Rereading Local Color: Bill Hardwig's Upon Provincialism
...107). (Perhaps predictably, New Orleans reciprocated his affection: Hearn remains an important figure in New Orleans history and lore.) Hardwig helps us to make sense of some of Hearn's most...
Gold Records in Deep Space
...a Man he doesn't locate new venues for the blues, or new and original song writing. Instead, he assembles an impressive array of established artists to perform old tunes by...
The Dispossessions of Appalachia: A Review of Ramp Hollow
...(New Haven, CT: Yale University Press, 2009). Armed resistance to Hamilton's tax on distilled spirits, which did not distinguish between commercial and household production, arose from the high value of...
They Never Witnessed Such a Melodrama
...the opera house, so that an otherwise all too typical lynching became national, and even international, news. The story, for instance, appeared in a Paris newspaper, Le Petit Journal, along...
Joseph Crespino Interviews Thomas Mullen, Author of Darktown
...to their bank-robbing exploits. Even his novel The Revisionists (2011), although set in a dystopian future, examines historical agency. Mullen's newest book, Darktown (2016), is set in the racially polarized,...
Living with the Ghosts of Queer Pasts
...their newsletter, Skip Two Periods, to "Discovering Our Heritage." The writer, "B. F.," wrote about finding her heritage at the Lesbian Herstory Archives in Brooklyn, in Jonathan Ned Katz's book...
The Potential of Historical GIS and Spatial Analysis in the Humanities
...of spatial perspectives into the study of nineteenth-century US health and economics history. Kennedy is the lead investigator of the New Orleans Mortality Project, and from 2012 to 2015 he...
Nostalgia May Not Be the Right Word
...the other way to west, to wilderness, to where the future waits to open out its shining promise, destiny. Backwater meant new water then, where greatness waited, tilted toward the...
Queer Memory: Loss, Martyrs, and Memorialization in Southern Florida
...careless that his name is in one pile and not the other."13Matthew Dickman, "Grief," The New Yorker, May 5, 2008, http://www.newyorker.com/magazine/2008/05/05/grief-6 My purple gorilla was a pink flamingo—standing with its...
Spatial Humanities and Modes of Resistance: A Review of HyperCities
...(103). This multi-media interplay is a relatively new convention for academic writing. Here, old-school New Historicist methods comingle with explications of computer code and user interface to demonstrate how digital...