LiFT Art Salon: Hammonds House II
...to appreciate smelly old books, discolored newspapers, and indecipherable manuscripts. I blame my parents—after all, they planted the seed that is now blossoming into full-blown archive fever. #DareToBe promotional materials,...
LiFT Art Salon: Hammonds House
...development projects that map new bastions of commerce onto existing urban footprints. Many mixed-use projects include residential neighborhoods replete with spaces targeting Atlanta's young creatives: performance venues for live music and art shows, community...
Public Health in the US and Global South
...taken up hookworm and pellagra as challenges. Funding for health reform began to increase after World War I. New Deal spending doubled the number of county health departments, from 396 in...
Mourning Medgar: Justice, Aesthetics, and the Local
Presentation Part 2: Gwin explores temporal and spatial dimensions of mourning, posing questions of how to mourn and celebrate Evers Part 3: Gwin situates aesthetic and ethical responses from Baldwin,...
Reuse, Author Choice, and the Open Access Spectrum: New Creative Commons Licenses for Southern Spaces Authors
Southern Spaces is now offering authors the option of distributing new work published in the journal under a Creative Commons license. Beginning in 2014, in addition to retaining copyright of...
The Potential of Historical GIS and Spatial Analysis in the Humanities
...of spatial perspectives into the study of nineteenth-century US health and economics history. Kennedy is the lead investigator of the New Orleans Mortality Project, and from 2012 to 2015 he...
Nostalgia May Not Be the Right Word
...the other way to west, to wilderness, to where the future waits to open out its shining promise, destiny. Backwater meant new water then, where greatness waited, tilted toward the...
Rereading Local Color: Bill Hardwig's Upon Provincialism
...107). (Perhaps predictably, New Orleans reciprocated his affection: Hearn remains an important figure in New Orleans history and lore.) Hardwig helps us to make sense of some of Hearn's most...
Joseph Crespino Interviews Thomas Mullen, Author of Darktown
...to their bank-robbing exploits. Even his novel The Revisionists (2011), although set in a dystopian future, examines historical agency. Mullen's newest book, Darktown (2016), is set in the racially polarized,...
Gold Records in Deep Space
...a Man he doesn't locate new venues for the blues, or new and original song writing. Instead, he assembles an impressive array of established artists to perform old tunes by...