A Horrible, Beautiful Beast
...stories' version. The old white supremacist, Lost Cause telling of the past has died and in its place sprout multiple shoots. It is exactly this new liberal standard that Kara...
Beyond Fairyland: Writing and Curating Queer Miami
...they are often given few opportunities to better understand its complicated past. Cuban refugees aboard the Captain Preston who came to the United States during the Mariel Boatlift, Miami, Florida,...
Retelling Virginia's Migration History
...of return migration would have paralleled many travelers' comings and goings between continents. John Smith’s story questions the dichotomy between "immigrant" and "colonist," or "settler.” Among the other eight profiles...
MARBL Highlights: The Black Comic Books Collection
Big City Bird’s Eye View. Artistic rendering by Dawud Anyabwile. Courtesy of Dawud Anyabwile. Antonio Valor. Character drawing by Dawud Anybwile. Courtesy of Dawud Anyabwile. Emory University’s Manuscript, Archives, and...
The Suburban Wild: Coyotes in Druid Hills
...sometimes draw between human and animal worlds. Central to the concept of coexistence is modifying the behavior of both human and animal, requiring an ongoing effort to sustain a dialogue-of-sorts...
The Bulletin—June 12, 2012
...a Task Force on Digital Scholarship to assess the state of digital scholarship in the historical profession, evaluate tenure and promotion practices and graduate training, and issue guidelines for the evaluation...
Rose Library Highlights: Amos Kennedy, Jr.
Amos Kennedy Print, Kennedy and Sons Collection, Emory University Manuscript, Archives, and Rare Book Library. On March 15, 2016, acclaimed printmaker Amos Kennedy, Jr. participated in a public conversation about...
A Review of Lawrence N. Powell's The Accidental City: Improvising New Orleans
...built there because they had already claimed land concessions in the area. Powell’s book chronicles the town’s history from the time of Bienville to the Battle of New Orleans, explaining...
Three AM and the Stars Were Out
...don't, don't because they know the younger vets shuck off these dark expeditions to me, thinking it's my job, not theirs, because I've done it so long I'm used to...
Wounds, Vines, Scratches, and Names: Signs of Return in Southern Photography
...They highlight its flow, capturing a present that passes even as the shutter closes. They evoke loss. But because a photograph exists, a former present—now past—can return again and again....