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Seeing Sound: Mapping Florentine Soundscapes

Presentation Question and Answer Session About the Speaker Niall Atkinson is Neubauer Family Assistant Professor of Art History and the College at the University of Chicago. His publications include The Noisy...

Vivir en las Fronteras: Inmigrantes Maya de Guatemala en el Sur de los Estados Unidos

William Brown, Emory University Mary Odem, Emory University Ana María Diaz Burgos, Traductor Published: 12 July 2011 William Brown and Mary Odem, Niños bailando en el día de la celebración...

A Mess of Poke

...on the menus of upscale restaurants featuring locally grown fare. You do not find it for sale at city farmer's markets or in Community-Supported Agriculture (CSA) deliveries. Allison O. Adams,...

Reframing Resistance: A Review of Freedom Now!

...paraphernalia from the civil rights movement, sold at the National Civil Rights Museum, Lorraine Motel, Memphis, Tennessee, March 31, 2013. Photograph of postcard courtesy of Erick Alvarado. © Erick Alvarado,...

Sacred Harp, "Poland Style"

...term to associate Sacred Harp singing with the authenticity, folkloricity, and exoticism that the term "southern" carries for audiences in the United States. Other singers explicitly associated the practices of...

Art, Diaspora, and Identity: The John Biggers Papers

...celebration of Biggers's thirtieth anniversary at TSU, a number of former students wrote to express gratitude to their teacher. "Thanks for being a guiding light for young black artists," wrote...

Imagining Southern Bodies: A Review of Sex, Sickness, and Slavery

Review A Gullah proverb warns, "every sick ain't fa tell de doctor" ("don't tell the doctor all your ailments"). After reading Sex, Sickness, and Slavery, the wisdom of that saying...

"Our Country"—Benjamin E. Wise's William Alexander Percy

...William Faulkner. Among a host of contributions to any number of scholarly debates, Wise's crisp and clear articulation of Percy's views of love and sexuality will attract the attention of...

References
1.	Full disclosure: I reviewed this book for the press and watched it evolve from a solid praiseworthy Rice University dissertation into an exhilarating path-breaking first monograph of importance for several fields of study.
2.	Donald H. Mader, "The Greek Mirror: The Uranians and Their Use of Greece," in Same-Sex Desire and Love in Greco-Roman Antiquity and in the Classical Tradition of the West, ed. Beert C. Verstraete and Vernon Provencal (Binghamton, NY: Harrington Park Press, 2005), 388.
3.	Quoted in Robert Chauncey, Gay New York: Gender, Urban Culture, and the Makings of the Gay Male World, 1890-1940 (New York: Basic Books, 1994), 179.
4.	McKay Jenkins, The South in Black and White: Race, Sex, and Literature in the 1940s (Chapel Hill: University of North Carolina Press, 1999), 103; Bertram Wyatt-Brown, The House of Percy: Honor, Melancholy, and Imagination in a Southern Family (New York: Oxford University Press, 1994), 205; Richard H. King, A Southern Renaissance: The Cultural Awakening of the American South (New York: Oxford University Press, 1980), 97. Others have discussed Percy’s sexuality in more positive terms, most notably William Armstrong Percy in "William Alexander Percy: His Homosexuality and Why It Matters," in John Howard, ed., Carryin’ On in the Gay and Lesbian South (New York: New York University Press, 1997), 75–92. My treatment of Will Percy picks up on several of the themes in William Armstrong Percy’s 1997 essay. See also Donald Mader, "The Greek Mirror,"; and Kieran Quinlan, "From William Alexander Percy to Walker Percy: Progress or Regress?," European Contributions to American Studies 65 (2006): 143–54.

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