The Joneses: Home Made in Mississippi
...job she can't be fired from, because she's a freelance bookkeeper, working mostly for her son Wade, which we do witness onscreen. She still has to work. Retirement is not...
Chattahoochee (excerpt)
...cover thee? — Job 38: 33-34 1 Like a spirit moving through the flower of moonlight hanging in the water, through the depth that never warms where carp and catfish...
Contesting the Roadways: The Moore's Ford Lynching Reenactment and a Confederate Flag Rally, July 25, 2015
...Revolution, 1863–1877 (New York: Harper and Row, 1988). In the decades following Reconstruction, white terrorists left lynching victims hanging by roads and railroad tracks. The emergence in the 1920s of...
Music and Mobility on the Streets of New Orleans: A Review of Roll with It
...and Spanish colonialism. The Tremé developed around Congo Square as one of the first neighborhoods of free people of color in the United States in the late eighteenth century.1For more...
Music, Race, and Representation Post-Katrina: A Review of New Orleans Suite: Music and Culture in Transition
...to a selection of images depicting places and spaces of spiritual and vernacular importance, this section provides a useful visual introduction to the analysis that follows. Fats Domino under the...
When the Border Crossed Me
...freedom to stay in place and their need to leave home to keep their farm alive. I was a beginning farmer hiring seasoned agriculturalists from another country to help make...
Southern Memory, Southern Monuments, and the Subversive Black Mammy
...and is the author of Mammy: A Century of Race, Gender, and Southern Memory (2008) and editor of Skin Deep, Spirit Strong: The Black Female Body in American Culture (2002)....
Something True about Louisiana: HBO's True Detective and the Petrochemical America Aesthetic
...and Refinery, Mississippi River Corridor, Louisiana, 1998 from Petrochemical America, photographs by Richard Misrach, Ecological Atlas by Kate Orff (Aperture, 2012). © Richard Misrach, courtesy of Pace/MacGill Gallery, New York;...
The Complete Oh-OK: Music as Child’s Play in Athens, Georgia
Essay Here’s for an expanding hope. —Oh-OK, “Brother,” 1982 Oh-OK, Furthermore What cover, DB Records, 1984. If you want to start an argument, just ask any 40- to 50-ish-year-old fan...
The Civil War and Emancipation 150 Years On
...Civil War Centennial Center, Downtown Richmond, 1962. Courtesy of the Valentine Richmond History Center. No other place embodied that particular spirit of 1961 quite as well as Richmond, the former...