Making Space: A Review of Robert Paulett's An Empire of Small Places
...expressed by the participants' point-to-point network of small places, a tension between the ideal and real. With no defined boundaries between southeastern occupants, Europeans drafted manuscript maps that reinforced imagined...
Discursive Memorials: Queer Histories in Atlanta's Public Spaces
...were born before or during World War II and lived in Atlanta or the US South during most of their adulthood or at least prior to the late 1960s. The...
I-26, Corridor of Change
...road cuts through some of the most rugged country in the eastern US, along centuries-old routes used by Natives and settlers. Construction required the removal of hundreds of acres of...
Bricking the Church
...back when they set their minds and savings to it. They wanted to assert its form and presence if not in stone at least in hardened earth, urban weight, as...
Struggle Against Disease and Discrimination: The Jesse Peel Papers
...representing a cure for AIDS. The sculpture intended to memorialize those affected by the HIV/AIDS pandemic that led to 573,800 reported AIDS cases in the United States between 1981 and...
"Our Country"—Benjamin E. Wise's William Alexander Percy
...a great deal in the reading. With impressive powers of description, Wise builds narrative tension and constructs dramatic arcs without sacrificing complexity. The work strikes a balance between fluid forward-moving...
The Bulletin—May 8, 2013
...in and intellectually engaging with the US South. Brood II, a billions-strong legion of cicadas, is expected to emerge later this summer and overrun the East Coast from North Carolina...
"Gaps in People's Lacks": James Franco's As I Lay Dying
...and humanities polymath: a mash-up of John Cassavetes, Jean-Michel Basquiat, Will Oldham, Bret Easton Ellis, and Harold Bloom. As I write this, Franco is likely entering another field, and not...
Wounds, Vines, Scratches, and Names: Signs of Return in Southern Photography
...exactly in half. In the first half, Wylie has hung the show’s “historic” images—four Adams photographs of Eastern Kentucky from 1986-1988, the Christenberry prints ranging from 1973 to 1980, and...
The Bulletin—July 10, 2012
...that federal rgulators have failed to protect coal miners in eastern Kentucky, southern West Virginia, and southwestern Virginia from breathing excessive amounts of toxic coal dust over the last thirty...