Prop Master at Charleston's Gibbes Museum of Art
...idealized accounts of "Dixie." Denigrating stereotypes deployed in Song of the South prevented its release, in its entirety, in the United States, although the song "Zip-a-Dee-Doo-Dah" won the 1947 Academy...
The Mobility of Faith: Cross Sections of Haitian Religion in Miami
...of Vodou practice, it offers only scant engagement with the phenomenon in the United States. Instead, Rey and Stepick emphasize four stages of Vodou practice in the Miami diaspora: its...
Keep Your Eye upon the Scale
...the 1974 Wales Miners' Strike, part of a series of national mining strikes across the United Kingdom. When Gaventa returned to the United States, sociologist Helen Lewis invited him to show the...
Sea Changes in Personhood
...the zone of the American tropics, in which Monique Allewaert includes the United States and the Caribbean. Each of the chapters focuses on expressions of a "minoritarian colonial conception of...
Eggleston's South: "Always in Color"
...artist. Born in Memphis in 1939, Eggleston grew up there and in Sumner, Mississippi, at his grandparent's home. While Eggleston has worked across the United States including Califorinia, New York,...
Vivir en las Fronteras: Inmigrantes Maya de Guatemala en el Sur de los Estados Unidos
William Brown, Emory University Mary Odem, Emory University Ana María Diaz Burgos, Traductor Published: 12 July 2011 William Brown and Mary Odem, Niños bailando en el día de la celebración...
The US South and the 2008 Election
...capital and federal dollars moved southward, people followed. In the 1960s, the South reversed a historic trend: more people moved into this section of the United States than out of...
When the Border Crossed Me
...agriculture. The borderlands overtook me personally and professionally. I cannot escape their meaning—not just down at the southern line below the United States, but the little borders everywhere in our...
Elegy for the Native Guards
Poem Elegy for the Native Guards Now that the salt of their blood Stiffens the saltier oblivion of the sea . . . —Allen Tate We leave Gulfport at noon;...
No Country for Old Hippies: Jason Mellard's Progressive Country
...of traditional Texanness and modern liberalism" (163). Playing the part of the manly, uncouth Texan, LBJ signed crucial legislation of the civil rights era while stubbornly insisting that the United...