The X-Codes: A Post-Katrina Postscript
The X-Codes: A Post-Katrina Postscript Dorothy Moye, Upper Ninth Ward house with "KEN" marking from private contractor, 2009. It was a late afternoon in June 2006, and I was lost...
Life in a Shatter Zone: Debra Granik's Film Winter's Bone
...political geography to denote borderlands, especially ones to which members of subject or refugee populations migrated in large numbers to escape the pressures of the state and/or the capitalist economies...
An Excerpt from The Lesbian South: Southern Feminists, the Women in Print Movement, and the Queer Literary Canon
...the Dead but Not the Past: Ladies' Memorial Associations and the Lost Cause (Chapel Hill: University of North Carolina Press, 2008) and Micki McElya, Clinging to Mammy: The Faithful Slave...
Ireland’s First Sacred Harp Convention: “To Meet To Part No More”
...in graduate school at the University of Illinois, attended a number of singings in his home state in the late 1960s and early 1970s. Encountering Wesleyan’s strong ethnomusicology program, Bruce...
Interstate Road Project, Single-State History: Tammy Ingram's Look at the Dixie Highway
...of a number of "marked trails" of this era—would join existing local roads into a long-distance highway linking north and south. Not coincidentally, it would connect the metropolitan North with...
Preserving the Memory of Ybor City, Florida
...historian Hampton Dunn, who recognized the priceless value of the archive as a record of Tampa history. Dunn paid Cox $500 for an unspecified number of the negatives, some of...
Routes of Reconciliation: Visiting Sites of Cultural Trauma in the US South, Northern Ireland, and South Africa
...of Civil War reenactors, at best, and, at worst, modern Kluxers, trying to mainstream. Southern whites have celebrated the family, racial, and historical meanings of the Lost Cause, but these...
Rereading Local Color: Bill Hardwig's Upon Provincialism
...distinct communities, geographically isolated peoples" (10). Excepting Thomas Nelson Page and Joel Chandler Harris, this is a South largely free of plantation myths, lost causes, and moonlight and magnolias. A...
Wounds, Vines, Scratches, and Names: Signs of Return in Southern Photography
...less in these geographical facts than in their process and practice of return and the way their works layer space and time to evoke loss. All photographs play with time....
The War the Slaveholders Won: Indian Removal and the State of Georgia
Presentation About the Speaker Claudio Saunt is Richard B. Russell professor of American History, co-director of the Center for Visual History, and associate director of the Center for Native American Studies at...