation and Review Civil rights narratives often empower and embolden, promoting faith in possibilities, hope for rectifying inequities. More sober assessments show that, though we've come a long way—thanks to...

No Place To Be Displaced: Katrina Response and the Deep South's Political Economy

...people of color, and women. The extreme inequality in these states reflects a white southern legacy of a government/elite/corporate alliance that promoted slavery and the plantation system; post-slavery agricultural peonage;...

Confederates in Mexico: Lost Cause or New South Vanguard?

...to a "hemispheric south" where planters and railroad promoters envisioned business and trade networks across the Mexican borderlands and into Latin America during the last third of the nineteenth century...

Diversity and Its Discontents: A Review of Behind the White Picket Fence

...inequality. This ideology allows white residents to celebrate progressiveness while failing to promote meaningful inclusion. Creekridge Park Demographics. Map by George Mayorga. From Behind the White Picket Fence: Power and Privilege in...

Prop Master at Charleston's Gibbes Museum of Art

...The shape of Juan Logan and Susan Harbage Page's installation mirrors that of the gallery in order to comment on how culture — rituals, codes, manners, and customs — is...

A City Divided

...(though obviously these codes could and were violated).9On racial social codes, see Leon Litwack, Trouble in Mind: Black Southerners in the Age of Jim Crow (New York: Knopf, 1998). Perhaps the mixed-race, mixed...

Three Poems and a Critique of Postracialism

...code." Is "She" "the poet" or Paul's "ivory spouse"? Given that generational confusions-of-tongues are a central feature of much of Alexander's poetry, it could well be both. In any case,...

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References
1.	Peniel E. Joseph, "Our National Postracial Hangover" Chronicle of Higher Education, 27 July 2009. On the Gates affair, see especially Charles J. Ogletree, The Presumption of Guilt: The Arrest of Henry Louis Gates, Jr. and Race, Class, and Crime in America (New York: Palgrave Macmillan, 2010).
2.	Colson Whitehead, "The Year of Living Postracially," The New York Times, November 4, 2009.
3.	The Colbert Report, episode no. 153, first broadcast October 26, 2009 by Comedy Central. Colbert went on to suggest that Cornell West rename his signature book "Race Mattered."
4.	David A. Hollinger, "The Concept of Post-Racial: How Its Easy Dismissal Obscures Important Questions," Daedalus 140, no. 1 (Winter 2011): 175.
5.	See especially Paul Gilroy, Against Race: Imagining Political Culture Beyond the Color Line (Cambridge: Belknap Press of Harvard University Press, 2000).
6.	Edward S. Casey, "How to Get From Space to Place in a Fairly Short Stretch of Time: Phenomenological Prolegomena," in Senses of Place, Steven Feld and Keith H. Basso, eds. (Santa Fe: School of American Research Press, 1996), 19. I should note that in this essay and elsewhere Casey's claims are broad. He often uses the collective "we" or "human beings" to describe the purview of his philosophical project (e.g., "we are not only in places but of them" [19]). Nonetheless, as I argue in the broader project of which this essay is a part, Casey's concept of emplacement has particular urgency for raced human beings.
7.	On the genius loci trope, see Geoffrey H. Hartman, "Romantic Poetry and the Genius Loci" in Beyond Formalism: Literary Essays, 1958–1970 (New Haven: Yale University Press, 1970), 311–36; Roberto M. Dainotto, Place in Literature: Regions, Cultures, Communities (Ithaca, NY: Cornell University Press, 2000); and John D. Kerkering, "American Renaissance Poetry and the Topos of Positionality: Genius Mundi and Genius Loci in Walt Whitman and William Gilmore Simms" Victorian Poetry 43, no. 2 (Summer 2005): 223–248.
8.	Elizabeth Alexander, The Venus Hottentot (Saint Paul: Graywolf Press, 2004 [1990]), 50.
9.	Elizabeth Alexander, Antebellum Dream Book: Poems (Saint Paul: Graywolf Press, 2001), 22.
10.	Elizabeth Alexander, "Natasha Trethewey Interviews Elizabeth Alexander," Southern Spaces, December 10, 2009, https://southernspaces.org/2009/natasha-trethewey-interviews-elizabeth-alexander. On passing narratives in twentieth-century American literature, see especially Gayle Wald, Crossing the Line: Racial Passing in Twentieth-Century US Literature and Culture(Durham: Duke University Press, 2000).
11.	See especially Elizabeth McLagan, A Peculiar Paradise: A History of Blacks in Oregon (Portland: Georgian Press, 1980).
12.	Elizabeth Alexander, "Natasha Trethewey Interviews Elizabeth Alexander."
13.	Natasha Trethewey, Native Guard (Boston: Houghton Mifflin, 2006), 36.
14.	Natasha Trethewey, Native Guard (Boston: Houghton Mifflin, 2006), 35.
15.	Thadious M. Davis, Southscapes: Geographies of Race, Region, and Literature (Chapel Hill: University of North Carolina Press, 2011), 58.
16.	Davis offers little help here, noting, "The Fugitives' rural iconography is made obsolete by the sound of the bulldozers building more of the city, Southscapes, 78."
17.	The paradoxes of Atlanta's uneven development and race relations have been exhaustively documented by Ronald H. Bayor, Larry Keating, Kevin M. Kruse, and David L. Sjoquist. Since the 1996 Olympics, it has become a critical doxa to describe Atlanta as an urban space characterized by its "sense of placelessness"—a "nonplace," if you will.
18.	One imagines that Robert Penn Warren and Allen Tate might have admired Trethewey's formal commitments and/or keen interest in Civil War memory. It bears repeating, this is a very well-wrought sonnet in a collection of poems called Native Guard.
19.	Davis, Southscapes, 57.
20.	Robert Lowell, For the Union Dead (New York: Farrar, 1964), 70.
21.	C. S. Giscombe, Prairie Style (Champaign, IL: Dalkey Archive Press, 2008), 22.
22.	Ron Sillman, in C. S. Giscombe, Giscome Road (Champaign, IL: Dalkey Archive Press, 1994), back cover.
23.	Giscombe, Prarie Style, xiii.
24.	C. S. Giscombe, Into and Out of Dislocation (New York: North Point Press, 2000), dust jacket.
25.	Giscombe, Prairie Style, 68–69.
26.	Max Cavitch, American Elegy: The Poetry of Mourning from the Puritans to Whitman (Minneapolis: University of Minnesota Press, 2007), 1.
27.	Peniel E. Joseph, "Our National Postracial Hangover: With the Gates Fiasco, the Rosy Glow Has Faded," The Chronical of Higher Education, 27 July, 2009, http://chronicle.com/article/Our-National-Postracial/47462/.
28.	George Lipsitz, How Racism Take Place (Philadelphia: Temple University Press, 2011), 5.
29.	Ibid., 5.
30.	For a powerful, related claim about poetry's representation power, see Neville Hoad, "Three Poems and a Pandemic" in Political Emotions: New Agendas in Communication, ed. Janet Steiger et al. (New York: Routledge, 2010).