Returning Home, Saxon Mills
...carrying her clothes, my unborn sister, nothing left of marriage but the cheap ring. There was her father, Lonnie, the house painter, in Lantana. Lonnie, always drinking, laughing at poverty....
The Save All Quilt [ca. 1880]
...be used in another block, but this is not the case. The quilt maker must add quarter-inch seam allowances on all sides when cutting templates for a pattern. The addition...
The Tulip Quilt [ca 1880]
...in quilts prior to the era. Chrome orange, a mineral dye, was frequently used as an accent in red and green quilts in the mid-nineteenth century. Construction: Mary's quilt is...
Rosa Snoddy's Handkerchief Quilt [ca 1905]
..."sheetings, drills and print cloths, including red fancy bandanas used by railroad men." [Source: Michael Leonard, Our Heritage: A Community History of Spartanburg County (Spartanburg: Band & White, 1986), p....
"Holding on to Those Who Can't Be Held": Reenacting a Lynching at Moore's Ford, Georgia
...be transacted and manipulated. Two highly charged objects--the automobile in which the victims are transported, and the doll used to represent Dorothy Dorsey’s unborn baby--help to mediate relations between the...
Paul's Crazy Quilt [ca 1875 and ca 1915]
...have done so in the decade after the war. She may have used the same red and green fabrics from which her daughter Mary cut the pieces for her Tulip...
Same-Sex Intimacy in Fiction about Southern Plantations
Same-Sex Intimacy in the Fiction of Southern Plantations Part 2: Bibler refers to Gaines’s novel Of Love and Dust, focusing on how same-sex relations can disrupt plantation hierarchies Part 3:...
North Carolina Runaway Slave Advertisements Project
...1840. With its comprehensive focus, the project is a useful resource for scholars and students interested in the history of slavery and resistance. In addition to scanned advertisements, the database...
Mississippi as Metaphor State, Region, and Nation in Historical Imagination
Mississippi as Metaphor Part 2: Dr. Crespino discusses and suggests the limits of James Silver’s image of Mississippi as “the closed society” Part 3: Dr. Crespino traces the idea of Mississippi as...
Aftermath
I think by now it is time for the second cutting. I imagine the field, the one above the last house we rented, has lain in convalescence long enough. The...